Monika Fagerholm - The Glitter Scene

Two angels on the television set. The Astronaut, the Nuclear Physicist. Sister Red, Sister Blue. But that is something Maj-Gun no longer thinks about every day. Been there done that. But giving the drawings to Rita is no whim, no impulse.

Rita. She sees Solveig. Rita might as well be Solveig, no difference. That twin likeness, still.

Getting rid of an old story. Which still, seen as a story, possibly as a crime, never really stopped following her. “Countryman Loman covered things up.” One of her classmates at the university had been fascinated by that kind of information. Gaps, holes, misunderstandings, when the law had seen things through the fingers, women and crime , men and crime, these people without legal rights. Information she does not gather or think about, but to which she will return, like a refrain.

And maybe when she gives the drawings to Rita she thinks for a moment about Doris Flinkenberg, at the cemetery, before she died, the folk song. Just a breeze, through her head.

The Winter Garden. The idea for the Winter Garden was not born there, Rita Strange , those contexts. It has existed for a long time. Whole long lifetimes. A game on a hill, three siblings. The three cursed ones in the eyes of others, rumba tones . She knows that, and does not know.

But she thinks about other things too, which she does not think about of course but which exist nonetheless. The Child. Solveig. The Child.

Sometime later, in the middle of the 1990s, she quits her job at the law firm, leaves a brilliant career that has picked up pace on the private side and gets a position as chief legal assistant in a small city in the northern region of the country.

MAJ-GUN IS REUNITED with her family at her aunt’s funeral in January 1990. Elizabeth “Liz” Maalamaa—she took back her maiden name when she became a widow—has passed away at a respectable age; after a brief illness, quietly “fallen asleep,” literally, died in her sleep. A peaceful passing, the best you can think of, in her Portuguese winter home. And avoided being alone at the end. Her nephew Tom Maalamaa and his fiancée happened to be visiting, and after her death they took care of all the practical details. All papers, documents and, naturally, the repatriation of her remains to the homeland and the funeral in the little city her husband was originally from and had, for some time now, been resting in a spacious family plot where, during his lifetime, a spot had been reserved for his wife.

The whole family, in the church, and at the reception afterward. Relatives and a large circle of acquaintances and friends and surviving relatives of the many old and sick whom Elizabeth “Liz” Maalamaa, during her career within the deaconry, had cared for with a big heart and tireless effort.

“She made the last days for our loved ones so bright.”

Flowers, telegrams, and loads of addresses that later, during the memorial service in the nearby fellowship hall, were read aloud by Tom Maalamaa in a loud, steady voice.

And before, in the church: Maj-Gun’s father the pastor emeritus ministers the ceremony, speaking devoutly about Elizabeth “Liz” Maalamaa’s exploits during her career. And, next to the coffin below the altar, he wants, before he takes a small shovel and pours sand over the white coffin, grains of sand on folded, white silk fabric with beautiful white- and lilac-colored flower arrangements, from the earth you came, to the earth you shall return , say something personal too.

About his own sister, the dearly beloved. For example: there were once two siblings, Elizabeth and Hans (the Pastor himself, that is), who found God early on, on the farm, up north in the country where they had grown up. Both siblings, and God: wandered in the woods that were large, like China, the wonderful Middle Kingdom. They decided they were going to become missionaries when they grew up, picked pinecones off the ground and lined them up neatly in a row on a rock and the pinecones were the Chinese to whom they preached the joyful message of Christianity that had come to them, Elizabeth and Hans, already at an early age. Almost like a miracle, their own revelation, in an environment that otherwise was not more than normalpiously religious.

And when Hans, who was two years younger than his extremely more patient sister, sometimes grew tired and allowed his eager playfulness and his own rascalness take the upper hand, and started throwing the pinecones around—his sister did not get angry at him, she never did, but led the small, high-spirited boy back to their serious business with a gentle hand.

“But with an affectionate hand”: it became a lasting childhood memory. And a character trait that would stay with his sister throughout her life, the affection, how it would just grow inside her.

“A large and hardworking heart that would find many outlets later in life.” And of course, as it is in life, endure many trials.

But also had a wonderful sense of humor, and when she became older she was able to laugh heartily at the somewhat exaggerated melancholy of her childhood. Because a playful humor existed inside her, even though she did not always let it out. And here in the church papa Pastor urges forth the image of a girl with hair braided far too tightly who became a young woman and let her hair down; swooned over film stars from the movies, wrote letters to them in Hollywood and received autographed pictures in return, greetings from Ingrid Bergman, Ava Gardner.

So the small “missionaries” in the woods, the wonderful Middle Kingdom, the pinecones grew pale with time. Plans for the future under that cloak, but not God—not for Liz Maalamaa, never God. Just life, which got in the way… “and young women have their own dreams as you well know.” Papa Pastor pauses here where one can, at least if you are his daughter Maj-Gun Maalamaa, hear the ellipses hanging in the air. And it is and remains there in the church, where even several members of the upper-middle-class family that the dead husband belonged to are present, the Pastor’s only reference to the childless and not particularly happy marriage that followed.

“On the other hand,” papa Pastor reasons—and yes, maybe this speech becomes long and certainly personal, it is often the case when Father gets going, but the devoutness and his own evident emotion make it so that all thoughts one could possibly have about a tiresome choice of words fail to come. The wordiness that the Pastor could devote himself to during ordinary Sunday sermons too and for which he sometimes had to endure certain criticism for; mild criticism, in and of itself, because on the whole the Pastor was a respected vicar in all of the congregations where he has worked. But there had, in other words, been those who at some point in passing had said that when the Pastor was speaking in church it could, quite simply, sometimes become a bit too much of a good thing; maybe also a small reference to what was not said out loud, oh no, my goodness, but about the Pastor’s “country upbringing,” which perhaps made it so that he did not have the same well-developed mind for “the simplicity in the heaviness,” “the elegance of the unsaid,” and similar things that certain other people had gotten from their mother’s milk.

“I just get carried away so easily,” papa Pastor used to say in front of the family at the Sunday dinner table, apologetically as it were but with a rascally glint in his eyes because in reality he did not care what people said about him when he was preaching in church and the following Sunday he would, if he was in that kind of a mood, carry on the same way as always.

Rascallike . That was a reminiscence for Maj-Gun as well, here and now in the church, of something old, not forgotten, but something she had not thought about very much for a long time. Her beloved father, how he is, was, and could be.