Haruki Murakami - after the quake

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after the quake: краткое содержание, описание и аннотация

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The six stories in Haruki Murakami’s mesmerizing collection are set at the time of the catastrophic 1995 Kobe earthquake, when Japan became brutally aware of the fragility of its daily existence. But the upheavals that afflict Murakami’s characters are even deeper and more mysterious, emanating from a place where the human meets the inhuman.
An electronics salesman who has been abruptly deserted by his wife agrees to deliver an enigmatic package—and is rewarded with a glimpse of his true nature. A man who has been raised to view himself as the son of God pursues a stranger who may or may not be his human father. A mild-mannered collection agent receives a visit from a giant talking frog who enlists his help in saving Tokyo from destruction. As haunting as dreams, as potent as oracles, the stories in
are further proof that Murakami is one of the most visionary writers at work today.
Haruki Murakami, a writer both mystical and hip, is the West’s favorite Japanese novelist. Perhaps unsurprisingly, Murakami lived abroad until 1995. That year, two disasters struck Japan: the lethal earthquake in Kobe and the deadly poison gas attacks in the Tokyo subway. Spurred by these tragic events, Murakami returned home. The stories in
are set in the months that fell between the earthquake and the subway attack, presenting a world marked by despair, hope, and a kind of human instinct for transformation. A teenage girl and a middle-aged man share a hobby of making beach bonfires; a businesswoman travels to Thailand and, quietly, confronts her own death; three friends act out a modern-day Tokyo version of
. There’s a surreal element running through the collection in the form of unlikely frogs turning up in unlikely places. News of the earthquake hums throughout. The book opens with the dull buzz of disaster-watching: “Five straight days she spent in front of the television, staring at the crumbled banks and hospitals, whole blocks of stores in flames, severed rail lines and expressways.” With language that’s never self-consciously lyrical or show-offy, Murakami constructs stories as tight and beautiful as poems. There’s no turning back for his people; there’s only before and after the quake.
—Claire Dederer
These six stories, all loosely connected to the disastrous 1995 earthquake in Kobe, are Murakami (The Wind-Up Bird Chronicle; Norwegian Wood) at his best. The writer, who returned to live in Japan after the Kobe earthquake, measures his country’s suffering and finds reassurance in the inevitability that love will surmount tragedy, mustering his casually elegant prose and keen sense of the absurd in the service of healing. In “Honey Pie,” Junpei, a gentle, caring man, loses his would-be sweetheart, Sayoko, when his aggressive best friend, Takatsuki, marries her. They have a child, Sala. He remains close friends with them and becomes even closer after they divorce, but still cannot bring himself to declare his love for Sayoko. Sala is traumatized by the quake and Junpei concocts a wonderful allegorical tale to ease her hurt and give himself the courage to reveal his love for Sayoko. In “UFO in Kushiro” the horrors of the quake inspire a woman to leave her perfectly respectable and loving husband, Komura, because “you have nothing inside you that you can give me.” Komura then has a surreal experience that more or less confirms his wife’s assessment. The theme of nothingness is revisited in the powerful “Thailand,” in which a female doctor who is on vacation in Thailand and very bitter after a divorce, encounters a mysterious old woman who tells her “There is a stone inside your body…. You must get rid of the stone. Otherwise, after you die and are cremated, only the stone will remain.” The remaining stories are of equal quality, the characters fully developed and memorable. Murakami has created a series of small masterpieces.
Copyright 2002 Cahners Business Information, Inc. Amazon.com Review
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Sayoko had beautiful hair and intelligent eyes. She spoke quietly and with simple honesty, but deep down she had great strength. Her expressive mouth bore eloquent testimony to that. She was always casually dressed, without makeup, but she had a unique sense of humor, and her face would crinkle up mischievously whenever she made some funny remark. Junpei found that look of hers beautiful, and he knew that this was the girl he had been searching for. He had never fallen in love until he met Sayoko. He had attended a boys’ high school and had had almost no opportunity to meet girls.

But Junpei could never bring himself to express his feelings to Sayoko. He knew that there would be no going back once the words left his mouth, and that she might take herself off somewhere far beyond his reach. At the very least, the perfectly balanced, comfortable relationship of Junpei, Takatsuki, and Sayoko would undergo a shift. So he told himself to leave things as they were for now and watch and wait.

In the end, Takatsuki was the first to make a move. “I hate to throw this at you all of a sudden,” he told Junpei, “but I’m in love with Sayoko. I hope you don’t mind.”

This was midway through September. Takatsuki explained that he and Sayoko had become involved, almost by accident, while Junpei was home in Kansai for the summer vacation.

Junpei fixed his gaze on Takatsuki. It took him a few moments to understand what had happened, but when he did, it sank into him like a lead weight. He no longer had any choice in the matter. “No,” he said, “I don’t mind.”

“I am so glad to hear that!” Takatsuki said with a huge grin. “You were the only one I was worried about. I mean, the three of us had such a great thing going, it was kind of like I beat you out. But anyway, Junpei, this had to happen sometime. You have to understand that. If not now, it was bound to happen sooner or later. The main thing is that I want the three of us to go on being friends. OK?”

