Both father and son applaud. Jill drinks deep of the beer as a reward to herself. In their bedroom, she is still in the mood, artistic elation, to be rewarded. Rabbit says to her, "Great song. But you know what I didn't like about it?"
"What?"
"Nostalgia. You miss it. Getting stoned with Freddy."
"At least," she says, "I wasn't just playing, what did you call it, happy cunt?"
"Sorry I blew my stack."
"Still want me to go?"
Rabbit, having sensed this would come, hangs up his pants, his shirt, puts his underclothes in the hamper. The dress she has dropped on the floor he drapes on a hook in her half of the closet, her dirty panties he puts in the hamper. "No. Stay."
"Beg me."
He turns, a big tired man, slack-muscled, who has to rise and set type in eight hours. "I beg you to stay."
"Take back those slaps."
"How can I?"
"Kiss my feet."
He kneels to comply. Annoyed at such ready compliance, which implies pleasure, she stiffens her feet and kicks so her toenails stab his cheek, dangerously near his eyes. He pins her ankles to continue his kissing. Slightly doughy, matronly ankles. Green veins on her insteps. Nice remembered locker room taste. Vanilla going rancid.
"Your tongue between my toes," she says; her voice cracks timidly, issuing the command. When again he complies, she edges forward on the bed and spreads her legs. "Now here." She knows he enjoys this, but asks it anyway, to see what she can make of him, this alien man. His head, with its stubborn old-fashioned short haircut – the enemy's uniform, athlete and soldier; bone above the ears, dingy blond silk thinning on top – feels large as a boulder between her thighs. The excitement of singing her song, ebbing, unites with the insistent warmth of his tongue lapping. A spark kindles, a green sprig lengthens in the barren space between her legs. "A little higher," Jill says, then, her voice quite softened and crumbling, "Faster. Lovely. Lovely."
One day after work as he and his father are walking down Pine Street toward their before-bus drink at the Phoenix Bar, a dapper thickset man with sideburns and hornrims intercepts them. "Hey, Angstrom." Both father and son halt, blink. In the tunnel of sunshine, after their day of work, they generally feel hidden.
Harry recognizes Stavros. He is wearing a suit of little beige checks on a ground of greenish threads. He looks a touch thinner, more brittle, his composure more of an effort. Maybe he is just tense for this encounter. Harry says, "Dad, I'd like you to meet a friend of mine. Charlie Stavros, Earl Angstrom."
"Pleased to meet you, Earl."
The old man ignores the extended square hand and speaks to Harry. "Not the same that's ruined my daughter-in-law?"
Stavros tries for a quick sale. "Ruined. That's pretty strong. Humored is more how I'd put it." His try for a smile ignored, Stavros turns to Harry. "Can we talk a minute? Maybe have a drink down at the corner. Sorry to butt in like this, Mr. Angstrom."
"Harry, what is your preference? You want to be left alone with this scum or shall we brush him off?"
"Come on, Dad, what's the point?"
"You young people may have your own ways of working things out, but I'm too old to change. I'll get on the next bus. Don't let yourself be talked into anything. This son of a bitch looks slick."
"Give my love to Mom. I'll try to get over this weekend."
"If you can, you can. She keeps dreaming about you and Mim."
"Yeah, some time could you give me Mim's address?"
"She doesn't have an address, just care of some agent in Los Angeles, that's the way they do it now. You were thinking of writing her?"
"Maybe send her a postcard. See you tomorrow."
"Terrible dreams," the old man says, and slopes to the curb to wait for the 16A bus, cheated of his beer, the thin disappointed back of his neck reminding Harry of Nelson.
Inside the Phoenix it is dark and cold; Rabbit feels a sneeze gathering between his eyes. Stavros leads the way to a booth and folds his hands on the Formica tabletop. Hairy hands that have held her breasts. Harry asks, "How is she?"
"She? Oh hell, in fine form."
Rabbit wonders if this means what it seems. The tip of his tongue freezes on his palate, unable to think of a delicate way to probe. He says, "They don't have a waitress in the afternoon. I'll get a Daiquiri for myself, what for you?"
"Just soda water. Lots of ice."
"No hootch?"
"Never touch it." Stavros clears his throat, smooths back the hair above his sideburns with a flat hand that is, nevertheless, slightly trembling. He explains, "The medicos tell me it's a no-no."
Coming back with their drinks, Rabbit asks, "You sick?"
Stavros says, "Nothing new, the same old ticker. Janice must have told you, heart murmur since I was a kid."
What does this guy think, he and Janice sat around discussing him like he was their favorite child? He does remember Janice crying out he couldn't marry, expecting him, Harry, her husband, to sympathize. Oddly, he had. "She mentioned something."
"Rheumatic fever. Thank God they've got those things licked now, when I was a kid I caught every bug they made." Stavros shrugs. "They tell me I can live to be a hundred, if I take care of the physical plant. You know," he says, "these doctors. There's still a lot they don't know."
"I know. They're putting my mother through the wringer right now."
"Jesus, you ought to hear Janice go on about your mother."
"Not so enthusiastic, huh?"
"Not so at all. She needs some gripe, though, to keep herself justified. She's all torn up about the kid."
"She left him with me and there he stays."
"In court, you know, you'd lose him."
"We'd see."
Stavros makes a small chopping motion around his glass full of soda bubbles (poor Peggy Fosnacht; Rabbit should call her) to indicate a new angle in their conversation. "Hell," he says, "I can't take him in. I don't have the room. As it is now, I have to send Janice out to the movies or over to her parents when my family visits. You know I just don't have a mother, I have a grandmother. She's ninety-three, speaking of living forever."
Rabbit tries to imagine Stavros's room, which Janice described as full of tinted photographs, and instead imagines Janice nude, tinted, Playmate of the month, posed on a nappy Greek sofa olive green in color, with scrolling arms, her body twisted at the hips just enough to hide her gorgeous big black bush. The crease of the centerfold cuts across her navel and one hand dangles a rose. The vision makes Rabbit for the first time hostile. He asks Stavros, "How do you see this all coming out?"
"That's what I wanted to ask you."
Rabbit asks, "She going sour on you?"
"No, Jesus, au contraire. She's balling me ragged."
Rabbit sips, swallows that, probes for another nerve. "She miss the kid?"
"Nelson, he comes over to the lot some days and she sees him weekends anyhow, I don't know that she saw much more of him before. I don't know as how motherhood is Janice's best bag anyway. What she doesn't much care for is the idea of her baby just out of diapers shacking up with this hippie."
"She's not a hippie, especially; unless everybody that age is. And I'm the one shacking up."
"How is she at it?"
"She's balling me ragged," Rabbit tells him. He is beginning to get Stavros's measure. At first, meeting him on the street so suddenly, he felt toward him like a friend, met through Janice's body. Then first coming into the Phoenix he felt him as a sick man, a man holding himself together against odds. Now he sees him as a competitor, one of those brainy cute close-set little playmakers. O.K. So Rabbit is competing again. What he has to do is hang loose and let Stavros make the move.
Stavros hunches his square shoulders infinitesimally, has some soda, and asks, "What do you see yourself doing with this hippie?"
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