Alice Munro - Dance of the Happy Shades - And Other Stories

At high school I was never comfortable for a minute. I did not know about Lonnie. Before an exam, she got icy hands and palpitations, but I was close to despair at all times. When I was asked a question in class, any simple little question at all, my voice was apt to come out squeaky, or else hoarse and trembling. When I had to go to the blackboard I was sure—even at a time of the month when this could not be true—that I had blood on my skirt. My hands became slippery with sweat when they were required to work the blackboard compass. I could not hit the ball in volleyball; being called upon to perform an action in front of others made all my reflexes come undone. I hated Business Practice because you had to rule pages for an account book, using a straight pen, and when the teacher looked over my shoulder all the delicate lines wobbled and ran together. I hated Science; we perched on stools under harsh lights behind tables of unfamiliar, fragile equipment, and were taught by the principal of the school, a man with a cold, self-relishing voice—he read the Scriptures every morning—and a great talent for inflicting humiliation. I hated English because the boys played bingo at the back of the room while the teacher, a stout, gentle girl, slightly cross-eyed, read Wordsworth at the front. She threatened them, she begged them, her face red and her voice as unreliable as mine. They offered burlesqued apologies and when she started to read again they took up rapt postures, made swooning faces, crossed their eyes, flung their hands over their hearts. Sometimes she would burst into tears, there was no help for it, she had to run out into the hall. Then the boys made loud mooing noises; our hungry laughter—oh, mine too—pursued her. There was a carnival atmosphere of brutality in the room at such times, scaring weak and suspect people like me.

But what was really going on in the school was not Business Practice and Science and English, there was something else that gave life its urgency and brightness. That old building, with its rock-walled clammy basements and black cloakrooms and pictures of dead royalties and lost explorers, was full of the tension and excitement of sexual competition, and in this, in spite of daydreams of vast successes, I had premonitions of total defeat. Something had to happen, to keep me from that dance.

With December came snow, and I had an idea. Formerly I had considered falling off my bicycle and spraining my ankle and I had tried to manage this, as I rode home along the hard-frozen, deeply rutted country roads. But it was too difficult. However, my throat and bronchial tubes were supposed to be weak; why not expose them? I started getting out of bed at night and opening my window a little. I knelt down and let the wind, sometimes stinging with snow, rush in around my bared throat. I took off my pajama top. I said to myself the words “blue with cold” and as I knelt there, my eyes shut, I pictured my chest and throat turning blue, the cold, greyed blue of veins under the skin. I stayed until I could not stand it any more, and then I took a handful of snow from the windowsill and smeared it all over my chest, before I buttoned my pajamas. It would melt against the flannelette and I would be sleeping in wet clothes, which was supposed to be the worst thing of all. In the morning, the moment I woke up, I cleared my throat, testing for soreness, coughed experimentally, hopefully, touched my forehead to see if I had fever. It was no good. Every morning, including the day of the dance, I rose defeated, and in perfect health.

The day of the dance I did my hair up in steel curlers. I had never done this before, because my hair was naturally curly, but today I wanted the protection of all possible female rituals. I lay on the couch in the kitchen, reading The Last Days of Pompeii , and wishing I was there. My mother, never satisfied, was sewing a white lace collar on the dress; she had decided it was too grown-up looking. I watched the hours. It was one of the shortest days of the year. Above the couch, on the wallpaper, were old games of Xs and Os, old drawings and scribblings my brother and I had done when we were sick with bronchitis. I looked at them and longed to be back safe behind the boundaries of childhood.

When I took out the curlers my hair, both naturally and artificially stimulated, sprang out in an exuberant glossy bush. I wet it, I combed it, beat it with the brush and tugged it down along my cheeks. I applied face powder, which stood out chalkily on my hot face. My mother got out her Ashes of Roses Cologne, which she never used, and let me splash it over my arms. Then she zipped up the dress and turned me around to the mirror. The dress was princess style, very tight in the midriff. I saw how my breasts, in their new stiff brassiere, jutted out surprisingly, with mature authority, under the childish frills of the collar.

“Well I wish I could take a picture,” my mother said. “I am really, genuinely proud of that fit. And you might say thank you for it.”

“Thank you,” I said.

The first thing Lonnie said when I opened the door to her was, “Jesus, what did you do to your hair?”

“I did it up.”

“You look like a Zulu. Oh, don’t worry. Get me a comb and I’ll do the front in a roll. It’ll look all right. It’ll even make you look older.”

I sat in front of the mirror and Lonnie stood behind me, fixing my hair. My mother seemed unable to leave us. I wished she would. She watched the roll take shape and said, “You’re a wonder, Lonnie. You should take up hairdressing.”

“That’s a thought,” Lonnie said. She had on a pale blue crepe dress, with a peplum and bow; it was much more grownup than mine even without the collar. Her hair had come out as sleek as the girl’s on the bobby-pin card. I had always thought secretly that Lonnie could not be pretty because she had crooked teeth, but now I saw that crooked teeth or not, her stylish dress and smooth hair made me look a little like a golliwog, stuffed into red velvet, wide-eyed, wild-haired, with a suggestion of delirium.

My mother followed us to the door and called out into the dark, “Au reservoir!” This was a traditional farewell of Lonnie’s and mine; it sounded foolish and desolate coming from her, and I was so angry with her for using it that I did not reply. It was only Lonnie who called back cheerfully, encouragingly, “Good night!”

The gymnasium smelled of pine and cedar. Red and green bells of fluted paper hung from the basketball hoops; the high, barred windows were hidden by green boughs. Everybody in the upper grades seemed to have come in couples. Some of the Grade Twelve and Thirteen girls had brought boy friends who had already graduated, who were young businessmen around the town. These young men smoked in the gymnasium, nobody could stop them, they were free. The girls stood beside them, resting their hands casually on male sleeves, their faces bored, aloof and beautiful. I longed to be like that. They behaved as if only they—the older ones—were really at the dance, as if the rest of us, whom they moved among and peered around, were, if not invisible, inanimate; when the first dance was announced—a Paul Jones—they moved out languidly, smiling at each other as if they had been asked to take part in some half-forgotten childish game. Holding hands and shivering, crowding up together, Lonnie and I and the other Grade Nine girls followed.

I didn’t dare look at the outer circle as it passed me, for fear I should see some unmannerly hurrying-up. When the music stopped I stayed where I was, and half-raising my eyes I saw a boy named Mason Williams coming reluctantly towards me. Barely touching my waist and my fingers, he began to dance with me. My legs were hollow, my arm trembled from the shoulder, I could not have spoken. This Mason Williams was one of the heroes of the school; he played basketball and hockey and walked the halls with an air of royal sullenness and barbaric contempt. To have to dance with a nonentity like me was as offensive to him as having to memorize Shakespeare. I felt this as keenly as he did, and imagined that he was exchanging looks of dismay with his friends. He steered me, stumbling, to the edge of the floor. He took his hand from my waist and dropped my arm.