For the next few days, Junpei felt as if he were trying to walk in deep sand. He skipped classes and work. He lay on the floor of his one-room apartment eating nothing but scraps from the refrigerator and slugging down whiskey whenever the impulse struck him. He thought seriously about quitting the university and going to some distant town where he knew no one and could spend the rest of his years doing manual labor. That would be the best lifestyle for him, he decided.

The fifth day after he stopped going to classes, Sayoko came to Junpei’s apartment. She was wearing a navy blue sweatshirt and white cotton pants, and her hair was pinned back.

“Where have you been?” she asked. “Everybody’s worried that you’re dead in your room. Takatsuki asked me to check up on you. I guess he wasn’t too keen on seeing the corpse himself. He’s not as strong as he looks.”

Junpei said he had been feeling sick.

“Yeah,” she said, “you’ve lost weight, I think.” She stared at him. “Want me to make you something to eat?”

Junpei shook his head. He didn’t feel like eating, he said. Sayoko opened the refrigerator and looked inside with a grimace. It contained only two cans of beer, a deceased cucumber, and some deodorizer. Sayoko sat down next to him. “I don’t know how to put this, Junpei, but are you feeling bad about Takatsuki and me?”

Junpei said that he was not. And it was no lie. He was not feeling bad or angry. If, in fact, he was angry, it was at himself. For Takatsuki and Sayoko to become lovers was the most natural thing in the world. Takatsuki had all the qualifications. He himself had none. It was that simple.

“Go halves on a beer?” Sayoko asked.

“Sure.”

She took a can of beer from the refrigerator and divided the contents between two glasses, handing one to Junpei. Then they drank in silence, separately.

“It’s kind of embarrassing to put this into words,” she said, “but I want to stay friends with you, Junpei. Not just for now, but even after we get older. A lot older. I love Takatsuki, but I need you, too, in a different way. Does that make me selfish?”

Junpei was not sure how to answer that, but he shook his head.

Sayoko said, “To understand something and to put that something into a form you can see with your own eyes are two completely different things. If you could manage to do both equally well, though, living would be a lot simpler.”

Junpei stared at her in profile. He had no idea what she was trying to say. Why does my brain always have to work so slowly? he wondered. He looked up, and for a long time his half-focused eyes traced the shape of a stain on the ceiling. What would have happened if he had confessed his love to Sayoko before Takatsuki? To this Junpei could find no answer. All he knew for sure was that such a thing could never have happened. Ever.

He heard the sound of tears falling on the tatami, an oddly magnified sound. For a moment he wondered if he was crying without being aware of it. But then he realized that Sayoko was the one who was crying. She had hung her head between her knees, and now, though she made no sound, her shoulders were trembling.

Almost unconsciously, he reached out and put a hand on her shoulder. Then he drew her gently toward him. She did not resist. He wrapped his arms around her and pressed his lips to hers. She closed her eyes and let her lips come open. Junpei caught the scent of tears, and drew breath from her mouth. He felt the softness of her breasts against him. Inside his head, he felt some kind of huge switching of places. He even heard the sound it made, like the creaking of every joint in the world. But that was all. As if regaining consciousness, Sayoko moved her face back and down, pushing Junpei away.

“No,” she said quietly, shaking her head. “We can’t do this. It’s wrong.”

Junpei apologized. Sayoko said nothing. They remained that way, in silence, for a long time. The sound of a radio came in through the open window, riding on a breeze. It was a popular song. Junpei felt sure he would remember it till the day he died. In fact, though, try as he might after that, he was never able to bring back the title or the melody.

“You don’t have to apologize,” Sayoko said. “It’s not your fault.”

“I think I’m confused,” he said honestly.

She reached out and laid her hand on his. “Come back to school, OK? Tomorrow? I’ve never had a friend like you before. You give me so much. I hope you realize that.”

“So much, but not enough,” he said.

“That’s not true,” she said with a resigned lowering of her head. “That is so not true.”

Junpei went to his classes the next day, and the tight-knit threesome of Junpei, Takatsuki, and Sayoko continued through graduation. Junpei’s short-lived desire to disappear disappeared itself with almost magical ease. When he held her in his arms that day in his apartment and pressed his lips to hers, something inside him settled down where it belonged. At least he no longer felt confused. The decision had been made, even if he had not been the one to make it.

Sayoko would sometimes introduce Junpei to old high-school classmates of hers, and they would double-date. He saw a lot of one of the girls, and it was with her that he had sex for the first time, just before his twentieth birthday. But his heart was always somewhere else. He was respectful, kind, and tender to her, but never really passionate or devoted. The only times Junpei became passionate and devoted were when he was alone, writing stories. His girlfriend eventually went elsewhere in search of true warmth. This pattern repeated itself any number of times.

When he graduated, Junpei’s parents discovered he had been majoring in literature, not business, and things turned ugly. His father wanted him to come back to Kansai and take over the family firm, but Junpei had no intention of doing that. He wanted to stay in Tokyo and keep writing fiction. There was no room for compromise on either side, and a violent argument ensued. Words were spoken that should not have been. Junpei never saw his parents again, and he was convinced that it had to be that way. Unlike his sister, who always managed to compromise and get along with their parents, Junpei had done nothing but clash with them from the time he was a child. So, he thought with a bitter smile, he had finally been disowned: the upright Confucian parents renounce the decadent scribbler—it was like something out of the Twenties.

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