Cormac McCarthy - Cities of the Plain

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VOLUME THREE OF THE BORDER TRILOGY In Cities of the Plain, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, between their vivid pasts and uncertain futures, to confront a country changing beyond recognition. In the fall of 1952, John Grady Cole and Billy Parham are cowboys on a New Mexico ranch encroached upon from the north by the military. On the southern horizon are the mountains of Mexico, where one of the men is drawn again and again, in this story of friendships and passion, to a love as dangerous as it is inevitable. 'In a lovely and terrible landscape of natural beauty and impending loss we find John Grady; a young cowboy of the old school, trusted by men and horses, and a fragile young woman, whose salvation becomes his obsession. McCarthy makes the sweeping plains a miracle' Scotsman 'This haunting, deeply felt novel completes one of the literary masterworks of the 1990s' Daily Telegraph 'The completed trilogy emerges as a landmark in American literature' Guardian

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He pulled out of the parking lot and headed back up the highway. Travis sat watching the truck until it was out of sight.

IV

WHEN HE got to the cafe in the Calle de Noche Triste the place was full and the girl was hurrying back and forth with orders of eggs and baskets of tortillas. She didnt know anything. She'd only come to work an hour ago. He followed her into the kitchen. The cook looked up from the stove and looked at the girl. QuiZn es? he said. The girl shrugged. She looked at John Grady. She balanced plates up her arm and pushed back out through the door. The cook didnt know anything. He said the waiter's name was Felipe but he wasnt here. He wouldnt be back until late afternoon. John Grady watched him for a few minutes while he turned the tortillas on the grill with his fingers. Then he pushed open the door and went back out through the restaurant.

He followed the trail of the cabdriver through the various sidestreet bars where he plied his trade. Bars where patrons from the prior night clutched their drinks and squinted in the light from the opening door like suspects under interrogation. He narrowly avoided two fights for refusing to accept a drink. He went to the Venada and knocked at the door but no one came. He stood outside the Moderno peering into the interior but all was closed and dark.

He went to the poolhall in Mariscal Street that was frequented by the musicians and where their instruments hung along the wall, guitars and mandolins and horns of brass or german silver. A mexican harp. He asked after the maestro but none had seen him. By noon he had nowhere else to go but to the White Lake. He sat in a cafe over a cup of black coffee. He sat for a long time. There was another place to go but he didnt want to go there either.

A dwarf of a man in a white coat led him down a corridor. The building smelled of damp concrete. Outside he could hear street traffic, a jackhammer.

The man pushed through a door at the end of the corridor and held the door and nodded him through and then reached and threw the lightswitch. The boy took off his hat. They stood in a room where the recent dead four in number lay on their coolingboards. The boards were trestled up on legs made from plumbing pipe and the dead lay upon them with their hands at their sides and their eyes closed and their necks in dark stained wooden chocks. None were covered over but all lay in their clothes as death had found them. They had the look of rumpled travelers resting in an anteroom. He walked along slowly past the tables. The overhead ceiling lights were covered with small wire baskets. The walls were painted green. In the floor a brass drain. Bits of gray mopstring twisted about the castered wheels under the tables.

The girl to whom he'd sworn his love forever lay on the last table. She lay as the rushcutters had found her that morning in the shallows under the shore willows with the mist rising off the river. Her hair damp and matted. So black. Hung with strands of dead brown weed. Her face so pale. The severed throat gaping bloodlessly. Her good blue dress was twisted about on her body and her stockings were torn. She'd lost her shoes.

There was no blood for it had all washed away. He reached and touched her cheek. Oh God, he said.

La conoce? said the orderly.

Oh God.

La conoce?

He leaned on the table, crushing his hat. He put his hand across his eyes, gripping his skull. Had he the strength he'd have crushed out all it held. What lay before him now and all else it might hold forever.

