V. Naipaul - A bend in the river

Здесь есть возможность читать онлайн «V. Naipaul - A bend in the river» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 1989, ISBN: 1989, Издательство: Vintage, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

A bend in the river: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «A bend in the river»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

In the "brilliant novel" (
) V.S. Naipaul takes us deeply into the life of one man—an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.

A bend in the river — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «A bend in the river», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Zabeth helped me to get through the morning. It was her shopping day. Her business had gone down since the insurrection, and her news these days was of trouble in the villages. Young men were being kidnapped here and there by the police and the army: it was the new government tactic. Though nothing appeared in the newspapers, the bush was now again at war. Zabeth seemed to be on the side of the rebels, but I couldn't be sure; and I tried to be as neutral as I could. I asked about Ferdinand. His time in the capital as an administrative cadet was over. He was due for some big post soon, and the last I had heard from Zabeth was that he was being considered as a successor to our local commissioner, who had been sacked shortly after the insurrection had broken out. Ferdinand's mixed tribal ancestry made him a good choice for the difficult post. Zabeth, speaking the big title quite calmly (I thought of the old subscription book for the lyc�gymnasium, and of the days when the governor of the province signed by himself on a whole page, like royalty), Zabeth said, "I suppose Fer'nand will be commissioner, Salim. If they let him live." "If he lives, Beth?" "If they don't kill him. I don't know whether I would like him to take that job, Salim. Both sides would want to kill him. And the President will want to kill him first, as a sacrifice. He is a jealous man, Salim. He will allow nobody to get big in this place. It is only his photo everywhere. And look at the papers. His photo is bigger than everybody else's, every day. Look." The previous day's paper from the capital was on my desk, and the photograph Zabeth pointed to was of the President addressing government officials in the southern province. "Look, Salim. He is very big. The others are so small you can scarcely see them. You can't tell who is who." The officials were in the regulation dress devised by the President--short-sleeved jackets, cravats, in place of shirts and ties. They sat in neat packed rows and in the photograph they did look alike. But Zabeth was pointing out something else to me. She didn't see the photograph as a photograph; she didn't interpret distance and perspective. She was concerned with the actual space occupied in the printed picture by different figures. She was, in fact, pointing out something I had never noticed: in pictures in the newspapers only visiting foreigners were given equal space with the President. With local people the President was always presented as a towering figure. Even if pictures were of the same size, the President's picture would be of his face alone, while the other man would be shown full length. So now, in the photograph of the President addressing the southern officials, a photograph taken from over the President's shoulder, the President's shoulders, head and cap occupied most of the space, and the officials were dots close together, similarly dressed. "He is killing those men, Salim. They are screaming inside, and he knows they're screaming. And you know, Salim, that isn't a fetish he's got there. It's nothing." She was looking at the big photograph in the shop, which showed the President holding up his chief's stick, carved with various emblems. In the distended belly of the squat human figure halfway down the stick the special fetish was thought to be lodged. She said, "That's _nothing__. I'll tell you about the President. He's got a man, and this man goes ahead of him wherever he goes. This man jumps out of the car before the car stops, and everything that is bad for the President follows this man and leaves the President free. I saw it, Salim. And I will tell you something. The man who jumps out and gets lost in the crowd is white." "But the President hasn't been here, Beth." "I saw it, Salim. I saw the man. And you mustn't tell me that you don't know."

