Stanley Elkin - The Rabbi of Lud

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Surrounded by cemeteries in the flatlands of New Jersey, the small town of Lud is sustained by the business of death. In fact, with no synagogue and no congregation, Rabbi Jerry Goldkorn has only one true responsibility: to preside over burial services for Jews who pass away in the surrounding cities. But after the Arctic misadventures that led him to Lud, he wouldn’t want to live (or die) anywhere else.
As the only living child in Lud, his daughter Connie has a different opinion of this grisly city, and she will do anything to get away from it — or at least liven it up a bit. Things get lively indeed when Connie testifies to meeting the Virgin Mary for a late-night romp through the local graveyards.

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“Plots here!” I’ll hawk. “Cemetery plots here! Get your plots here! Nuclear and extended-family cemetery plots here! Get ’em while they last! Get ’em while you do!”

And they did. The harder, more outrageous the sell, the quicker and more eager they were to take me up on it, as if as long as they had to die anyway I could somehow sanctify their passage, or at least make the absurdity of their death le dernier cri, lending just that in-the-swim spin of flair and style and currency to it. I might have been that season’s caterer or society band leader. Nothing would serve but that they have their little plot of death from the Rabbi of Lud. I was good for business.

It didn’t last long. Probably no more than four or five weeks. So it didn’t last long. It couldn’t have. (Though if it had lasted even a little longer I’d probably have started to earn my commissions.) Anyway it didn’t, and the talk, already dying down when Tober and Shull traded me to Klein and Charney, had ceased now altogether. The archbishop, had I tried to get through to him — which I didn’t — would probably have taken my call. So either the talk had died down, or it no longer made a difference to anyone that my daughter used to receive Holy Mother socially. People were asking to have me at their funerals again — Sal called to tell me it had got back to some people he knew what a good job I did — and Klein and Charney, suspecting, I suppose, if not the staying power of such campaigns then the staying power of such campaigners, proposed trading me back to Shull and Tober.

It was about this time I heard from Al Harry Richmond in Chicago.

“I’m sorry about Stan Bloom, Al Harry,” I told him. “I gave her all I got.”

“Sure,” Al Harry said.

“I did,” I assured him. “I tried my best. I went after her tooth and nail. But you know how it is,” I said, holding my hands up for him almost a thousand miles away. “The old gray mare.”

“You saying she ain’t what she used to be,” Al Harry said.

“That’s right. That’s so.”

“Goddamn it, Goldkorn, she never was.”

“Oh, yes, Al Harry,” I said. “Don’t you recall Wolfblock and our charmed lives? We couldn’t get arrested, or come down with a cold.”

“I recall a thousand Kaddishes. I recall all that grief and remember thinking it’s a good thing death ain’t contagious.”

“Oh, no, Al Harry, that was some minyan, that minyan of ours. We were the ten musketeers. I even got a vocation out of it. And that was some Wolfblock, that Wolfblock of ours. What a character! I miss that old man.” But couldn’t get a rise out of him, or catch him up in my nostalgia, or any other of the historical sympathies who’d already, it seemed, let bygones be bygones. “Gee,” I mused, “ain’t it odd? Your turning out to be our sort of social secretary and all, the one who keeps up. I mean, I’m the one that came to New Jersey and turned out to be the rabbi, and you’re the one who stayed in Chicago and turned out to be the pope.”

“There’s one in every minyan,” Al Harry said. I listened to the contempt he couldn’t keep out of his voice.

“Listen,” I told him, “you only heard one side of the story. Ain’t you learned yet that anybody can make a good impression with just one side of the story?”

“A good impression? A good impression?” Al Harry shot back. “With her punim on matchbooks and milk cartons? On coupons to Resident offering half off on film, on tools and detergent? A good impression ?! I wasn’t even struck by the goddamn likeness ! Tell me, Rabbi, how come you didn’t give them a more recent photograph?”

“I didn’t have one.”

“Ahh,” said Al Harry.

“Al Harry,” I said, “it’s not what you think. Connie shies out of pictures. Literally. Really. She does. She jumps out of focus the minute you snap. Or ducks under parallax quick as a wink. She leans her head into shadows and wards you off with one hand to the side of her face, or a hankie she’s pulled out of the sky you didn’t even know she had. They don’t make ASA ratings or shutter speeds fast enough to catch her. She thinks,” I confessed, “she’s homely.”

“Oh, Goldkorn. Oh, Jerry.”

“I’m a different person now,” I told him. “You don’t judge a guy by the length of his haphtarah passage.”

“She’s flying into Newark,” he said. “I’ll call you when her plane takes off.”

“God bless you, Al Harry. Thanks, thanks a lot. Oh, and Al Harry?”

“What is it?”

“That picture of Connie that they ran in the Star ? That didn’t come out until after the matchbooks and milk cartons had already gone to press.”

“Oh, Jerry,” he said, “oh, Goldkorn.”

“You don’t know the half of it.”

And he didn’t, of course. Because how could he? Because it’s just like I said. No one can know the other side of a person’s life.

ten

HANGDOG. I was hangdog. Shelley was sheepish. Connie was like a little jellyfish. We seemed, come together outside the gate in the Newark airport where the TWA flight from Chicago had just landed, like characters in a fable, a little bestiary of the wishy-washy. Like embarrassed Animal Crackers.

“Uncle Al Harry signed me up for their frequent flyer program,” Connie said.

Sure, I thought. Just in case. “How was the flight?” I asked.

“Fine.” She was holding a stuffed animal I didn’t recognize. Al Harry must have given it to her.

“Did you eat on the plane?” Shelley asked.

“I ordered a kosher snack.”

I wondered if it was an apology.

“How was Chicago?” Shelley asked.

“Chicago was fine.”

“Did you go to the museums?” I said.

“I went to the Natural History Museum with Beverly and Diane.”

“Who are they?”

“Uncle Al Harry’s their grandfather.”

“Al Harry has grandchildren?”

“He has three grandchildren. Seth lives in Ohio.”

“Was it boring for you,” I said, “having to be around babies?”

“Diane’s almost thirteen. Beverly’s eleven and a half and tall for her age. Both kids are taller than I am.”

Shelley looked as if she’d been slapped. Long red wales appeared on her cheeks, without depth or texture, a blushed stigmata.

“Where else did you go?”

“We went to the Art Institute.”

“Did you get a chance to go to the Museum of Science and Industry?”

“Yes,” said Connie.

“Yes,” I said, “that’s a good one. That was always one of my favorites.”

“Do you have any bags?” my wife asked, and suddenly we couldn’t look at each other, a kind of mortification glancing off our eyes and wildly strafing the carpet, the passengers still coming out the jetway, the entire lounge area. It was the first allusion we’d made to Connie’s having run away. Until now it was as if she’d come back to us from a vacation.

“Yes,” she said, “there’s the duffel I took to camp that time,” and burst into tears.

Shelley had hurriedly removed her things from the spare bedroom, overlooking a tortoiseshell comb, a set of matching brushes. Connie brought them to her.

“Oh,” Shelley said, “I’ve been looking all over for those.”

She brought a porcelain lion Shelley kept on top of the dresser.

“Oh,” Shelley said, “thank you, sweetheart.”

She brought a small case in which Shelley kept her jewelry.

“Well,” Shelley said, “imagine that.”

“Guess what?” Connie said.

“What?” Shelley said.

“Cousin Diane has a boyfriend.”

“You told us she’s not even thirteen years old,” said Shelley.

“A boy in her Hebrew school class. Guess what else?”

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