Saul Bellow - Collected Stories

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Collected Stories: краткое содержание, описание и аннотация

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Saul Bellow’s
, handpicked by the author, display the depth of character and acumen of the Nobel laureate’s narrative powers. While he has garnered acclaim as a novelist, Bellow’s shorter works prove equally strong. Primarily set in a sepia-toned Chicago, characters (mostly men) deal with family issues, desires, memories, and failings—often arriving at humorous if not comic situations. In the process, these quirky and wholly real characters examine human nature.
The narrative is straightforward, with deftly handled shifts in time, and the prose is concise, sometimes pithy, with equal parts humor and grace. In “Looking for Mr. Green,” Bellow describes a relief worker sized up by tenants: “They must have realized that he was not a college boy employed afternoons by a bill collector, trying foxily to pass for a relief clerk, recognized that he was an older man who knew himself what need was, who had more than an average seasoning in hardship. It was evident enough if you looked at the marks under his eyes and at the sides of his mouth.” This collection should appeal both to those familiar with Bellow’s work and to those seeking an introduction.

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After classes, on my way to work, I stopped at home to cut myself a slice of bread and a wedge of Wisconsin cheese, and to see whether my mother might be awake. During her last days she was heavily sedated and rarely said anything. The tall, square-shouldered bottle at her bedside was filled with clear red Nembutal. The color of this fluid was always the same, as if it could tolerate no shadow. Now that she could no longer sit up to have it washed, my mother’s hair was cut short. This made her face more slender, and her lips were sober. Her breathing was dry and hard, obstructed. The window shade was halfway up. It was scalloped at the bottom and had white fringes. The street ice was dark gray. Snow was piled against the trees. Their trunks had a mineral-black look. Waiting out the winter in their alligator armor, they gathered coal soot.

Even when she was awake, my mother couldn’t find the breath to speak. She sometimes made signs. Except for the nurse, there was nobody in the house. My father was at business, my sister had a downtown job, my brothers hustled. The eldest, Albert, clerked for a lawyer in the Loop. My brother Len had put me onto a job on the Northwestern commuter trains, and for a while I was a candy butcher, selling chocolate bars and evening papers. When my mother put a stop to this because it kept me too late, I had found other work. Just now I was delivering flowers for a shop on North Avenue and riding the streetcars carrying wreaths and bouquets to all parts of the city. Behrens the florist paid me fifty-cents for an afternoon; with tips I could earn as much as a dollar. That gave me time to prepare my trigonometry lesson and, very late at night, after I had seen Stephanie, to read my books. I sat in the kitchen when everyone was sleeping, in deep silence, snowdrifts under the windows, and below, the janitor’s shovel rasping on the cement and clanging on the furnace door. I read banned books circulated by my classmates, political pamphlets, read “Prufrock” and “Mauberley.” I also studied arcane books, too far out to discuss with anyone.

I read on the streetcars (called trolleys elsewhere). Reading shut out the sights. In fact there were no sights—more of the same and then more of the same. Shop fronts, garages, warehouses, narrow brick bungalows.

The city was laid out on a colossal grid, eight blocks to the mile, every fourth street a car line. The days short, the streetlights weak, the soiled snowbanks toward evening became a source of light. I carried my carfare in my mitten, where the coins mixed with lint worn away from the lining. Today I was delivering lilies to an uptown address. They were wrapped and pinned in heavy paper. Behrens, spelling out my errand for me, was pale, a narrow-faced man who wore nose glasses. Amid the flowers, he alone had no color—something like the price he paid for being human. He wasted no words: “This delivery will take an hour each way in this traffic, so it’ll be your only one. I carry these people on the books, but make sure you get a signature on the bill.”

