V. Naipaul - Magic Seeds

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Nobel laureate V. S. Naipaul’s magnificent Magic Seeds continues the story of Willie Chandran, the perennially dissatisfied and self-destructively naive protagonist of his bestselling Half a Life.
Having left a wife and a livelihood in Africa, Willie is persuaded to return to his native India to join an underground movement on behalf of its oppressed lower castes. Instead he finds himself in the company of dilettantes and psychopaths, relentlessly hunted by police and spurned by the people he means to liberate. But this is only one stop in a quest for authenticity that takes in all the fanaticism and folly of the postmodern era. Moving with dreamlike swiftness from guerrilla encampment to prison cell, from the squalor of rural India to the glut and moral desolation of 1980s London, Magic Seeds is a novel of oracular power, dazzling in its economy and unblinking in its observations.

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“I used to know a girl at the Debenhams perfume counter. Hardly knew her, really. She was the friend of a friend, and all the time she was engaged to somebody else. The whole thing is too embarrassing to think about now. Do you think she would remember, after twenty-eight years?”

Roger said, “She would remember. When she counts her lovers — and she would do that quite often — she would count you in.”

“How terrible. What do you think would have happened to her?”

“Fat. Faithless. Betrayed. Complaining about the wicked world. Vain. Talking too much. Commoner than ever. Women are more physical and more shallow than one imagines.”

Willie said, “Will I have to be here now forever and ever?”

“It was part of the deal.”

“What will happen to me? How will I pass the time?”

“Don’t think about it now. Just let it happen. Let it begin. Let it flow over you.”

“When I went to Africa I remember that on the first day I looked out of the bathroom window and saw everything outside through a rusty screen. I never wanted to stay. I thought that something was going to happen, that I would never unpack. Yet I stayed for eighteen years. And it was like that when I joined the guerrillas. The first night in the teak forest. It was too unreal. I wasn’t going to stay. Something was going to happen and I was going to be liberated. But nothing happened, and I stayed seven years. We were always on the move in the forest. One day in a village I met a man, a revolutionary, who said he had been in the forest for thirty years. He was probably exaggerating, but he had been there a very long time. He was someone from the previous revolution. That revolution had died long before, but he had carried on. It had become a way of life for him, hiding, pretending to be a villager. Like an ascetic in his hermitage in the forest in an old story. Or like Robinson Crusoe, living off the land. The man was mad. His mind had stopped, like a dead clock, and he was still living with the ideas that were in his head when the clock stopped, showing the same time forever. Those ideas were very sharp, and when he talked of them he was like a sane man. There were people like that in the jail. I could always step back from myself, and consider my situation. But there were moments when I felt myself changing. The whole thing was so strange, such a string of unreal episodes, I feel in time I would have gone mad like the others. The brain is so delicate, and man can adapt to so many situations. That’s how it’s been for me. Has it been like that for you too? At least in some ways?”

Roger said, “I would like to say that it’s the same for all of us. But my life these last thirty years hasn’t been like that. I have always felt myself in the real world. That may be because I have always felt that life had dealt me a good hand. It sounds smug, but there have been no surprises.”

Willie said, “My life has been a series of surprises. Unlike you, I had no control over things. I thought I had. My father and all the people around him thought they had. But what looked like decisions were not decisions really. For me it was a form of drift, because I didn’t see what else there was for me to do. I thought I wanted to go to Africa. I thought that something would happen and I would be shown the true way, the way meant for me alone. But as soon as I got on the ship I was frightened. And you — did you marry Perdita?”

“I couldn’t tell you why. I suppose my sexual energy is low. There were six or seven people I might have married, and it would have always ended as it did with Perdita. It was a piece of good fortune for me that quite soon after our marriage she fell into a good and solid relationship with a friend of mine. This friend had a very big London house. It was something he had inherited, but that big London house excited Perdita. I was actually disappointed in her — her delight in the man’s big house. But most people in this country have a streak of commonness. The aristocrats love their titles. The rich count their money all the time, and are always calculating whether the other man has less or more. The romantic middle-class idea in the old days was that the true aristocrats, and not the jumped-up middle class, never truly knew who they were. Not so. The aristocrats I have got to know always know who they are. They can be awfully common, those aristocrats. One man I know loves appearing among his dinner guests in a bathrobe, dishing out the drinks — and then going off to dress, after having humiliated all of us who were invited to his grand house. ‘What dressing up, my dear,’ he said to somebody afterwards, retailing the incident. ‘How grand we all were!’ The ‘we,’ of course, was ironical. He meant ‘they,’ the guests he had made to come all dressed up. I was one of the guests, and I was the somebody he told the story to later. So I suppose Perdita’s commonness is not so extraordinary. But I expected better of someone who had married me.”

Willie was recognising London names from the direction boards. But they were driving along a new highway.

Roger said, “All this used to be part of your beat. Until they drove this road through it. I suppose that the common people are the only ones who are not common in the way I mean. Shallow and self-regarding and acting up to some idea of who they are. Anyway, there was Perdita having this relationship with this bounder with the big London house, everything satisfactory to all parties, the bounder having somebody’s wife as his mistress, Perdita intimate with a big London house and feeling quite adult. Then Perdita became pregnant. It was quite late for her, perhaps too late. The lover was alarmed. His love didn’t extend that far — looking after a child forever and ever. So Perdita turned to me for support. I didn’t like seeing her so wretched. I have a soft spot for her, you see. But I didn’t understand the situation. I misread Perdita’s passion, and said more or less that I was willing to surrender all rights, so to speak. Willing to let her go. I thought it was what she wanted to hear. But it made her hysterical, that two men should care so little for her. We had many a tearful session. For two or three weeks I dreaded going home. And then I said that the child was possibly mine and I was happy that a child was on the way. None of this was true, of course.

“I dreaded the arrival of the child. For some time I lived with the idea that I would leave Perdita, find some studio flat somewhere. In my imagination that studio flat became cosier and cosier and more and more removed from everything. It was immensely comforting. And then something happened. Perdita had a miscarriage. That was a mess. Just as I had been going into a shell, dreaming of my cosy little studio flat, so now she retreated into herself. She had a good long wallow. It was worse than before. There were days when I actually thought of not going home but of going to some hotel. She banned the lover, the bounder, my old legal friend. I began to think after some time that she was enjoying her situation, and I lived with her during this time as I would have lived with someone with a broken leg or arm, something dramatic to behold but not life-threatening.

“One day her scoundrelly lover sent her — would you believe it? — a poem. I knew about it because it had been left out for me to see, on the sideboard in the dining room. It was a long poem. It wasn’t a poem he had copied out, something he was quoting. It was a poem he said he had written for her. She knew that I looked down on the man with the big house as a kind of buffoon, and I suppose this was one in the eye for me. And, sure enough, the love-making of the two resumed, the afternoons in the big house or perhaps in my house, the excitement of the two. Though perhaps it wasn’t excitement at this stage, perhaps just a resumed habit.

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