John Hawkes - The Cannibal

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The Cannibal: краткое содержание, описание и аннотация

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The Cannibal "No synopsis conveys the quality of this now famous novel about an hallucinated Germany in collapse after World War II. John Hawkes, in his search for a means to transcend outworn modes of fictional realism, has discovered a a highly original technique for objectifying the perennial degradation of mankind within a context of fantasy….
Nowhere has the nightmare of human terror and the deracinated sensibility been more consciously analyzed than in
. Yet one is aware throughout that such analysis proceeds only in terms of a resolutely committed humanism." — Hayden Carruth

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In the first moment their bodies lost form, clashing like roosters with spiked heels, aiming at brief exposed patches of white, striking for scarecrow targets. They struck at the Physik of limbs. In the second moment, the arena stained with drops of ink, walls resounding with blows, they aimed at the perilous eyes and ears, the delicate tendons of the neck, fingers, stabbing at the Kultur of sense, and a blade-tip sang past his lower lip, splitting the skin the length of his under jaw. In the third moment they found the groin, and he felt a pain from the accidental flat of the blade that traveled from the abdomen to his throat in a brief spasm, the original Unlust . He stooped, and the bell of the saber rang through the ashes, dropped to the floor in a finished scoop. Then gradually he began to fall from a high, blunted indefinable space where the Hero’s words: love, Stella, Ernst, lust, tonight, leader, land revolved out of relation, until he finally reached particulars too extreme to comprehend. Brine filled the hollow of his gum, the cuticle of one thumb bled into a purple half-moon, and an internal kink filled him with pain from the stomach to the blind gut. “Go outside, if you must,” said the Baron who sank down among his comrades. Someone threw him a towel and, wrapping it about his head, Ernie managed to get into the corridor and hold to the wall. Inside they sang, one voice after another, in a very slow meter, the Horst Wessel Lied . “Get back to your room,” said an old caretaker moving around him in the darkness. Finally, his head white and bulky in the towel, he made his way out into the rain, leaving a sharp odor of sickness outside the room with a light.

Stella, golden tresses gathered about the waist, a calm determination to survive and to succeed grown upright in her mind, waited for his return, sure he would come, sure she would have to give warmth. She was prepared to make him as happy as her instinct would allow, would overrule the rights of anyone in the house for her own demands. But Gerta was a woman quick to injure. Stella listened to every sound, fought with the desire to dream, and thought at some hour of the night that she heard marching feet. When Ernie finally did come, it was in desperation. “Come in, you poor creature,” she whispered, and held the toweled bundle in her lap. He left soon after because a bright excited day was beginning to break, and harassed or jubilant cries echoed up and down the drying streets.

STELLA

The conquered spirit lies not only in rest but in waiting, crushed deep in face-lines of deprivation, in fingers that no longer toil, the one thing that shall lift, and enlarge and set free.

The house where the two sisters lived was like an old trunk covered with cracked sharkskin, heavier on top than on the bottom, sealed with iron cornices and covered with shining fins. It was like the curving dolphin’s back: fat, wrinkled, hung dry above small swells and waxed bottles, hanging from a thick spike, all foam and wind gone, over many brass catches and rusty studs out in the sunshine. As a figure that breathed immense quantities of air, that shook itself in the wind flinging water down into the streets, as a figure that cracked open and drank in all a day’s sunshine in one breath, it was more selfish than an old General, more secret than a nun, more monstrous than the fattest shark.

