Manil Suri - The City of Devi

Здесь есть возможность читать онлайн «Manil Suri - The City of Devi» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2013, ISBN: 2013, Издательство: W. W. Norton & Company, Inc., Жанр: Современная проза, sf_postapocalyptic, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The City of Devi: краткое содержание, описание и аннотация

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From the author of
, “a big, pyrotechnic… ambitious… ingenious” (
) novel. Mumbai has emptied under the threat of imminent nuclear annihilation; gangs of marauding Hindu and Muslim thugs rove the desolate streets; yet Sarita can think of only one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced that the fruit holds the key to reuniting her with her physicist husband, Karun, who has been mysteriously missing for more than a fortnight.
Searching for his own lover in the midst of this turmoil is Jaz—cocky, handsome, and glib. “The Jazter,” as he calls himself, is Muslim, but his true religion has steadfastly been sex with men. Dodging danger at every step, both he and Sarita are inexorably drawn to Devi ma, the patron goddess who has reputedly appeared in person to save her city. What they find will alter their lives more fundamentally than any apocalypse to come.
A wickedly comedic and fearlessly provocative portrayal of individuals balancing on the sharp edge of fate,
brilliantly upends assumptions of politics, religion, and sex, and offers a terrifying yet exuberant glimpse of the end of the world.

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Sequeira takes us to his family mansion off Fort Road, where his siblings Vincent, Paul, and Mildred live in a large joint household. He tells them about our recent bereavement, but enthralled by the approaching cataclysm, they barely register our grief. Vincent and his son take turns cranking a hand-generated emergency radio, only to get static no matter where they set the dial. Sarita and I crowd around as well—perhaps the future will distract us from our own mourning. But our attention quickly veers back—nothing can feel as real or compelling as Karun’s loss. The drama of Diu’s survival (or for that matter our own) is like a television show in comparison, one we find only moderately engaging.

The sun emerges as brightly the next morning. The heavens look clean and radiant. Relief washes through the streets and the docks, now that the nineteenth has passed, now that Diu has survived the date without any harm, any nuclear shockwaves. Sequeira’s sister Mildred complains of a smokiness in her throat, a greenish tinge to the air. But by the time the magnificent sunset lights up the seafront, with its golden rays reaching towards the old Portuguese church on the hill like the fingers of God, she agrees it has to be her imagination. The next evening, when the sun makes an even more spectacular exit, with eloquent streaks of orange and red and magenta, she’s ready to proclaim the end of the war. The local Jain community floats little earthenware oil lamps into the sea to give thanks—a ritual that soon encompasses Hindus and Muslims and Christians as well.

Sequeira drags us to the celebration by the water’s edge to cheer us up. I watch as people launch bits of candles on rafts, diyas made of wicks and tin cans. All I can think of, as the points of twinkling gratefulness carpet the bay, is Karun. Could we have remained safe in Bombay, did we lose him for naught? What if he’d survived just one more day?—would that have conducted him past the end of the war?

Mildred interrupts my rumination to tell me about Diu’s charmed existence. Except for a stray air raid on some old office buildings in the center, the town has remained unscathed. Moreover, religious rancor has not been a problem—not like nearby Veraval, with its brutal massacres of Muslims. “Yes, our electricity’s gone, and our lifeblood of trade choked off—we can no longer find flour in the market, and half our workers have wandered away. But show me one place in the world that doesn’t have these problems now. Diu’s escaped the worst of it, thanks to the lord.”

More people turn out the next evening, drawn by the sunset, which now scintillates with an extended palette from yellow to purple. Even I’m amazed by the unusual striations of green, ribbing the sky like a sprawling celestial skeleton. Revelers throng the terraces of the old houses overlooking the harbor to watch the show below, the diya lamps now replaced by triumphant bonfires blazing from victory floats. Something about this escalating drama makes me uneasy. We have yet to receive any news from the outside, even from Ahmedabad (Vincent can still only crank static from his radio). I try to recall what I’ve read about particulates in the atmosphere, about dazzling sunsets after volcano eruptions. But caught up in the town’s festive mood, I decide I’m fretting for no good reason.

