Andres Neuman - Talking to Ourselves

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Talking to Ourselves: краткое содержание, описание и аннотация

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A searing family drama from one of Latin America's most original voices
One trip. Two love stories. Three voices.
Lito is ten years old and is almost sure he can change the weather when he concentrates very hard. His father, Mario, anxious to create a memory that will last for his son’s lifetime, takes him on a road trip in a truck called Pedro. But Lito doesn’t know that this might be their last trip: Mario is gravely ill. Together, father and son embark on a journey takes them through strange geographies that seem to meld the different parts of the Spanish-speaking world. In the meantime, Lito’s mother, Elena, restlessly seeks support in books, and soon undertakes an adventure of her own that will challenge her moral limits. Each narrative — of father, son, and mother — embodies one of the different ways that we talk to ourselves: through speech, through thought, and through writing. While neither of them dares to tell the complete truth to the other two, their individual voices nonetheless form a poignant conversation.
Sooner or later, we all face loss. Andrés Neuman movingly narrates the ways the lives of those who survive loss are transformed; how that experience changes our ideas about time, memory, and our own bodies; and how the acts of reading, and of sex, can serve as powerful modes of resistance.
presents a tender yet unsentimental portrait of the workings of love and family; a reflection both on grief and on the consolation of words. Neuman, the author of the award-winning
, displays his characteristic warmth, bittersweet humor, and wide-ranging intellect, giving us the rich, textured, and strikingly different voices and experiences of three singular characters while presenting, above all, a profound tribute to those who have ever had to care for a loved one.

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He rarely gets out of bed he feels sick and when he does get out of bed he - фото 31

He rarely gets out of bed, he feels sick, and when he does get out of bed he feels worse. It’s as if he is walking along the top of a wall. His voice quavers. It doesn’t matter how much he eats, he continues losing weight. His muscles, his bones, his veins ache. We can’t keep up the deception that this is the flu. He still goes on pretending. Every time Lito goes near him he grins like a dummy, takes out the thermometer, cracks jokes that make me want to weep. I sometimes think that deceiving his son brings him a measure of relief. Within these fictions, he is still not critically ill.

I change sheets, cook, keep quiet. I come and go like a sleepwalker. I think things I don’t want to think.

I have just left Lito at my parents house He is going to stay with them until - фото 32

I have just left Lito at my parents’ house. He is going to stay with them until school starts. I prefer to spare him this memory. If they take him to the beach house, even better. Childhood always seemed easy there. My sister says she is looking for flights.

Juanjo came to look after Mario. Each time I explained some detail about his brother’s care, he gave me a look as if to say he already knew. Juanjo likes to have the last word. Not by winning the argument, but by being emphatic. He needs to impose his personality rather than his opinion. This is precisely why he is an easy man to please. He seems very obliging of late. I have the impression that, all of a sudden, he has recognized himself in his older brother. As if he could sense the danger to himself.

When it was time to leave, Mario appeared, impeccably dressed. He had even polished his shoes. He looked serious and had difficulty moving, concentrating on every step. He went down to the garage with us. I ran to the car so Lito wouldn’t see my face. Through the rearview mirror, I watched Mario bend over to embrace him and rest his head on his shoulder. It looked like he was playing an instrument.

My parents say Lito is fine My parents say they are fine My parents have - фото 33

My parents say Lito is fine. My parents say they are fine. My parents have always believed that things are less frightening when they are fine. Not me. When things are going fine, I think they are about to get worse and I feel even more scared.

When I spoke to Dad, he said almost exactly what Mum had said to me. It is astounding that they still understand each other after a lifetime of marriage. They both offered, independently, to come and stay at the house. I told each of them no, that I prefer them to look after Lito, to shield him from this. Mum insisted I shouldn’t try to carry the whole burden on my own. Dad advised me not to try to appear stronger than I am, because it will only harm me more. Sometimes I can’t stand having such understanding parents. Not being able to criticize them frustrates me. They raised me in an atmosphere of tolerance, respect, and communication. In other words, they left me alone with my traumas. As though, each time I look for someone to point the finger at, they responded from inside my head: We aren’t to blame.

