Manil Suri - The City of Devi

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From the author of
, “a big, pyrotechnic… ambitious… ingenious” (
) novel. Mumbai has emptied under the threat of imminent nuclear annihilation; gangs of marauding Hindu and Muslim thugs rove the desolate streets; yet Sarita can think of only one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced that the fruit holds the key to reuniting her with her physicist husband, Karun, who has been mysteriously missing for more than a fortnight.
Searching for his own lover in the midst of this turmoil is Jaz—cocky, handsome, and glib. “The Jazter,” as he calls himself, is Muslim, but his true religion has steadfastly been sex with men. Dodging danger at every step, both he and Sarita are inexorably drawn to Devi ma, the patron goddess who has reputedly appeared in person to save her city. What they find will alter their lives more fundamentally than any apocalypse to come.
A wickedly comedic and fearlessly provocative portrayal of individuals balancing on the sharp edge of fate,
brilliantly upends assumptions of politics, religion, and sex, and offers a terrifying yet exuberant glimpse of the end of the world.

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The show ends differently than the one we witnessed from the beach. As the girl reaches her zenith, an enormous buffalo effigy, hoisted from the ground at the end of a cable, swings into view. I’ve seen these as part of the City of Devi celebrations—an enactment of the Devi myth where the goddess slays the buffalo demon. “I am the demon Mahisha, who neither Vishnu nor Shiva has been able to vanquish,” a voice intones over the speakers. “I am the lord of the three worlds, and you will marry me.” A series of threats from both sides follows, with the Devi promising to cut off the demon’s head and drink its blood. Finally, a trident appears in her hand, one that shoots laser-like rays of light through the air to ignite the buffalo. Strings of firecrackers go off in its belly, red and green flares emerge from its mouth and tail. A tremendous cheer rises from the crowd as fire engulfs the animal.

“What’s that?” Inside the metal ribcage of the buffalo, I think I make out a shadowy form, one that writhes and shivers in the flames. I point it out to Jaz, but clouds of smoke come in the way before he can see it.

“It’s the spirit of the buffalo demon,” Chitra says. “Being purified at the hands of Devi ma.”

“It looked like something trapped inside. Or someone .”

“Just a spirit. And Devi ma has liberated it.” Her face is serene in the light from the flames.

After the show, Gaurav-ghoda fetches Devi girl back on his shoulders and deposits her on the throne. It’s time for the blessing of the pilgrims, at least the wealthiest ones. Chitra points out the matinee idol Roop Kumar, who reluctantly leaves behind his entourage and bows down alone at the throne. A round and suited gentleman, who Chitra says is the owner of the Mumbai Cricket League, follows, after which the president of Mody Industries himself (instantly recognizable from the newspapers) touches the girl’s feet. By the time the nightly slot to receive less exalted devotees rolls around, the Devi is quite cranky. Most have some ailment or other that needs curing—she sends them on their way after a perfunctory laying of hands on the affected part. “Only one disease per person,” she snaps at a woman who has cancer as well as diabetes. A man who refuses to leave without a handwritten note for his crippled son at home irritates her so much that she stabs him with his own fountain pen through the arm.

“I think it’s time to end the session,” Chitra whispers. “We don’t want her to start putting people to death like she did last night.”

On Chitra’s behest Jaz hitches the Devi on his shoulders again and carries her around the terrace to restore her mood. She pulls off his turban and perches it on her own head, guffawing when it droops down to her nose. “Will Devi ma grant one more boon tonight—for her loyal horse this time?” Gaurav-ghoda asks. “Help me find the person we’re looking for, the one my friend was talking about.”

“You mean her husband—that woman who tried to poison me?”

“She brought you that chutney you liked so much, remember? Her husband is closer to me than any brother could be.” The statement sounds so heartfelt, it alarms me.

Devi girl gives me a nasty look as Jaz explains about the bus that’s picked up Karun and his colleagues. “I know Devi ma gives her blessing to so many people that it’s not possible to remember them all these days later. But with her permission, my friend and I would like to look through the hotel.”

The girl thinks for a moment, then agrees. “But first take Devi ma around the pool and the palm trees.” Jaz gasps as she grips his freshly unturbaned hair, like she might the mane of a horse, and pulls sharply. “Faster this time.”

