Alice Munro - Dance of the Happy Shades - And Other Stories

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Alice Munro's territory is the farms and semi-rural towns of south-western Ontario. In these dazzling stories she deals with the self-discovery of adolescence, the joys and pains of love and the despair and guilt of those caught in a narrow existence. And in sensitively exploring the lives of ordinary men and women, she makes us aware of the universal nature of their fears, sorrows and aspirations.

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“Helen, go on home,” he said, like we had been watching television and so on all evening and now was time to go home and go to bed properly. “Give my love to your Momma,” he said. “Go on home.”

That was all he meant to say. He looked at Buddy and said, “You going to drive her?” and Buddy said yes. I was looking at Clare MacQuarrie and thinking, he is a man that goes his own way. It didn’t bother him too much how I was feeling when he did what he did on top of me, and it didn’t bother him too much what kind of ruckus I made in the street when he got married. And he was a man who didn’t give out explanations, maybe didn’t have any. If there was anything he couldn’t explain, well, he would just forget about it. Here were all his neighbours watching us, but tomorrow, if he met them on the street, he would tell them a funny story. And what about me? Maybe if he met me on the street one of these days he would just say, “How are you doing, Helen?” and tell me a joke. And if I had really thought about what he was like, Clare MacQuarrie, if I had paid attention, I would have started out a lot differently with him and maybe felt differently too, though heaven knows if that would have mattered, in the end.

“Now aren’t you sorry you made all this big fuss?” Buddy said, and I slid over on the seat and watched Clare going back to his house, thinking, yes, that’s what I should have done, paid attention. Buddy said, “You’re not going to bother him and his wife any more now, are you Helen?”

“What?” I said.

“You’re not going to bother Clare and his wife any more? Because now he’s married, that’s over and done with. And you wake up tomorrow morning, you’re going to feel pretty bad over what you done tonight, you won’t see how you can go on and face people. But let me tell you things happen all the time, only thing to do is just go along, and remember you’re not the only one.” It never seemed to occur to him that it was funny for him to be lecturing me, that used to hear his Bible verses and caught him reading Leviticus on the sly.

“Like last week I’ll tell you,” he said, easing down Grove Street, in no hurry to get me home and have the lecture ended, “last week we got a call and we had to go out to Dunnock Swamp and there’s a car stuck in there. This old farmer was waving a loaded gun and talking about shooting this pair for trespassing if they didn’t get off of his property. They’d just been following a wagon track after dark, where any idiot would know you’d get stuck this time of year. You would know both of them if I said their names and you’d know they had no business being in that car together. One is a married lady. And worst is, by this time her husband is wondering why she don’t come home from choir practice—both these parties sings in the choir, I won’t tell you which one—and he has reported her missing. So we got to get a tractor to haul out the car, and leave him there sweating, and quieten down this old farmer, and then take her home separate in broad daylight, crying all the way. That’s what I mean by things happening. I saw that man and wife downstreet buying their groceries yesterday, and they didn’t look too happy but there they were. So just be a good girl Helen and go along like the rest of us and pretty soon we’ll see spring.”

Oh, Buddy Shields, you can just go on talking, and Clare will tell jokes, and Momma will cry, till she gets over it, but what I’ll never understand is why, right now, seeing Clare MacQuarrie as an unexplaining man, I felt for the first time that I wanted to reach out my hands and touch him.

RED DRESS—1946

My mother was making me a dress. All through the month of November I would come from school and find her in the kitchen, surrounded by cut-up red velvet and scraps of tissue-paper pattern. She worked at an old treadle machine pushed up against the window to get the light, and also to let her look out, past the stubble fields and bare vegetable garden, to see who went by on the road. There was seldom anybody to see.

The red velvet material was hard to work with, it pulled, and the style my mother had chosen was not easy either. She was not really a good sewer. She liked to make things; that is different. Whenever she could she tried to skip basting and pressing and she took no pride in the fine points of tailoring, the finishing of buttonholes and the overcasting of seams as, for instance, my aunt and my grandmother did. Unlike them she started off with an inspiration, a brave and dazzling idea; from that moment on, her pleasure ran downhill. In the first place she could never find a pattern to suit her. It was no wonder; there were no patterns made to match the ideas that blossomed in her head. She had made me, at various times when I was younger, a flowered organdie dress with a high Victorian neckline edged in scratchy lace, with a poke bonnet to match; a Scottish plaid outfit with a velvet jacket and tarn; an embroidered peasant blouse worn with a full red skirt and black laced bodice. I had worn these clothes with docility, even pleasure, in the days when I was unaware of the world’s opinion. Now, grown wiser, I wished for dresses like those my friend Lonnie had, bought at Beale’s store.

I had to try it on. Sometimes Lonnie came home from school with me and she would sit on the couch watching. I was embarrassed by the way my mother crept around me, her knees creaking, her breath coming heavily. She muttered to herself. Around the house she wore no corset or stockings, she wore wedge-heeled shoes and ankle socks; her legs were marked with lumps of blue-green veins. I thought her squatting position shameless, even obscene; I tried to keep talking to Lonnie so that her attention would be taken away from my mother as much as possible. Lonnie wore the composed, polite, appreciative expression that was her disguise in the presence of grownups. She laughed at them and was a ferocious mimic, and they never knew.

My mother pulled me about, and pricked me with pins. She made me turn around, she made me walk away, she made me stand still. “What do you think of it, Lonnie?” she said around the pins in her mouth.

“It’s beautiful,” said Lonnie, in her mild, sincere way. Lonnie’s own mother was dead. She lived with her father who never noticed her, and this, in my eyes, made her seem both vulnerable and privileged.

“It will be, if I can ever manage the fit,” my mother said. “Ah, well,” she said theatrically, getting to her feet with a woeful creaking and sighing, “I doubt if she appreciates it.” She enraged me, talking like this to Lonnie, as if Lonnie were grown up and I were still a child. “Stand still,” she said, hauling the pinned and basted dress over my head. My head was muffled in velvet, my body exposed, in an old cotton school slip. I felt like a great raw lump, clumsy and goose-pimpled. I wished I was like Lonnie, light-boned, pale and thin; she had been a Blue Baby.

“Well nobody ever made me a dress when I was going to high school,” my mother said, “I made my own, or I did without.” I was afraid she was going to start again on the story of her walking seven miles to town and finding a job waiting on tables in a boarding-house, so that she could go to high school. All the stories of my mother’s life which had once interested me had begun to seem melodramatic, irrelevant, and tiresome.

“One time I had a dress given to me,” she said. “It was a cream-coloured cashmere wool with royal blue piping down the front and lovely mother-of-pearl buttons, I wonder what ever became of it?”

When we got free Lonnie and I went upstairs to my room. It was cold, but we stayed there. We talked about the boys in our class, going up and down the rows and saying, “Do you like him? Well, do you half-like him? Do you hate him? Would you go out with him if he asked you?” Nobody had asked us. We were thirteen, and we had been going to high school for two months. We did questionnaires in magazines, to find out whether we had personality and whether we would be popular. We read articles on how to make up our faces to accentuate our good points and how to carry on a conversation on the first date and what to do when a boy tried to go too far. Also we read articles on frigidity of the menopause, abortion and why husbands seek satisfaction away from home. When we were not doing school work, we were occupied most of the time with the garnering, passing on and discussing of sexual information. We had made a pact to tell each other everything. But one thing I did not tell was about this dance, the high school Christmas Dance for which my mother was making me a dress. It was that I did not want to go.

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