Aleksandar Hemon - Best European Fiction 2013

“Thank you, that’s very kind of you. I’ll remember that when I’m organising your appeal.”

Eight years ago I blundered out of my twenties, a feckless decade of drink and dope smoking, a decade of late nights and videos lived out against a soundtrack of white boy guitar bands, a decade funded by various under the counter jobs and the most gullible welfare system in the whole country. The setting up of the nation’s second-language TV station rescued me, drew me out, pallid and blinking, into the light. Being fluent in Irish scored me a contract subtitling the German and Scandinavian cartoons which bulked out the station’s Irish-language quota in its early days. A month-by-month contract had opened out to a yearly one and all told I had now turned in seven of them. Each year I resolved to find something permanent and each year the relevant deadlines passed me by. This last year the cartoons had given way to captioning the station’s twice-weekly soap opera which now, in its fifth year, was responsible for a big percentage of the station’s advertising revenue. A job which took me all of thirty hours a week left me with more than enough time with which to split the child-minding duties with Martha, Jamie’s mother.

Back then the advent of a new TV station on the outskirts of this city had drawn a new type of female into the light. Upmarket and eager, all short skirts and high boots, they had a radiance about them which gave them allure in a city which till then had seen heavy boots and woolly sweaters as the uniform of bohemian aspirations and left-wing politics. That the majority of these new sirens were merely continuity announcers, weather girls, and bit-part players in soaps did not diminish their glamour one bit; the city was grateful for their new colour and the open optimism they shed about them. This was Martha’s milieu. She too had the looks and the standoffish poise of a young woman with plenty of choices. Therefore, when I met her, it was somewhat gratifying to find that in fact her status was almost as lowly as my own. She too worked temporary contracts, honing scripts for continuity announcers and weather girls, all the time dreaming of an alternate world where she wrote code for video games, specifically tactical world-building games. At the time she was working out the end of her current contract and thinking of moving to London where she hoped to find work in one of the design studios that had sprung up after the launch of the PS2.

Six months after we met a casual affair was brought to its senses by an unbroken blue line running through the window of a pregnancy test kit. Much solemn talking ensued, once more the old weighing of things against each other only this time between two minds equally adroit at seeing both sides of any story without ever necessarily reaching a decision. Finally however we did rent a semi D in one of the new estates on the city’s outskirts and settled down to bringing up a child between us. After three years however we had to face up to the fact that we were hopelessly out of love with each other. With the leaking away of all physical desire, our relationship bottomed out to a colourless haunting of each other, a leaching away of all feeling from our togetherness. We woke up to the conclusion that, were it not for the child between us, we would long ago have gone our separate ways. Some time in Jamie’s third year we sat down and tallied up the cost of our lives together. All things considered it hadn’t been too expensive. One beloved child and the enrichment of sense and soul he had brought to us more than offset any regrets for dreams we had set aside on his account. Speaking for myself it was the kind of balance sheet I could live with. We talked into the night, mapping out the details of an amicable separation, the terms of which would come into effect three years down the road when, we blithely reasoned, Jamie would be more of an age to cope with the trauma. We gave each other the love-you-but-not-in-love-with-you speech, agreed on the you-deserve-better postscript, and then sat there ashamed of ourselves, quietly appalled that in our early thirties and after three years and a child together this was the best we could do by way of a row. How could we have felt so little? Then, in a rush of gratitude toward each other, we made love for the first time in months. The following morning, embarrassed by these faltering intimacies, we renewed the vows of the night before.

When the three years were up we sat Jamie down between us and told him that his family would now be divided between two houses. His reaction was muted, no hysterics or anxious pleading, no face down pummelling of pillows. He walked into his room, pulled the door behind him, and was not seen or heard of for the rest of that day. He came out later that evening and asked for something to eat, his face flushed, his whole being pulsing in a haze of anxiety.

A couple of weeks after that he began wetting the bed.

Lately he’s got this idea, more accurately an obsession. How this idea has taken hold of him I cannot properly say but Martha dates it to the time of our breakup, the weeks and months after I moved out of our semi D and into a two-bedroomed flat in the city centre. Martha speculates that it’s all part of the break-up trauma, a childlike but nonetheless canny ploy with which to win treats and privileges off both of us. I listen to Martha because she is smarter than me and more attuned to the nuances of our child. Also, with her background in game programming, she is always likely to see chains of cause and effect. But just this once I have a feeling she’s wrong. Jamie’s conviction runs deeper than the circumstances of our breakup; it seems to come from the very depths of him, stirring something bleak in his young soul, putting him in the way of words and ideas completely out of scale with his age.

Another example: one day he stepped into the kitchen draped in one of my old T-shirts and wearing a baseball cap back to front. His hands barely poked beyond the cuffs of the short sleeves and the baseball cap threatened to fall down over his eyes. It was a flashback to my grunge past, to a time at the beginning of the caring decade when, paradoxically, serial killers were valorised by a section of my generation as great countercultural heroes, heroic transgressors. The image leaped out in red ink, Michael Rooker in the title role, Henry: Portrait of a Serial Killer.

“Where did you get that?” I asked.

“The box.”

“I thought I told you.”

“Yeah, yeah—look at this.” He held up a newspaper and tapped a headline in the middle of the page. Playgrounds designed by SAS , it read.

“Tell me what it says. Sit into the table, this spaghetti is done.”

He pulled out a chair and sat in, spreading the paper out in front of him. “It says that children have become bored with swings and slides, too girly they think, no thrills in them, no danger. They were lying deserted all over Britain. Then someone had the idea of bringing in SAS instructors to design these assault courses and now kids can’t get enough of them.”

I laid the plate on the table and handed him the fork and spoon. “Eat up. Those playgrounds will be closed down in a year. Injuries and litigations, they’ll be lucky to stay open a year.”

Jamie shook his head. “That’s where you’re wrong. One broken elbow and a concussion—that’s the injury list for a year in one of those playgrounds.” He folded up the newspaper, took off his cap, and fell to eating. “What do you make of that, what does it mean?”

“Not with your mouth full.” I handed him a napkin and he drew it across his mouth, streaking an orange blur halfway to his ears. “What would I know, kids are daft. Who knows what goes on in their heads?”

“That’s true, look at me.”