Anthony Powell - Temporary Kings

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A Dance to the Music of Time — his brilliant 12-novel sequence, which chronicles the lives of over three hundred characters, is a unique evocation of life in twentieth-century England.
The novels follow Nicholas Jenkins, Kenneth Widmerpool and others, as they negotiate the intellectual, cultural and social hurdles that stand between them and the “Acceptance World.”

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She spoke the words emphatically, in a clearer tone than that she was accustomed to use. Her attention had undoubtedly been captured. Dr Brightman, not in the least denying that to ‘watch’ was quite another matter, nodded again to show she fully grasped the disparity.

‘You mean one facet of the legend links up with kingship in another guise? I agree. Sacrifice is almost implied. Public manifestation of himself as source of fertility might be required too, to forestall a successor from snatching that attribute of regality. You have made a good point, Lady Widmerpool. To speak less seriously, one cannot help recalling a local example here in Venice — or rather the island seclusion of Murano — of the practice to which you refer. I mean Casanova’s divertissement with the two nuns under the eye of Cardinal de Bernis.’

Pamela, perhaps from ignorance of the Memoirs, appeared out-manoeuvred for the moment, at least attempted no comeback. The subject could already have begun to pall on her, though for once she was looking thoughtful rather than impatient. Moreland, too, was fond of talking about Casanova’s threesome with the nuns.

‘I’ve never myself been more than one of a pair,’ Moreland said. ‘How inexperienced one is, even though the best things in life are free. For the more venturesome, the song is not How happy could I be with either , but How happy could I be with two girls .’

By now the rest of the Conference had begun to infiltrate the Longhi room, the vanguard of oncoming intellectuals substantiating Dr Brightman’s comparison with the sages, abbés, punchinellos, pictured on the white-and-gold walls. Gwinnett was among this advance party, which also included two other British representatives, Ada Leintwardine and Quentin Shuckerly. Both of these accommodated at an hotel on the Lido, I had done no more than exchange a few words with them. They were taking the Conference with great seriousness, from time to time addressing sessions, an obligation for which Gwinnett and myself had substituted contribution to the organ devoted to its ‘dialogues’. Ada, not least because she retained some of the girlish good-looks of her twenties, had been warmly received in her observations regarding the necessity of assimilating European culture to that of Asia and Africa, delivered in primitive but daring French. Shuckerly, too, won applause by the artlessness and modesty with which he emphasized the many previous occasions on which he had made his now quite famous speech about culture being the scene-shifter to ring up the Iron Curtain.

Shuckerly was a great crony of Ada’s. Tall, urbane, smiling, businesslike, with a complexion so richly tanned by the sun that his enemies (friends, too) hinted at artifice, he had by now begun almost to rival Mark Members himself as a notable figure at international congresses. In earlier days, both as intimate friend and committed poet, he had been closely associated with Malcolm Crowding. Bernard Shernmaker, always irked by even comparative success in others, had designated Shuckerly ‘the air-hostess of English Letters’ at some literary party. ‘Better than the ad-man of french ones,’ had been Shuckerly’s retort, a slanting gloss on Shernmaker’s recently published piece about Ferrand-Sénéschal. Ada and Shuckerly sat on the same committees, signed the same protests, seemed to share much the same temperament, except that Ada, so far as was known, required no analogous counterpoise to Shuckerly’s alleged taste (Shernmaker again the authority) for being intermittently beaten-up.

Shernmaker had been malicious about Ada, too, in days of her first appearance as a novelist, though latterly, having in general somewhat lost his critical nerve, allowing her from time to time temperate praise. Some explained this unfriendly tone by rejected advances, at the period when Ada was new to London, and certainly Shernmaker remained always insistent that, in spite of marriage, Ada’s emotional interests lay chiefly with her own sex. There may have been some truth in this assertion. If so, that had not prevented her from giving birth to twins soon after marriage to Quiggin, their identical, almost laughable, resemblance to their father scotching another of Shernmaker’s disobliging innuendos. Quiggin did not by now at all mind his wife being a better known figure than himself. The sales of her books may even have played some part in his own evolvement, after Clapham’s death, as chairman of the firm. In the delicate role — compared by Evadne Clapham to a troika — of publisher, husband, critic, Quiggin had judged his wife’s first book, I Stopped at a Chemist (a tolerable film as Sally Goes Shopping ), too short commercially. In consequence of this advice, Ada had written two long novels about domestic life, which threatened literary doldrums. She had extracted herself with Bedsores and The Bitch Pack Meets on Wednesday , since these never looked back as a successful writer. Ada’s personality — what Members called her ‘petits soins’ — played a considerable part, too, in the Quiggins’ notorious literary dinner parties.

As they advanced into the Tiepolo room, Shuckerly made for Dr Brightman, Ada for Pamela. She seemed very surprised to find her old friend in the Bragadin palace. As Ada passed him, Glober shot out an appraising glance, reminiscent of those Peter Templer used to give ladies he did not know, Glober’s all-inclusive survey suggesting recognition of Ada’s valuable qualities, additional to her good looks. Always a shade on the plump side (even when she had worked for Sillery), she was no thinner, but carried herself well, retaining that air of bright, blonde, efficient, self-possessed secretary, who knows the whereabouts of everything required in a properly run office, much too sensible to allow more than just the right minimum of flirtatious behaviour to pervade business hours. No doubt Ada had learnt a lot from contact with Sillery. At the ninetieth birthday celebrations mentioned by Dr Brightman, the names of both the Quiggins had appeared as present, Quiggin himself reported as having delivered one of the many speeches.

Ada hurried up to Pamela, and embraced her warmly. It looked as if they had not met for some time. Pamela’s reception of this greeting was less obviously approving of reunion, though her accustomed coldness of manner was not to be constructed as pointer in one direction more than another. Ten years ago they had been on good terms. Since then they might well have quarrelled, moved apart, made friends again, never ceased to be friends. It was impossible to judge from outward signs. Pamela allowed herself to be kissed. She made no attempt to return the ardent flow of words from Ada that followed. No such display of sentiment was to be expected, even if Ada could claim, in the past, to have been Pamela’s sole female friend and confidante. No doubt mere acceptance of Ada’s continued devotion confirmed no rift had taken place.

‘Pam, what are you doing here? You’re the last person I’d expected to see. You can’t be a member of the Conference?’

Pamela made a face of disgust at the thought.

‘What are you doing then?’

‘I’m staying here.’

‘In the Palazzo — with Mr Bragadin?’

‘Of course.’

‘Both of you?’

Ada allowed too much unconcealed curiosity to echo in that question for Pamela’s taste. Her face hardened. She began to frown. As it turned out, that seemed more from contempt for Ada’s crude inquisitiveness, than from displeasure at what she wanted to know. Whatever Pamela’s feelings about her husband, she was not prepared to plunge into the heart-to-heart talk about him which Ada’s question posed. Ada’s tone sounded as if she too had heard Pamela’s name connected with the Ferrand-Sénéschal affair. It was more than a conventional enquiry to a wife about her husband. The conventional assumption would in any case have been that Pamela was not accompanied by Widmerpool. Ada was no doubt dying to learn how he was taking this new scandal involving his wife’s name; Pamela, perfectly grasping what her friend was after, not at all inclined, there and then, to make a present of the latest news. Instead, she gave Ada a look, hard, understanding, half-threatening, which declared for the present a policy of adjournment in relation to more exciting items.

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