Stanley Elkin: George Mills

“All this I saw last night in my dream, saw it as I’d seen it then and, as then, heard the scolding of the knights: ‘You, boy! Wool-gatherer, what are you staring at?’ ‘Come away, come away!’ ‘Kid, kid, bring the spear, you’ll eat your heart out.’

“But I wasn’t, you see. Not angry or jealous, no covet or revolution in my heart. Not even reform there. Only wonder at the curious assortment of life, its dicey essence and laddered station.

“We went upstairs. Through the cold scarped halls, the parapeted, circumvallated keep and fastness, through miles it must have been of that fortress house. And that’s where I saw it. Along one immense stairwell. A hanging, they told me, a tapestry. Woven in Germany, I think, or France, or some such far-off place. Whatever name they used as meaningless to me as the sandpaper syllables of animals.

“ ‘Please, sir, may I look for a bit?’

“And one of the men raised his hands as if to strike me, but Sir Guy himself stayed the blow. ‘ Noblesse oblige, asshole. Let him. What? The ink not yet dry on the Magna Carta and you’d strike a stableboy for looking at a tapestry? Give Elvin my lance, lad. Thank you for carrying it this far. Take my coin. When you’ve done, go out quietly.’

“It was like a flag, Mills’s horse — only larger than any real flag. And the colors not as bright as they’d been on the escutcheon, for those were the consolidate, idealized, concentrate colors of claims and qualities, the paints of boast and fabled beasts. This was a picture. Not a picture like a picture in a church. No saints with halos like golden quoits above their heads, no nimbuses on edge like valued coins, not our Lord, or Mother Mary, or allegory at all, but only the ordinary pastels of quotidian life. A representation, Horse, in tawns and rusts, in the bleached greens and drought yellows of high summer, in dusty blacks and whites gone off, in blues like distant foliage. Everything the shade of clumsy weather. There were gypsies in it and beggars. There were honest men — hewers of wood and haulers of water. Legging’d and standing behind their full pouches of scrotum like small pregnancies. There were women in wimples. Ned and Nancy. Pete and Peg. It was how they saw us — see us. Shepherds and farmers. Millers, bakers, smithies. Mechanics with wooden tools, leather. Pastoral, safe, settled in the tapestry condition of their lives, woven into it as the images themselves.

“Only I knew I wasn’t like that — though I wouldn’t have objected if I was. Maybe the Germans, maybe the French, but not me, not anyone I knew. We are a dour, luteless people, cheerless, something sour in our blue collar blood.”

He fell silent. Yet the horse continued to turn in its orbit and he in his, the two of them reflective now, ruminative, Mills and the horse too, not even taking for granted the respite and thoughtless free ride earned for them by Mills’s calm oratory. Indeed, when Mills looked up he saw that he had been talking to a different horse entirely, that he walked beside another horse talker. “Oh,” he said, “ ’scuse me,” and caught up to Mills’s horse. “I got lost,” he explained to the beast. “I got caught up in what I was saying. I lost my place,” he apologized.

“Where was I?” he asked of it, who first picked up its shit and then had to sweet-talk it, playing up to the very horse he’d serviced before ever he’d serviced Guillalume. Humiliated, his life proscribed and red-lined from the beginning, and angry now, heavily caused as an underdeveloped nation or a leftist history of legitimate beef, no longer soft-soaped by life, and suddenly frightened too, frightened beyond immediate threat, frightened to the bone, scared right down to hope itself.

He knew he had to escape. Not because he thought things would be different elsewhere — he knew they wouldn’t — but because he needed comfort and even his own old turf would do. (Nor did he care about Guillalume now, whose people had perpetrated the tapestry against him, nor about his — Mills’s — horse, or Guillalume’s. There was nothing personal. There was everything personal.)

He would need the merchant.

After his shift he returned in the dark to his hut, the communal long house where he and the other salt farmers stayed. He did not even begrudge the horse talkers and the other farmers their wives — square, blockish women who ministered to their men with their soft songs and heavy bodies. Partitions blocked his view like stalled, angled space in public toilets. There were no proper walls, only hanging rafts of nailed baffles, so that what he saw from his cot were bare feet, legs, the dropped clothes of lovers. He had a sense of timeless peep show, of infinite availability, of his own discretionary participation. If he so much as stooped to undo a clog he knew he would see animal vistas of coupled flesh, himself protected by the blind abandon of the others’ concentration. He might have crawled unchallenged and unassailed the entire length of the long house, tunneled beneath their lovemaking, bellying like some fuck farmer just beneath the lovers’ groans and clipped cries. There were more than thirty cots, and their orgasms seemed peremptory and staggered as farts or coughs, a continual hubbub of what he could not even bring himself to believe was ecstasy, only some long, ongoing conjugal Las Vegas of copulation, ceaseless as card game, not even headed. Not even headed by the occasional laughter and applause which was the collective, mechanical acknowledgment of these performances. But he did not stoop, did not undo his clogs (though he held in reserve his right to do so). Nor, after a while, did he even stop to think: Beasts. Animals. Semen and the smoky smell of female parts were simply the prevailing weather of the place, changeless as California. Mills was without lust. Unsmitten, bored by concupiscence in a foreign language. Though he’d had his chances. Knew there was great curiosity among the women, and even the men, about his foreign parts.

“I get you girls,” the merchant told him.

“No.”

“No trouble. Easy. I tell them you got square balls. I tell them you got pecker that don’t go down except when you’re sleeping. I tell them your ass got two ruts like road. Or one up and one over like crossroad. What you want me to tell them?”

“Nothing.”

“Too late to tell them nothing. They ask me.”

And so, apparently, they had. The merchant brought them to his doorless cubicle where they stood watching him, chattering. There were one or two men among them.

“Better show stuff,” the merchant said.

“Show stuff, show stuff,” they took up the cry, understanding well enough what they asked.

Guillalume smirked. “Go ahead, Mills,” he said, at ease on his pallet, “better not keep them waiting.”

“As to that,” the irritated Mills shot back, pointing at Guillalume, “he’s more foreign than I am, being an aristocrat and all. You’ve only got to look at his fine cheekbones and delicate features. Look at his fair skin, why don’t you? He’s like that all over. I’m his valet. I dress him. I know. Fair down there he is as flour with a foreskin you can see through the testicles so clear you can spy their milk. Make him show you his nipples, white as shirt buttons. Make him show you his forked cock, one for piss and one for love.”

The merchant translated what Mills had said and the others stepped back involuntarily, peeping out between the fingers of their laced hands over their shielded eyes.

“That was insubordinate, Mills. You’re for the rack and strappado when we get back.”

“In that case I’ve nothing to worry, have I?” Mills said, raising his voice. “When we get back! We’re the other side of hell, we are. We might as well be where the Meuse River meets the Waal channel of the lower Rhine. Ha! High and dry on the bloody floating islands off the bloody drifting shores of the bleeding loose lands! When we get back!”