Hilary Mantel - Beyond Black

Under her breath Alison swore back at him. In Colette’s five years as her partner, he’d never accepted her; time meant little to Morris. “What would you know about churchyards?” she asked him. “I bet you never had a Christian burial. Concrete boots and a dip in the river, considering the people you mixed with. Or maybe you were sawed up with your own saw?”

Alison leaned forward again into the mirror, and slicked her mouth with the tiny brush from the glass tube. It tickled and stung. Her lips flinched from it. She made a face at herself. Morris chuckled.

It was almost the worst thing, having him around at times like these, in your dressing room, before the show, when you were trying to calm yourself down and have your intimate moments. He would follow you to the lavatory if he was in that sort of mood. A colleague had once said to her, “It seems to me that your guide is on a very low vibratory plane, very low indeed. Had you been drinking when he first made contact?”

“No,” Al had told her. “I was only thirteen.”

“Oh, that’s a terrible age,” the woman said. She looked Alison up and down. “Junk food, I expect. Empty calories. Stuffing yourself.”

She’d denied it, of course. In point of fact she never had any money after school for burgers or chocolate, her mum keeping her short in case she used the money to get on a bus and run away. But she couldn’t put any force into her denial. Her colleague was right, Morris was a low person. How did she get him? She probably deserved him, that was all there was to it. Sometimes she would say to him, Morris, what did I do to deserve you? He would rub his hands and chortle. When she had provoked him and he was in a temper with her, he would say, count your blessings, girl, you fink I’m bad but you could of had MacArthur. You could have had Bob Fox, or Aitkenside, or Pikey Pete. You could have had my mate Keef Capstick. You could of had Nick, and then where’d you be?

Mrs. Etchells (who taught her the psychic trade) had always told her, there are some spirits, Alison, who you already know from way back, and you just have to put names to the faces. There are some spirits that are spiteful and will do you a bad turn. There are others that are bloody buggering bastards, excuse my French, who will suck the marrow out your bones. Yes, Mrs. E, she’d said, but how will I know which are which? And Mrs. Etchells had said, God help you, girl. But God having business elsewhere, I don’t expect he will.

Colette crossed the foyer, heading for the bar. Her eyes swept over the paying public, flocking in from the dappled street; ten women to every man. Each evening she liked to get a fix on them, so she could tell Alison what to expect. Had they prebooked, or were they queuing at the box office? Were they swarming in groups, laughing and chatting, or edging through the foyer in singles and pairs, furtive and speechless? You could probably plot it on a graph, she thought, or have some kind of computer programme: the demographics of each town, its typical punters and their networks, the location of the venue relative to car parks, pizza parlours, the nearest bar where young girls could go in a crowd.

The venue manager nodded to her. He was a worn little bloke coming up to retirement; his dinner jacket had a whitish bloom on it and was tight under the arms. “All right?” he said. Colette nodded, unsmiling; he swayed back on his heels, and as if he had never seen them before he surveyed the bags of sweets hanging on their metal pegs, and the ranks of chocolate bars.

Why can’t men just stand? Colette wondered. Why do they have to sway on the spot and feel in their pockets and pat themselves up and down and suck their teeth? Alison’s poster was displayed six times, at various spots through the foyer. The flyers around advertised forthcoming events: Fauré’s Requiem , giving way in early December to Jack and the Beanstalk .

Alison was a Sensitive: which is to say, her senses were arranged in a different way from the senses of most people. She was a medium: dead people talked to her, and she talked back. She was a clairvoyant; she could see straight through the living, to their ambitions and secret sorrows, and tell you what they kept in their bedside drawers and how they had travelled to the venue. She wasn’t (by nature) a fortune-teller, but it was hard to make people understand that. Prediction, though she protested against it, had become a lucrative part of her business. At the end of the day, she believed, you have to suit the public and give them what they think they want. For fortunes, the biggest part of the trade was young girls. They always thought there might be a stranger on the horizon, love around the corner. They hoped for a better boyfriend than the one they’d got—more socialized, less spotty: or at least, one who wasn’t on remand. Men, on their own behalf, were not interested in fortune or fate. They believed they made their own, thanks very much. As for the dead, why should they worry about them? If they need to talk to their relatives, they have women to do that for them.

“G and T,” Colette said to the girl behind the bar. “Large.”

The girl reached for a glass and shoveled in a single ice cube.

“You can do better than that,” Colette said. “And lemon.”

She looked around. The bar was empty. The walls were padded to hip height with turquoise plastic leather, deep-buttoned. They’d been needing a damp cloth over them since about 1975. The fake wood tables looked sticky: the same applied.

The girl’s scoop probed the ice bucket. Another cube slinked down the side of the glass, to join its predecessor with a dull tap. The girl’s face showed nothing. Her full, lead-coloured eyes slid away from Colette’s face. She mouthed the price.

“For tonight’s artiste,” Colette said. “On the house, I’d have thought!”

The girl did not understand the expression. She had never heard “on the house.” She closed her eyes briefly: blue-veined lids.

Back through the foyer. It was filling up nicely. On the way to their seats, the audience had to pass the easel she had set up, with Al’s superenlarged picture swathed in a length of apricot polyester that Al called “my silk.” At first Colette had had trouble draping it, getting the loops just right, but now she’d got it pat—a twist of her wrist made a loop over the top of the portrait, another turn made a drift down one side, and the remainder spilled in graceful folds to whatever gritty carpet or bare boards they were performing on that night. She was working hard to break Al’s addiction to this particular bit of kitsch. Unbelievably tacky, she’d said, when she first joined her. She thought instead of a screen on which Al’s image was projected. But Al had said, you don’t want to find yourself overshadowed by the special effects. Look, Col, I’ve been told this, and it’s one bit of advice I’ll never forget; remember your roots. Remember where you started. In my case, that’s the village hall at Brookwood. So when you’re thinking of special effects, ask yourself, can you reproduce it in the village hall? If you can’t, forget it. It’s me they’ve come to see, after all. I’m a professional psychic, not some sort of magic act.

The truth was, Al adored the photo. It was seven years old now. The studio had mysteriously disappeared two of her chins; and caught those big starry eyes, her smile, and something of her sheen, that inward luminescence that Colette envied.

“All right?” said the manager. “All humming along, backstage?” He had slid back the lid of the ice cream chest and was peering within.

“Trouble in there?” Colette asked. He closed the lid hastily and looked shifty, as if he had been stealing. “See you’ve got the scaffolding up again.”