The fish start washing up at dawn. By midmorning, the shore is so thick with them that the water no longer flows in waves, sloshing instead against a solid rim of carcasses. Although most of the fish have decomposed or been partially eaten, several still have intact heads, their eyes clear and wide open, as if witness to a sight so shocking it has caused instant death. Given the scarcity of food supplies, some of the townsfolk go up with baskets to salvage the more edible-looking chunks.

The sea soon turns black, putting an end to the foraging. At first, it looks like a vast expanse of shadow, the kind that rolls in under approaching clouds. But the sky is clear, and the shadow turns out to have great density and substance—clumps of ash and filament and debris, as if a giant cremation urn has been emptied into the sea. Larger pieces float in as the tide intensifies—charred lumber and furniture, blackened corpses that joust with the fish for space on the beach, even an enormous banyan, its leafless branches as tarry as its roots, hurled onto shore by the increasingly angry waves. At some point, it starts looking like a tsunami, and residents gather at the fort, abandoning their low-lying houses. But although the sea advances all the way past the waterfront stalls and across Fort Road, it eventually subsides, leaving behind a profusion of listlessly floating objects. A mass one could almost walk across, like ice floes in an Arctic waterway.

Is the debris radioactive? The local government surveyor examines the depth of the char marks and declares it likely. Parents start shrieking at children to get away from the banyan, whose roots have somehow become irresistible playthings to swing from. A woman hysterically tries to vomit up the fish she’s ingested for lunch. A gang of urchins continues sorting through the wreckage for valuables, unmindful of the commotion.

Assuming the soundness of the surveyor’s diagnosis, a city has been hit. The question is which one? The only possibility can be Bombay—none of the other seven places on the list lie on the Arabian Sea. Except it’s October, when the monsoon currents are in the process of reversing. The debris could equally well have floated in from the other direction, down from Pakistan—in which case the city destroyed would be Karachi. Or even some place further, like Muscat, in Oman.

The panic, which bubbled off into euphoria just a few mornings ago, surges back. Nuclear bombs are like potato chips, nobody can stop at just one. Every scenario predicts that a country under attack will launch all its weapons at once to avoid losing them. Does this mean all eight targets on the list have been struck? What about the remaining two hundred or so warheads in the combined possession of India and Pakistan? With even a single missile fired, wouldn’t the two enemies have responded by launching this entire arsenal?

Continuing this line of thought, once such attacks started, wouldn’t other countries be unavoidably drawn in? Could they have set off enough devices to obliterate life on the entire planet?

The true horror of the bodies in the harbor starts sinking in: this just represents a speck of the hundreds of thousands already killed. How many untold more are set to perish?—does Diu have any chance of escape? All eyes turn to the sky, to keep watch for the legendary death clouds. The toxic masses which must now rove the globe like giant dinosaurs, devouring anything that moves in their path. Depending on how many bombs have detonated, the clouds will either dissipate over time or merge together to wipe us all out. Sure enough, the first smudge appears a day later, clotting the air from sea to sky in a sweater-like knit of grey. As some flee and others shutter themselves, the wind intervenes to blow the mass off to the north. A second cloud the next week blusters right into town. But it brings nothing more baneful than rain—perhaps a holdover from the long-expended monsoon.

Reports stream in about towns that have not fared as well—over which lingering palls have triggered ballooning tumors and instant blindness. Babies vomiting blood, cattle driven mad and chewing on their own limbs, well water so toxic it leaks right through people’s throats when they try to drink it. However, no actual refugees fleeing such stricken spots accompany these accounts.

One day, a couple does arrive, announcing they’ve trekked all the way from Ahmedabad. The woman’s face is black and oozing, the man has a stump for his left hand. But they seem in remarkably good spirits. At least two nuclear bombs went off in the air on the nineteenth, they say, describing horrific funnels of death through which bodies melted like wax and fireballs gusted like wind. They’ve walked to Diu to offer a coconut to their family shrine in thanks. They’ll go to Junagadh next to climb to the temple atop the ten-thousand-step hill.

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