Harry Mulisch - The Discovery of Heaven

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The Discovery of Heaven: краткое содержание, описание и аннотация

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This magnificent epic has been compared to works by Umberto Eco, Thomas Mann, and Dostoyevsky. Harry Mulisch's magnum opus is a rich mosaic of twentieth-century trauma in which many themes — friendship, loyalty, family, art, technology, religion, fate, good, and evil — suffuse a suspenseful and resplendent narrative.
The story begins with the meeting of Onno and Max, two complicated individuals whom fate has mysteriously and magically brought together. They share responsibility for the birth of a remarkable and radiant boy who embarks on a mandated quest that takes the reader all over Europe and to the land where all such quests begin and end. Abounding in philosophical, psychological and theological inquiries, yet laced with humor that is as infectious as it is willful, The Discovery of Heaven lingers in the mind long after it has been read. It not only tells an accessible story, but also convinces one that it just might be possible to bring order into the chaos of the world through a story.

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"But don't you have anything to go on then?"

"I'll explain to you the position I'm in." He grabbed a newspaper off the floor and made a scribble in the margin. "Write the following number: eighty-five billion, four hundred and ninety-one million, seven hundred and sixty-one thousand and thirty-two." When she had noted this down on the sheet of paper she was using for notes, he continued: "Now imagine an aboriginal cryptographer in the Australian bush, who doesn't even know that they're figures; all he sees is eleven incomprehensible signs: 85491761032, all different except for the two 1 signs. What can he deduce from that? Nothing at all. That's the point I'm at now. Imagine he has the brilliant idea that they are figures. How then is he supposed to discover that they are the alphabetically ordered numerals from 'one' to 'ten'? Beginning with the e of 'eight,' and ending with the t of 'two.' How is he supposed to discover that the numeral 'eight' is the name of the figure 8? He doesn't even know the decimal system, let alone English. How on earth is he supposed to discover that he is looking at Dr. Quist's unforgettable Narration from A to Z? What is the key? And yet he is determined to find out!" "What's that?" he suddenly shouted loudly at the photo. "Hello! Is anybody there? I can't hear you! The line is so bad!" He threw the photo away and put his hands over his face. "I'm completely blocked."

Helga closed her book, putting her forefinger between the pages.

"And why are you so blocked?" she asked in a sing-song tone.

"I don't know," he said with a feigned tearfulness. "I don't know. Perhaps you can only make a real discovery once in your life."

"Could it also be because of those sleepless nights with your new friend?"

The posturing disappeared from Onno's face. He sat up and looked at her. "You can't be serious."

"I'm perfectly serious. Do you realize how overwrought the whole thing is?"

"Helga!" he said in dismay. "What do you mean?"

"I don't know what you mean by that, all I know is that you've been completely blocked since you've known him. You've no idea how much you've changed recently."

"In what way?"

She put the book down and folded her arms. "If you ask me, you're thinking more of him than of your work. You only get home as I'm leaving for the institute. How does he manage it, by the way? Isn't he an astronomer? Doesn't he have to look at the stars at night?"

"I don't have to go to the museum in Heraklion to look at those symbols, do I? And I'm allowed to sleep in, aren't I?"

He got off the sofa and went over to the window. Of course he was thinking less about his work, but was that so bad? It stopped thinking from becoming fretting, and that was much more harmful to thought than not thinking. His exchange with Max was in a certain sense the "something else" that he had started on. She was jealous, of course. "You're not jealous by any chance?"

"I want the best for you."

He sighed deeply and turned around. "Listen. What there is between Max and me can never exist between you and me; and what there is between you and me can never exist between me and Max. That's as clear as crystal, we don't have to waste words on it. To be honest, I think we've already wasted too many words on it."

She got up, took a few steps, stopped and said, "Onno, be careful."

"What in heaven's name do I have to be careful of?" he asked in amazement.

She made a helpless gesture. "I don't know."

"Aha," he said, and went over to her. "Woman's intuition." He hugged her clumsily. "Sorry about that. Women have everything — brains, feeling, willpower — but only men have intuition. That's why there's no female creation of any importance, and that isn't because they've always been confined to the kitchen, because even the best cooks are men. One is forced reluctantly to accept the fact. But they can do one thing that men can't do, and that is give birth to men. That's more than enough." She freed herself from the hug.

"Why do you start waffling on the moment I try to talk to you?"

"You know what Napoleon said, don't you? All his wars were a bagatelle compared with the war that will break out one day between men and women. Therefore I now swear a sacred oath, that when it comes to that I will be the first traitor to my sex, although I know that I will pay dearly for it in the long run."

"All right, Onno. That's enough. You're impossible." She pushed the loose strands of hair back under the hairpins with both hands. "Shall we go to the Vondelpark?"

At that moment there was a shout from outside: "Yoohoo, Onno!"

They glanced at each other and each leaned out of a different window. With his hands in his pockets and a magazine under his arm, Max was leaning against a telephone box by the side of the canal.

"Mrs. Hartman," he called to Helga, putting on a whining boy's voice. "Can Onno come out to play?"

Onno and Helga looked at each other again, now along the front of the house. Disaster. They both realized at the same moment that this was the end — that in his innocence Max had suddenly laid bare the heart of their relationship.

A quarter of an hour later Onno finally came out.

"Did you have to do your homework first?" asked Max.

Onno did not look at him. He walked beside him in a rage. "The things you do to your friends… It's over. All your fault. I left the front door key on the table."

"My fault? What have I done?"

"It's none of your business. I'm not talking to you anymore." He stopped and looked at him with disgust. "Do you know what's wrong with you?" When Max looked back at him with a puzzled expression, he repeated: "Don't you know?"

"Not that I'm aware of."

"Don't you know? Then I'll tell you: I don't like your intuition. I don't like your intuition one little bit."

Max had no idea what he was getting at; he knew almost nothing about Onno's relationship with Helga. They never talked about women, or about cars, money, or sports; at most, about woman as such, as Onno was in the habit of putting it — and never about their own girlfriends. Max did not talk about his, because he did not allow himself time to get to know them— and because Onno would have found it disgusting to listen to. And Onno did not talk about Helga, because that was not done. The few times that Max had met her, they had said scarcely a word to each other — not because he did not like her, but he saw her as belonging to a different world. She would never have caught his eye, even if he had sat opposite her in a train for an hour; and through her he realized how completely different he was from Onno. He couldn't imagine a woman that they would both be interested in.

He had never been in Helga's flat, and Onno never invited Max to his place on the Kerkstraat. He was in the habit of saying that mankind was divided into guests and hosts and that he simply belonged by nature to the first category; besides, it was cheaper. That was what he said, but that was not the reason. Taking Max to his parents' house and introducing him to his family, to his father, was just as inconceivable, although people in The Hague had long since heard, with raised eyebrows, about his strange friendship with Delius's son, and of course they would have liked an opportunity to size him up. No, the reason was that in himself too there was an area where he never admitted anyone — not only not Max, not only not Helga, but not even himself. There, in an inhospitable region, was a hermit's cave, a Carthusian monk's cell, where a leaden silence reigned — something that seemed to wait threateningly for him, that he would rather not think about and that he had never talked to Max about.

He walked along the canal, shoulders drooping, whining like a broken man. "What am I to do now? You've wrecked my life. I don't have a home. You have a home. I have just a humble shelter against the rain and the wind. Who'll do my laundry now? You've ruined me once and for all, and of course that was your intention all along. I'll wind up in the gutter, with unkempt hair and a beard and a crazed look in my eyes, begging for alms. What did you actually come for, you bastard?"

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