Metty was good all that day. Without referring to what had happened, he handled me with awe (awe for me as a violent, wounded man) and tenderness. I recalled moments like this from our own compound life on the coast, after some bad family quarrel. I suppose he recalled such moments too, and fell into old ways. I began in the end to act for him, and that was a help. I allowed him to send me home to the flat in the middle of the afternoon; he said he would close up. He didn't go to his family afterwards, as was his custom. He came to the flat and discreetly let me know that he was there, and staying. I heard him tiptoeing about. There was no need for that, but the attention comforted me; and on that bed, where from time to time I caught some faint scent from the day before (no, that day itself), I began to sleep. Time moved in jerks. Whenever I awakened I was confused. Neither the afternoon light nor the noisy darkness seemed right. So the second night passed. And the telephone didn't ring and I didn't telephone. In the morning Metty brought me coffee. I went to Mahesh and Shoba's for lunch: it seemed to me that I had been to Bigburger and received that invitation a long time ago. The flat, with its curtains drawn to keep out the glare, with its nice Persian carpets and brass, and all its other fussy little pieces, was as I remembered it. It was a silent lunch, not especially a lunch of reunion or reconciliation. We didn't talk about recent events. The topic of property values--at one time Mahesh's favourite topic, but now depressing to everybody--didn't come up. When we did talk, it was about what we were eating. Towards the end Shoba asked about Yvette. It was the first time she had done so. I gave her some idea of how things were. She said, "I'm sorry. Something like that may not happen to you again for twenty years." And after all that I had thought about Shoba, her conventional ways and her malice, I was amazed by her sympathy and wisdom. Mahesh cleared the table and prepared the Nescaf�so far I had seen no servant. Shoba pulled one set of curtains apart a little, to let in more light. She sat, in the extra light, on the modern settee--shiny tubular metal frame, chunky padded armrests--and asked me to sit beside her. "Here, Salim." She looked carefully at me while I sat down. Then, lifting her head a little, she showed me her profile and said, "Do you see anything on my face?" I didn't understand the question. She said, "Salim!" and turned her face full to me, keeping it lifted, fixing her eyes on mine. "Am I still badly disfigured? Look around my eyes and my left cheek. Especially the left cheek. What do you see?" Mahesh had set down the cups of coffee on the low table and was standing beside me, looking with me. He said, "Salim can't see anything." Shoba said, "Let him speak for himself. Look at my left eye. Look at the skin below the eye, and on the cheekbone." And she held her face up, as though posing for a head on a coin. Looking hard, looking for what she wanted me to find, I saw that what I had thought of as the colour of fatigue or illness below her eye was also in parts a very slight staining of the skin, a faint lividness on her pale skin, just noticeable on the left cheekbone. And having seen it, after having not seen it, I couldn't help seeing it; and I saw it as the disfigurement she took it to be. She saw that I saw. She went sad, resigned. Mahesh said, "It isn't so bad now. You _made__ him see it." Shoba said, "When I told my family that I was going to live with Mahesh, my brothers threatened to throw acid on my face. You could say that has come to pass. When my father died they sent me a cable. I took that as a sign that they wanted me to go back home for the ceremonies. It was a terrible way to go back--my father dead, the country in such a state, the Africans being so awful. I saw everybody on the edge of a precipice. But I couldn't tell them that. When you asked them what they were going to do, they would pretend that it was all all right, there was nothing to worry about. And you would have to pretend with them. Why are we like that? "One morning I don't know what possessed me. There was this Sindhi girl who had studied in England--as she said--and had set up a hairdresser's shop. The sun is very bright in the highlands there, and I had done a lot of driving about, visiting old friends and just driving about, getting out of the house. Every place I used to like, and went to see, I began to hate, and I had to stop. I suppose it was that driving about that had darkened and blotched my skin. I asked the Sindhi girl whether there wasn't some cream or something I could use. She said she had something. She used this something. I cried out to her to stop. She had used peroxide. I ran home with my face scorched. And that house of death became for me truly a house of grief. "I couldn't stay after that. I had to hide my face from everybody. And then I ran back here, to hide as before. Now I can go nowhere. I only go out at night sometimes. It has got better. But I still have to be careful. Don't tell me anything, Salim. I saw the truth in your eyes. I can't go abroad now. I so much wanted to go, to get away. And we had the money. New York, London, Paris. Do you know Paris? There is a skin specialist there. They say he peels your skin better than anybody else. That would be nice, if I could get there. And then I could go anywhere. Suisse, now--how do you say it in English?" "Switzerland." "You see. Living in this flat, I'm even forgetting my English. That would be a nice place, I always think, if you could get a permit." All the while Mahesh looked at her face, half encouraging her, half irritated with her. His elegant red cotton shirt with the stiff, nicely shaped collar was open at the neck--it was part of the stylishness he had learned from her. I was glad to get away from them, from the obsession they had forced on me in their sitting room. Peeling, skin--the words made me uneasy long after I had left them. Their obsession was with more than a skin blemish. They had cut themselves off. Once they were supported by their idea of their high traditions (kept going somewhere else, by other people); now they were empty in Africa, and unprotected, with nothing to fall back on. They had begun to rot. I was like them. Unless I acted now, my fate would be like theirs. That constant questioning of mirrors and eyes; compelling others to look for the blemish that kept you in hiding; lunacy in a small room. I decided to rejoin the world, to break out of the narrow geography of the town, to do my duty by those who depended on me. I wrote to Nazruddin that I was coming to London for a visit, leaving him to interpret that simple message. What a decision, though! When no other choice was left to me, when family and community hardly existed, when duty hardly had a meaning, and there were no safe houses. I left eventually on a plane which travelled on to the east of the continent before it turned north. This plane stopped at our airport. I didn't have to go to the capital to take it. So even now the capital remained unknown to me. I fell asleep on the night flight to Europe. A woman in the window seat, going out to the aisle, rubbed against my legs and awakened me. I thought: But that's Yvette. She's with me, then. I'll wait for her to come back. And wide awake, for ten or fifteen seconds I waited. Then I understood that it had been a waking dream. That was pain, to understand that I was alone, and flying to quite a different destiny.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «A bend in the river»

Представляем Вашему вниманию похожие книги на «A bend in the river» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «A bend in the river»

Обсуждение, отзывы о книге «A bend in the river» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x