Cormac McCarthy - Cities of the Plain

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VOLUME THREE OF THE BORDER TRILOGY In Cities of the Plain, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, between their vivid pasts and uncertain futures, to confront a country changing beyond recognition. In the fall of 1952, John Grady Cole and Billy Parham are cowboys on a New Mexico ranch encroached upon from the north by the military. On the southern horizon are the mountains of Mexico, where one of the men is drawn again and again, in this story of friendships and passion, to a love as dangerous as it is inevitable. 'In a lovely and terrible landscape of natural beauty and impending loss we find John Grady; a young cowboy of the old school, trusted by men and horses, and a fragile young woman, whose salvation becomes his obsession. McCarthy makes the sweeping plains a miracle' Scotsman 'This haunting, deeply felt novel completes one of the literary masterworks of the 1990s' Daily Telegraph 'The completed trilogy emerges as a landmark in American literature' Guardian

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Three more dogs passed by the fire and sought out beds under the bluff. The stars swung west. The hunters talked of other things and after a while another dog came in. He was favoring a forefoot and Archer got up and walked up under the bluff to see about him. They heard the dog whine and when he came back he said they'd been in a fight.

Two more dogs came in and then all were in save one.

I'll wait a while if you all want to head back, Archer said.

We'll wait with ye.

I dont mind.

We'll wait a while. Wake up young Cole yonder.

Let him sleep, said Billy. He's been fightin that bear.

The fire burned down and it grew colder and they sat close to the flames and hand fed them with sticks and with old brittle limbs they broke from the windtwisted wrecks of trees along the rimrock. They told stories of the old west that once was. The older men talked and the younger men listened and light began to show in the gap of the mountain above them and then faintly along the desert floor below.

The dog they were waiting for came in limping badly and circled the fire. Travis called to her. She halted with her red eyes and looked at them. He rose and called her again and she came up and he took hold of her collar and turned her to the light. There were four bloody furrows along her flank. There was a flap of skin ripped loose at her shoulder exposing the muscle underneath and blood was dripping slowly from one ripped ear onto the sandy dirt where she stood.

We need to get that sewed up, Travis said.

Archer pulled a leash from among those he'd strung through his belt and he clipped it onto the Dring of her collar. She carried the only news they would have of the hunt, bearing witness to things they could only imagine or suppose out there in the night. She winced when Archer touched her ear and when he let go of her she stepped back and stood with her forefeet braced and shook her head. Blood sprayed the hunters and hissed in the fire. They rose to go.

Let's go, cowboy, Billy said.

John Grady sat up and reached about on the ground for his hat.

Hell of a lionhunter you turned out to be.

Is the peeler awake? said JC.

The peeler's awake.

A man that's been huntin that bear I dont believe these old mountain lions hold much interest.

I think you got that right.

Chips all down and where was he? And us at the mercy of the old folks here. Could of used some help, son. We been outlied till it's pitiful. I mean sent to the showers. Wasnt even a contest, was it Billy?

Not even a contest.

John Grady squared his hat and walked out along the edge of the bluff. The desert plain lay cold and blue below them in the graying light and the shape of the river running down from the north through the break of gray winter trees lay in a pale serpentine of mist. To the south the cold gray grid of the distant city and the shape of the older city across the river like stampings in the desert soil. Beyond them the mountains of Mexico. The injured hound had come from the fire where the men were sorting and chaining the dogs and it walked out and stood beside John Grady and studied with him the plain below. John Grady sat and let his boots dangle over the edge of the rock and the dog lay down and rested its bloody head alongside his leg and after a while he put his arm around it.

BILLY SAT LEANING with his elbows on the table and his arms crossed. He watched John Grady. John Grady pursed his lips. He moved the remaining white knight. Billy looked at Mac. Mac studied the move and he looked at John Grady. He sat back in his chair and studied the board. No one spoke.

Mac picked up the black queen and held it a moment and then set it back. Then he picked up the queen again and moved. Billy leaned back in his chair. Mac reached and took the cold cigar from the ashtray and put it in his mouth.

Six moves later the white king was mated. Mac sat back and lit the cigar. Billy blew a long breath across the table.

John Grady sat looking at the board. Good game, he said. It's a long road, said Mac, that has no turning.

They walked out across the yard toward the barn. Tell me somethin, Billy said.

All right.

And I know you'll tell me the truth. I already know what the question is. What's the answer.

The answer is no.

You didnt slack up on him just the littlest bit? No. I dont believe in it.

The horses stirred and snuffled in their stalls as they passed down the bay. John Grady looked at Billy. You dont reckon he thinks that do you? I hope not. He damn sure wouldnt like it a bit. He damn sure wouldnt.

H E WALKED into the pawnshop with the gun in the holster and the holster and belt slung over his shoulder. The pawnbroker was an old man with white hair and he was reading the paper spread out on the glass top of a display case at the rear of the shop. There were guns in racks along one wall and guitars hanging from overhead and knives and pistols and jewelry and tools in the cases. John Grady laid the gunbelt on the counter and the old man looked at it and looked at John Grady. He drew the pistol from the holster and cocked it and let the hammer down on the halfcock notch and spun the cylinder and opened the gate and looked at the chambers and closed the gate and cocked the hammer and let it back down with his thumb.

He turned it over and looked at the serial numbers on the frame and triggerguard and on the bottom of the backstrap and then slid it back into the holster and looked up.

How much do you want? he said.

I need about forty dollars.

The old man sucked his teeth and shook his head gravely.

I been offered fiftyfor it. I just need to pawn it.

I could let you have maybe twentyfive.

John Grady looked at the gun. Let me have thirty, he said.

The pawnbroker shook his head doubtfully.

I dont want to sell it, John Grady said. I just need to borrow on it.

The belt and holster too, yes?

Yes. It all goes together.

All right.

He brought out his pad of forms and slowly copied out the serial number and he wrote down John Grady's name and address and turned the paper on the glass for the boy to read and sign. Then he separated the sheets and handed a copy to John Grady and took the gun to his cage at the rear of the shop. When he returned he had the money and he laid it on the counter.

I'll be back for it, John Grady said.

The old man nodded.

It belonged to my grandfather.

The old man opened his hands and closed them again. A gesture of accommodation. Not quite a blessing. He nodded toward the glass case where half a dozen old Colt revolvers lay displayed, some nickelplated, some with grips of staghorn. One with old worn grips of guttapercha, one with the front sight filed away.

All of them belonged to somebody's grandfather, he said.

As he was going up Ju++rez Avenue a shineboy spoke to him. Hey cowboy, he said.

Hey.

Better let me shine those boots for you.

All right.

He sat on a little folding campstool and put his boot on the shineboy's homemade wooden box. The shineboy turned up the leg of his trousers and began to take out his rags and brushes and tins of polish and lay them to hand.

You goin to see your girl?

Yeah.

I hope you werent goin up there with these boots.

I guess it's a good thing you hollered at me. She might of run me off.

The boy dusted off the boot with his rag and lathered it. When are you gettin married? he said.

What makes you think I'm gettin married?

I dont know. You kind of got the look. Are you?

I dont know. Maybe.

Are you a cowboy sure enough?

Yep.

You work on a ranch?

Yeah. Small ranch. Estancia, you might say.

You like it?

Yeah. I like it.

He wiped off the boot and opened his can and began to slap polish onto the leather with the stained fingers of his left hand.

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