Se-or, said the orderly, but the boy turned and pushed past him and stumbled out. The man called after him. He stood in the door and called down the hallway. He said that if he knew this girl he must make an identification. He said that there were papers to be filled out.

THE CATTLE in the long Cedar Springs Draw up through which he rode studied him as they stood chewing and then lowered their heads again. The rider knew they could tell his intentions by the attitude of the horse he rode. He passed on and rode up into the hills and crested out on the mesa and rode slowly along the rim. He sat the horse facing into the wind and watched the train going up the valley fifteen miles away. To the south the thin green line of the river lay like a child's crayon mark across that mauve and bistre waste. Beyond that the mountains of Mexico in paling blues and grays washing out in the distance. The grass along the mesa underfoot twisted in the wind. A dark head of weather was making up to the north. The little horse dipped its head and he pulled it about and rode on. The horse seemed uncertain and looked off to the west. As if to remember the way. The boy booted him forward. You dont need to worry about it, he said.

He crossed the highway and crossed through the westernmost section of the McGregor ranch. He rode through country he'd not seen before. In the early afternoon he came upon a rider sitting his horse with his hands crossed loosely over the pommel of his saddle. The horse was a goodlooking black gelding with a savvy look to its eye. It was ochred to the knees from the dust of that country and the rig was an old rimfire outfit with visalia stirrups and a flat saddlehorn the size of a coffeesaucer. The rider was chewing tobacco and he nodded as John Grady rode up. Can I help you? he said.

John Grady leaned and spat. Meanin I aint supposed to be on your land, he said. He looked at the rider. A man a few years older than he. The rider studied him back with his pale blue eyes.

I work for Mac McGovern, John Grady said. I reckon you know him.

Yes, the rider said. I know him. You all got stock drifted up this way?

No. Not that I know oPS I just kindly drifted up this way myself.

The rider pushed the brim of his hat back slightly with his thumb. They were met upon a clay floodplain bereft of grass or any growing thing and the only sound the wind made was in their clothes. The dark clouds stood banked in a high wall to the north and a thin and soundless wire of lightning appeared there and quivered and vanished again. The rider leaned and spat and waited.

I was supposed to get married in two days' time, the boy said. The rider nodded but the boy said no more.

I take it you changed your mind.

The boy didnt answer. The rider looked off to the north and looked back again.

We might get some rain out of that.

We might. It's rained over in town the last two nights.

Have you had your dinner?

No. I guess I aint.

Why dont you come on to the house.

I better get on back.

I reckon she changed hers.

The boy looked away. He didnt answer.

There'll be anothern along directly. You'll see.

No there wont.

Why dont you come on to the house and take dinner with us. I appreciate it. I need to get back.

You remind me some of myself. Get somethin on your mind and just ride.

John Grady sat loosely holding the reins. He looked a long time out at the running country before he spoke. When he did speak the rider had to lean to catch his words. I wish I could ride, he said. I wish I could.

The rider wiped the corners of his mouth with the heel of his thumb. Maybe you'd better ought not to go back just yet, he said. Maybe you ought to just wait a little while.

I'd ride and I'd never look back. I'd ride to where I couldnt find a single day I ever knew. Even if I was to turn back and ride over ever foot of that ground. Then I'd ride some more.

I've been thataway, said the rider.

I better get on.

You sure you wont change your mind? We feed pretty good. No. I thank you.

Well.

I hope you get that rain up here.

I appreciate it.

He turned the horse and set out south down the broad floodplain. The rider turned his own horse and started back upcountry but he stopped before he'd gone far. He sat the horse and watched the boy riding out down the broad valley and he watched him for a long time. When he could see him no more he raised himself slightly in the stirrups. As if he might call after him. The boy never looked back. When he was gone the rider stayed a while yet. He'd dropped the reins and he sat with one leg crossed over the fork of the saddle and he pushed back his hat and leaned and spat and studied the country. As if it ought to have something to tell him for that figure having passed through it.

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