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Alice Munro: Away from Her

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Alice Munro Away from Her

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Alice Munro has long been heralded for her penetrating, lyrical prose, and in “The Bear Came Over the Mountain”—the basis for Sarah Polley’s film —her prodigious talents are once again on display. As she follows Grant, a retired professor whose wife Fiona begins gradually to lose her memory and drift away from him, we slowly see how a lifetime of intimate details can create a marriage, and how mysterious the bonds of love really are.

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In the spring sunshine she sat, weeping weakly, on a bench by the wall. She was still polite—she apologized for her tears, and never argued with a suggestion or refused to answer a question. But she wept. Weeping had left her eyes raw-edged and dim. Her cardigan—if it was hers—would be buttoned crookedly. She had not got to the stage of leaving her hair unbrushed or her nails uncleaned, but that might come soon.

Kristy said that her muscles were deteriorating, and that if she didn’t improve soon they would put her on a walker.

“But you know once they get a walker they start to depend on it and they never walk much anymore, just get wherever it is they have to go.”

“You’ll have to work at her harder,” she said to Grant. “Try and encourage her.”

But Grant had no luck at that. Fiona seemed to have taken a dislike to him, though she tried to cover it up. Perhaps she was reminded, every time she saw him, of her last minutes with Aubrey, when she had asked him for help and he hadn’t helped her.

He didn’t see much point in mentioning their marriage, now.

She wouldn’t go down the hall to where most of the same people were still playing cards. And she wouldn’t go into the television room or visit the conservatory.

She said that she didn’t like the big screen, it hurt her eyes. And the birds’ noise was irritating and she wished they would turn the fountain off once in a while.

So far as Grant knew, she never looked at the book about Iceland, or at any of the other—surprisingly few—books that she had brought from home. There was a reading room where she would sit down to rest, choosing it probably because there was seldom anybody there, and if he took a book off the shelves she would allow him to read to her.

He suspected that she did that because it made his company easier for her—she was able to shut her eyes and sink back into her own grief. Because if she let go of her grief even for a minute it would only hit her harder when she bumped into it again. And sometimes he thought she closed her eyes to hide a look of informed despair that it would not be good for him to see.

So he sat and read to her out of one of these old novels about chaste love, and lost-and-regained fortunes, that could have been the discards of some long-ago village or Sunday school library. There had been no attempt, apparently, to keep the contents of the reading room as up-to-date as most things in the rest of the building.

The covers of the books were soft, almost velvety, with designs of leaves and flowers pressed into them, so that they resembled jewelry boxes or chocolate boxes. That women—he supposed it would be women—could carry home like treasure.

The supervisor called him into her office. She said that Fiona was not thriving as they had hoped.

“Her weight is going down even with the supplement. We’re doing all we can for her.”

Grant said that he realized they were.

“The thing is, I’m sure you know, we don’t do any prolonged bed care on the first floor. We do it temporarily if someone isn’t feeling well, but if they get too weak to move around and be responsible we have to consider upstairs.”

He said he didn’t think that Fiona had been in bed that often.

“No. But if she can’t keep up her strength, she will be. Right now she’s borderline.”

He said that he had thought the second floor was for people whose minds were disturbed.

“That too,” she said.

He hadn’t remembered anything about Aubrey’s wife except the tartan suit he had seen her wearing in the parking lot. The tails of the jacket had flared open as she bent into the trunk of the car. He had got the impression of a trim waist and wide buttocks.

She was not wearing the tartan suit today. Brown belted slacks and a pink sweater. He was right about the waist—the tight belt showed she made a point of it. It might have been better if she hadn’t, since she bulged out considerably above and below.

She could be ten or twelve years younger than her husband. Her hair was short, curly, artificially reddened. She had blue eyes—a lighter blue than Fiona’s, a flat robin’s-egg or turquoise blue—slanted by a slight puffiness. And a good many wrinkles made more noticeable by a walnut-stain makeup. Or perhaps that was her Florida tan.

He said that he didn’t quite know how to introduce himself.

“I used to see your husband at Meadowlake. I’m a regular visitor there myself.”

“Yes,” said Aubrey’s wife, with an aggressive movement of her chin.

“How is your husband doing?”

The “doing” was added on at the last moment. Normally he would have said, “How is your husband?”

“He’s okay,” she said.

“My wife and he struck up quite a close friendship.”

“I heard about that.”

“So. I wanted to talk to you about something if you had a minute.”

“My husband did not try to start anything with your wife, if that’s what you’re getting at,” she said. “He did not molest her in any way. He isn’t capable of it and he wouldn’t anyway. From what I heard it was the other way round.”

Grant said, “No. That isn’t it at all. I didn’t come here with any complaints about anything.”

“Oh,” she said. “Well, I’m sorry. I thought you did.”

That was all she was going to give by way of apology. And she didn’t sound sorry. She sounded disappointed and confused.

“You better come in, then,” she said. “It’s blowing cold in through the door. It’s not as warm out today as it looks.”

So it was something of a victory for him even to get inside. He hadn’t realized it would be as hard as this. He had expected a different sort of wife. A flustered homebody, pleased by an unexpected visit and flattered by a confidential tone.

She took him past the entrance to the living room, saying, “We’ll have to sit in the kitchen where I can hear Aubrey.” Grant caught sight of two layers of front-window curtains, both blue, one sheer and one silky, a matching blue sofa and a daunting pale carpet, various bright mirrors and ornaments.

Fiona had a word for those sort of swooping curtains—she said it like a joke, though the women she’d picked it up from used it seriously. Any room that Fiona fixed up was bare and bright—she would have been astonished to see so much fancy stuff crowded into such a small space. He could not think what that word was.

From a room off the kitchen—a sort of sunroom, though the blinds were drawn against the afternoon brightness—he could hear the sounds of television.

Aubrey. The answer to Fiona’s prayers sat a few feet away, watching what sounded like a ball game. His wife looked in at him. She said, “You okay?” and partly closed the door.

“You might as well have a cup of coffee,” she said to Grant.

He said, “Thanks.”

“My son got him on the sports channel a year ago Christmas, I don’t know what we’d do without it.”

On the kitchen counters there were all sorts of contrivances and appliances—coffeemaker, food processor, knife sharpener, and some things Grant didn’t know the names or uses of. All looked new and expensive, as if they had just been taken out of their wrappings, or were polished daily.

He thought it might be a good idea to admire things. He admired the coffeemaker she was using and said that he and Fiona had always meant to get one. This was absolutely untrue—Fiona had been devoted to a European contraption that made only two cups at a time.

“They gave us that,” she said. “Our son and his wife. They live in Kamloops. B.C. They send us more stuff than we can handle. It wouldn’t hurt if they would spend the money to come and see us instead.”

Grant said philosophically, “I suppose they’re busy with their own lives.”

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