JAZ

13

WE’VE ALMOST MADE IT TO THE DOOR WHEN THE WICKED LITTLE witch of the east calls me back. “Another ride for my Devi ma?” I say, and she nods her fat little head. I remember to brace myself as she clambers on this time—the Jazter has learnt that Devi flesh weighs more per unit volume than the heaviest element known to man. “Once more?” I ask after we’ve galloped all the way to the turret and back, and to my dismay, my divine porcinity nods yes.

The Jazter has never understood religion, but if this is what the citizens believe will save them, then maybe they deserve to be dead.

Perhaps I’m being too harsh on her Marmite-ship. Lying at her feet all night, I have listened to her tale of pauperdom to popehood, destitution to devi-nity. It behooves me as even-handed raconteur to present the sympathetic side of even the most trying characters I encounter. Who would fail to be moved by the deep scar on her left appendage? The gash where her mother tried to simply hack off the extra arm, failing only because her slum dweller’s knife was too blunt to cut through bone? Not to mention the other marks of abuse—the scars on her back, the lacerations on her neck, the cigarette burns on her legs—all of which she displays to me as proudly as stigmata. “To think I might still have been begging outside the Sion post office,” she says, choking up a little at the poignancy of her own discovery. Her tears dry quickly, though, vaporized in the heat of the rancor she has stored up inside. “All the people who spat at me, the dogs who laughed at my extra arms, not realizing these were the signs of Devi.”

Now that these limbs have attained the status of sacred relics, only the chosen few dare touch them without risking severe bodily harm. The Jazter, most favored member of this club, has discovered the right sequence of knuckle-nubs to press (like finger buttons on a trumpet) to make her coo softly. Thus lulled, into a stupor almost, she discloses her debt to Baby Rinky. “They tried to get her first, even though she was only a make-believe screen devi. Had her mother not insisted on leaving Mumbai when the war worsened, they might never have discovered me. I was so thin then—they had to fatten me with laddoos for a week.”

She breaks off, looking up at the sky dreamily. “What I want to do someday is star in my own movie. Would they like me, do you suppose? After all I am the true Devi.”

“They’d love you, Devi ma. You’d be a much bigger hit than Baby Rinky.”

She laughs, and reaches with her toes to affectionately stroke my cheek. “Don’t worry—I wouldn’t leave you out—we’d find a role for you to play as well. Vishnu’s horse, in fact—wouldn’t that be the perfect part? Always running and moving and jumping—tell me, my Gaurav-ghoda, what do you think?”

Somewhere in the midst of a long list of things we’ll do together (ride through the sky in a magical chariot, eat the same flavors of ice cream on the moon as Baby Rinky, kill lots of bad people with big big guns) she dozes off. The Jazter would have never believed it, but she actually looks innocent—her breath emerges rhythmically through her lips, her cheeks bulge as cherubically as a baby’s. Disengaging the curls of my hair clutched so lovingly (if painfully) in her fingers, I stretch out on the floor next to her lounge chair and fall asleep. In the morning, she greets me with a glass of nectar. “Amrit. I made it for you myself.”

Except it’s not nectar, but urine—still steaming a bit. I tell her I can’t possibly accept when the long-suffering devotees behind their chain of guards have been waiting so patiently for prasad. “Devi amrit,” they cry, and take a joyous sip each. The Jazter doesn’t quite get it— chacun à son goût , must be a Hindu thing.

Fortunately, before my personal prasad factory can manufacture something more solid from all the samosas it has processed overnight, a summons arrives from downstairs. Pooja is at nine and Devi ma must preside as idol-in-residence to be worshipped. Between bites of laddoo, she gives me her blessing to go sniff for scientists. I am to be extended every privilege, all through the hotel, with Chitra and Guddi and Sarita to accompany me. At farewell time she wavers—wouldn’t it be fun if she came along for the ride? She means this literally—Gaurav-ghoda carrying her around from room to room—after all, she’s never much explored the hotel, really. But vermilion and incense and clamoring devotees call from downstairs—not to mention, good God, the promise of more sweets. “Come back quickly,” she warns, and for the time being, I am free.

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