Lito told me his granddad still plays football. He sounded surprised. He doesn’t run very much, he gets tired, but he has a good aim and he can kick the ball with both feet. Granddad isn’t that old, he said.

There was no other choice I debated I debated for weeks Day and night There - фото 34

There was no other choice.

I debated. I debated for weeks. Day and night.

There is no other choice, no other anything. He needs help. I need help.

But not the sort that came. Because he did come.

He turned up quite naturally. I had implored him to advise me over the phone. But he insisted on seeing Mario in person. He said it was his duty and this was his patient. And he announced a time. And he hung up. And, right on time, the bell rang.

When I opened the door to him, I felt a sort of whirling sensation. We hadn’t seen each other since my brothers-in-law had visited. I looked him up and down. In his tailor-made suit. His hair was slightly damp. Ezequiel greeted me as though we scarcely knew one another. He pronounced my name in a neutral voice. He proffered his hand. His hand. And he went up to the bedroom. The bedroom.

He sat down beside Mario. He asked him a few questions. He helped him unbutton his pyjama top. He examined him carefully. He ran a stethoscope over his chest. He took his pulse, his blood pressure, his temperature. Mario seemed to trust him blindly. The tact with which he treated him, the concern with which he spoke to him, the sensitivity with which he touched him was admirable. Despicable. Ezequiel whispered, Mario nodded. I watched them from the bedroom doorway. Neither of them said a word to me.

And something else. Something that places me on a level with rats. Self-aware rats, at least. While I watched Ezequiel touching my husband in our bed, sliding his hands over Mario’s shoulders, his shoulder bones, his stomach, I suddenly felt jealous. Of the two of them.

When the examination was over, Ezequiel spoke to me alone. He described Mario’s condition to me soberly, in the voice of Dr. Escalante. He increased the dosage of one drug. He took him off another. He made a couple of practical suggestions. And he expressed his opinion about admitting him to a hospital. And he was right. And I told him he was right. And he walked down the stairs. And he proffered his hand once more. And he left my house.

Me. The rodent.

So this was how it was This was it Being there Im surprised how quickly in - фото 35

So this was how it was. This was it. Being there.

I’m surprised how quickly, in a place destined to break all our habits, we establish new routines. We aren’t creatures of habit: the creature is habit itself. It sinks its teeth into its quarry and won’t let go.

I spend all my nights there. I try to see that Mario gets some rest. I give him water. I tuck him in. I ensure his chest goes up and down. I listen to him breathe. When he falls asleep, I read with a torch. I am afraid to switch it off. It feels like something will end.

After lunch I go home, and return to the hospital at dinner-time. Mario prefers to be left alone in the afternoons. He was insistent about this. He brooks no dissent. He finds arguing increasingly unbearable. Sometimes he lets his gaze wander, float. He looks at something that is apparently in his lap. A sort of miniature world we others can’t see.

When I go into the room, dressed in the clothes he likes, my hair styled for him, I can sense resentment in his eyes. As though my liveliness offended him. How are you, my love? I said to him this morning. Here I am, dying, and you? he grumbled. Yesterday he had replied: Eating shit, thank you very much. He refuses to let them increase the morphine. He says he prefers to be awake, he wants to be aware.

Try as I might, I can’t look at Mario with the same eyes, either. Suddenly his every act, every trivial gesture like yawning, smiling, or biting into a piece of toast, seems to belong to a remote language. His silences make me anxious, now. I listen to them intently, I try to interpret them. And I am never sure what they are saying. I think of what they will say to me when this is all I have, a background silence.

Pity has its own way of destroying. It’s a noise that disturbs everything Mario says or doesn’t say to me. At night, by his bedside, the noise prevents me from sleeping. When the light goes out, a sort of glow surrounds, or perhaps encroaches on everything Mario has done. The past is already being manipulated by the future. It is a dizzying capsize. An intimate science fiction.

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