Some are sick and some are sad,
And some have never loved one well,
And some have lost the love they had.
The explicitness of the categories is marvellous. Then that wonderful statement: “fading is the world’s best pleasure”. One sees very clearly which particular pleasure its writer considered the best.’
Thoughts about Singapore: the conditions of a Japanese POW camp. Cheesman must have been there too, the middle-aged subaltern in charge of the Mobile Laundry Unit, that bespectacled accountant who had a waistcoat made to fit under his army tunic, and renounced the Pay Corps because he wanted to ‘command men’. Had he survived? In any case there were no limits to the sheer improbability of individual fate. Templer, for instance, even as a boy innately opposed to the romantic approach, dying in the service of what he himself would certainly regard as a Musical Comedy country, on account of a Musical Comedy love affair. On the subject of dead), it looked as if George Tolland was not going to pull through. An ecclesiastic began to read from Isaiah.
‘The wilderness and the solitary place shall be glad for them; and the desert shall rejoice, and blossom as the rose … Strengthen ye the weak hands, and confirm the feeble knees … And the parched ground shall become a pool, and the thirsty land springs of water: in the habitation of dragons, where each lay, shall be grass with reeds and rushes. And an highway shall be there, and a way, and it shall be called The way of holiness; the unclean shall not pass over it; but it shall be for those: the wayfaring men, though fools, shall not err therein …’
The habitation of dragons. Looking back on the V.1’s flying through the night, one thought of dragons as, physically speaking, less remote than formerly. Probably they lived in caves and came down from time to time to the banks of a river or lake to drink. The ground ‘where each lay’ would, of course, be scorched by fiery breath, their tails too, no doubt, giving out fire that made the water hiss and steam, the sedge become charred. Not all the later promises of the prophecy were easily comprehensible. An intense, mysterious beauty pervaded the obscurity of the text, its assurances all the more magical for being enigmatic. Who, for example, were the wayfaring men? Were they themselves all fools, or only some of them? Perhaps, on the contrary, the wayfaring men were contrasted with the fools, as persons of entirely different sort. One thing was fairly clear, the fools, whoever they were, must keep off the highway; ‘absolutely verboten ’, as Biggs, Staff Officer Physical Training, used to say. Brief thoughts of Biggs, hanging by the neck until he was dead in that poky little cricket pavilion; another war casualty, so far as it went. The problem of biblical exegesis remained. Perhaps it was merely a warning: wayfaring men should not make fools of themselves. Taking the war period, limiting the field to the army, one had met quite a few wayfaring men. Biggs himself was essentially not of that category: Bithel, perhaps: Odo Stevens, certainly. Borrit? It was fascinating that Borrit should have remembered Pamela Flitton’s face after three years or more.
‘I’ve been in Spain on business sometimes,’ Borrit said. ‘A honeymoon couple would arrive at the hotel. Be shown up to their bedroom. Last you’d see of them. They wouldn’t leave that room for a fortnight — not for three weeks. You’d just get an occasional sight of a brassed-off chambermaid once in a way lugging off a slop-pail. They’ve got their own ways, the Spaniards. “With a beard, St Joseph; without, the Virgin Mary.” That’s a Spanish proverb. Never quite know what it means, but it makes you see what the Spaniards are like somehow.’
There were more prayers. A psalm. The Archbishop unenthrallingly preached. We rose to sing Jerusalem .
‘Bring me my Bow of burning gold;
Bring me my Arrows of desire;
Bring me my spear; O Clouds unfold!
Bring me my chariot of fire!’
Was all that about sex too? If so, why were we singing it at the Victory Service? Blake was as impenetrable as Isaiah; in his way, more so. It was not quite such wonderful stuff as the Prophet rendered into Elizabethan English, yet wonderful enough. At the same time, so I always felt, never quite for me. Blake was a genius, but not one for the classical taste. He was too cranky. No doubt that was being ungrateful for undoubted marvels offered and accepted. One often felt ungrateful in literary matters, as in so many others. It would be interesting to know what the military attachés made of the poem. General Asbjornsen certainly enjoyed singing the words. He was quite flushed in the face, like a suddenly converted Viking, joining in with the monks instead of massacring them.
Reflections about poetry, its changes in form and fashion, persisted throughout further prayers. ‘Arrows of desire’, for example, made one think of Cowley. Cowley had been an outstanding success in his own time. He had been buried in Westminster Abbey. That was something which would never have happened to Blake. However, it was Blake who had come out on top in the end. Pope was characteristically direct on the subject
‘Who now reads Cowley? If he pleases yet,
His moral pleases, not his pointed wit;
Forgot his epic, nay Pindaric art,
But still I love the language of his heart’
But, admitting nobody read the Pindarique Odes , surely the pointed wit was just what did survive? In Cowley’s quite peculiar grasp of the contrasted tenderness and brutality of love, wit was just the quality he brought to bear with such remarkable effect:
‘Thou with strange adultery
Doest in each breast a brothel keep;
Awake, all men do lust for thee,
And some enjoy thee when they sleep.’
No poet deserved to be forgotten who could face facts like that, the blending of conscious and unconscious, Love’s free-for-all in dreams. You only had to compare the dream situation with that adumbrated by poor old Edgar Allan Poe — for whom, for some reason, I always had a weakness — when he trafficked in a similar vein:
‘Now all my days are trances
And all my nightly dreams
Are where thy grey eye glances,
And where thy footstep gleams –
In what ethereal dances
By what eternal streams.’
Ethereal dances would have been no good to Cowley, by eternal streams or anywhere else. He wanted substance. That verse used to run in my head when in love with Jean Duport — her grey eyes — though she laid no claims to being a dancer, and Poe’s open-air interpretive choreography sounded unimpressive. However, there were no limits when one was in that state. We rose once more for another hymn, ‘Now thank we all our God’, which was, I felt pretty sure, of German origin. Whoever was responsible for choosing had either forgotten that, or judged it peculiarly apposite for this reason. We had just prayed for the ‘United Nations’ and ‘our enemies in defeat’. In the same mood, deliberate selection of a German hymn might be intended to indicate public forgiveness and reconciliation. Quite soon, of course, people would, in any case, begin to say the war was pointless, particularly those, and their associates, moral and actual, who had chalked on walls, ‘Strike now in the West’ or ‘Bomb Rome’. Political activities of that kind might by now have brought together Mrs Andriadis and Gypsy Jones. The Te Deum. Then the National Anthem, all three verses:
‘God save our gracious King!
Long live our noble King!
God save the King!
Send him victorious,
Happy and glorious
Long to reign over us;
God save the King!
O Lord our God arise
Scatter his enemies,
And make them fall.
Confound their politics,
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