I couldn’t say why it was such a relief to get out of the shop, the damp, warm-earth smell, the dense mosses, the prickling cactuses, the glass iceboxes with orchids, gardenias, and sickbed roses. I preferred the brick boredom of the street, the paving stones and steel rails. I drew down the three peaks of my racing-skater’s cap and hauled the clumsy package to Robey Street. When the car came panting up there was room for me on the long seat next to the door. Passengers didn’t undo their buttons. They were chilled, guarded, muffled, miserable. I had reading matter with me—the remains of a book, the cover gone, the pages held together by binder’s thread and flakes of glue. I carried these fifty or sixty pages in the pocket of my short sheepskin. With the one hand I had free I couldn’t manage this mutilated book. And on the Broadway-Clark car, reading was out of the question. I had to protect my lilies from the balancing straphangers and people pushing toward the front.

I got down at Ainslie Street holding high the package, which had the shape of a padded kite. The apartment house I was looking for had a courtyard with iron palings. The usual lobby: a floor sinking in the middle, kernels of tile, gaps stuffed with dirt, and a panel of brass mailboxes with earpiece-mouthpieces. No voice came down when I pushed the button; instead, the lock buzzed, jarred, rattled, and I went from the cold of the outer lobby to the overheated mustiness of the inner one. On the second floor one of the two doors on the landing was open, and overshoes and galoshes and rubbers were heaped along the wall. At once I found myself in a crowd of drinkers. All the lights in the house were on, although it was a good hour before dark. Coats were piled on chairs and sofas. All whiskey in those days was bootleg, of course. Holding the flowers high, I parted the mourners. I was quasi-official. The message went out: “Let the kid through. Go right on, buddy.”

The long passageway was full too, but the dining room was entirely empty. There, a dead girl lay in her coffin. Over her a cut-glass luster was hanging from a taped, deformed artery of wire pulled through the broken plaster. I hadn’t expected to find myself looking down into a coffin.

You saw her as she was, without undertaker’s makeup, a girl older than Stephanie, not so plump, thin, fair, her straight hair arranged on her dead shoulders. All buoyancy gone, a weight that counted totally on support, not so much lying as sunk in this gray rectangle. I saw what I took to be the pressure mark of fingers on her cheek. Whether she had been pretty or not was no consideration.

A stout woman (certainly the mother), wearing black, opened the swing door from the kitchen and saw me standing over the corpse. I thought she was displeased when she made a fist signal to come forward. As I passed her she drew both fists against her bosom. She said to put the flowers on the sink, and then she pulled the pins and crackled the paper. Big arms, thick calves, a bun of hair, her short nose thin and red. It was Behrens’s practice to tie the lily stalks to slender green sticks. There was never any damage.

On the drainboard of the sink was a baked ham with sliced bread around the platter, a jar of French’s mustard and wooden tongue depressors to spread it. I saw and I saw and I saw.

I was on my most discreet and polite behavior with the woman. I looked at the floor to spare her my commiserating face. But why should she care at all about my discreetness; how did I come into this except as a messenger and menial? If she wouldn’t observe my behavior, whom was I behaving for? All she wanted was to settle the bill and send me on my way. She picked up her purse, holding it to her body as she had held her fists. “What do I owe Behrens?” she asked me.

“He said you could sign for this.”

However, she wasn’t going to deal in kindnesses. She said, “No.” She said, “I don’t want debts following me later on.” She gave me a five-dollar bill, she added a tip of fifty cents, and it was I who signed the receipt, as well as I could on the enameled grooves of the sink. I folded the bill small and felt under the sheepskin coat for my watch pocket, ashamed to take money from her within sight of her dead daughter. I wasn’t the object of the woman’s severity, but her face somewhat frightened me. She leveled the same look at the walls, the door. I didn’t figure here, however; this was no death of mine.

As if to take another reading of the girl’s plain face, I looked again into the coffin on my way out. And then on the staircase I began to extract the pages from my sheepskin pocket, and in the lobby I hunted for the sentences I had read the night before. Yes, here they were: Nature cannot suffer the human form within her system of laws. When given to her charge, the human being before us is reduced to dust. Ours is the most perfect form to be found on earth. The visible world sustains us until life leaves, and then it must utterly destroy us. Where, then, is the world from which the human form comes?

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