Stella combed her hair before the open window, sunlight falling across her knees, sometimes holding her head up to catch the wind, as wide awake as if she had slept soundly through the night without wild dreams. A few scattered cheers and broken shouts were carried up from side streets, windows were flung open, dust-rags flung out into the spring morning like signal flags. Brass bands were already collecting in the streets, small groups of old men surrounded by piles of shiny instruments. A crowd was gathering about the front of the gated house and she could hear them stamping their feet and clapping each other on the backs, thumping and pushing, waiting for the chance to cheer. She felt completely at rest, self-satisfied, pulling at one strand of thick hair and then at another. She knew her father would be dressing, powdering his cheeks so he could speak to the crowd, and she had reached the time of a strange discovery. If it were not for the idea of love, if her father were a man she did not know at all, how distasteful his fingers would be, like pieces of rotting wood; how unpleasant his white hair would be, a grey artificial mat that she could never stand to kiss; how like an old bone would be his hollow shoulders. Stella enjoyed thinking of her father as one she did not know. He was so old he never understood. Voices shouted at her, she eased her chair to follow the moving sunlight. Gerta came in throwing the door wide.

“Damn that woman, damn that old fool!” Gerta stared about the room. “Always I say I’m not at home, I’ve gone away to the country, I’m sick, but there she sits, down there with the cook in the kitchen waiting to pounce on me.” The old woman raged about the room, hovered over the chair a moment to see if Stella listened. She snorted at the golden head, ripped into the closets, threw forth bundles of soiled linen. She gasped.

“You’re no better!” The comb slid up and down, the nurse trembled in the pile of linen.

Down in the kitchen sat Gerta’s friend, a new maid from several houses away who traveled across back courts and had paid a call, for no reason, carrying a bag of cold buns which she munched while trying to become friends with Gerta. Gerta was afraid and angry and could not understand this woman who, dressed like an imbecile girl, wore her thin hair plastered to the head, who had no name and talked forever. Gerta would not touch the buns.

“You’re no better. And don’t think,” the voice was a whisper, distorted and low, “that I don’t know what went on last night. Don’t forget that!”

Her father fussed with his collar, a rouge color filling in flat cheeks, her mother directed him from beneath the sheets, the crowd screamed when a manservant hung a faded flag from the very narrow balcony.

Stella turned, face shrouded in gold. “Get out. Take the clothes and leave.” The old woman raced from the room hauling the delicate silks and wrinkled trains of cloth, stumbled and ran, and the hairbrush sailed through the door over the mammoth baluster and fell in a gentle curve to crash many floors below on the hard marble. She turned back to the light. The insurrection passed lightly as the brush, she was bounded by the pale bed, the brightening walls, and summer. The cook howled for more butter from a stuttering girl, the visitor chopped a bun. There on the floor, there beside the small proper bed was the spot, now in shade, where she had held him in her lap.

Despite the dark brown symmetry and shadows of the buildings outside, the air was filled with a light green haze. It patiently and warmly lifted itself over the sagging branches, weakened beneath the load of fresh young leaves scattered on trees caught between the walls and sidewalk. The morning with its widening haze, voices wrangling over the fences, brushes and rags fighting with the furniture, tousled girls scraping and whispering on their knees, the house filled itself with boys and tremendous baskets of fruit, hauling in, it seemed, crowds of people out of the city, awoke with cries and attention. That was the moment to sit in the sun with soft hair falling about one’s waist, to doze and wake, nodding and smelling the sweet air, collecting thoughts for years to come or gone by, like an old woman hooded in black in a doorway.

A half-dozen birds, caught in the leaves, tried to make themselves heard and far down the hall she could hear Gerta talking to her father who was trying to dress. The air was like honey to wave beneath her nose; she called forth her own pleasure, plucked anywhere from the moving number of summer sensations. She waved her hand, even on the opening day of war, the public’s day, and a gentle lusty swell crowded her head, shoved the half-dozen murmuring birds out of reach. In winter, the snow fell where she wished, in great dull even flakes, in smooth slightly purple walls where far in perspective she was held like a candle, warm and bright. In summer, alone, it was she that breathed the idea of naked moonlight swimming — divers together in the phosphorescent breakers, leaves as clothes on the silver beach — she that breathed the idea of brownness, smoothness into every day of June, July, August, who created hair over the shoulder and pollen in the air.

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