Peter Handke - Crossing the Sierra De Gredos

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On the outskirts of a northwestern European riverport city lives a powerful woman banker, a public figure admired and hated in equal measure, who has decided to turn from the worlds of high finance and modern life to embark on a quest. Having commissioned a famous writer to undertake her "authentic" biography, she journeys through the Spanish Sierra de Gredos and the region of La Mancha to meet him. As she travels by allterrain vehicle, bus, and finally on foot, the nameless protagonist encounters five way stations that become the stuff of her biography and the biography of the modern world, a world in which genuine images and unmediated experiences have been exploited and falsified by commercialization and by the voracious mass media.
In this visionary novel, Peter Handke offers descriptions of objects, relationships, and events that teach readers a renewed way of seeing; he creates a wealth of images to replace those lost to convention and conformity.
is also a very human book of yearning and the ancient quest for
love, peopled with memorable characters (from multiple historical periods) and imbued with Handke's inimitable ability to portray universal, inner-worldly adventures that blend past, future, present, and dreamtime.

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During this drive she toyed with an inexplicable notion, and not for the first time, a notion somewhat reminiscent of her sensation in the airplane of being filmed: what was taking place just then in the present, as the present moment, was being narrated at the same time as something long since past, or perhaps not long since past but certainly not of the present moment. And besides, it was not she who toyed with the notion that the two of them were traveling — no, not simultaneously, but rather exclusively, in a narrative: the notion acted itself out for her, without any involvement on her part. And since she had been on the lookout for signs from the time she set out, she took this, too, as a sign. And to see and feel herself being narrated was something she considered a good sign. It gave her a sense of security. In the notion of being narrated she felt protected, along with her passenger.

A sort of shelteredness had already made itself felt simply in the act of listening. The man had conducted his monologue in the form of a conversation with himself, instead of directing it at her. And pricking up her ears for such conversations turned out to be much easier than having to play the role of the person being addressed. Long ago, in the village schoolhouse, she had absorbed her teacher’s lessons most effortlessly when he stood by the window, for instance, and murmured into space, or seemed to confide the material casually to a treetop. Being addressed head-on, however, often rendered her deaf, even when she was an anonymous member of a large audience, and thus shielded from the speaker’s direct gaze.

The road shrouded in darkness. By now she must have long since passed the village of Simancas, located on a river, where the archives of the old kingdom and sometime empire were housed; archives with holdings richer than those of Naples or Palermo, archives that even held the records of the 1532 grain harvest in her Sorbian village and the rate of infant mortality between 1550 and 1570. All that had been visible of Simancas as they drove by was a tent city near the mouth of the río Pisuerga, where it flowed into the río Duero, domed tents, all the same size, reddish in the light of the rising moon above this residual territory, in her daughter’s Arabic book a fragment of text pertaining to this phenomenon, “red tents, love tents.” The one hitchhiker on the carretera had not been her brother.

And shortly before Tordesillas, with mad Queen Juana de Castilla in her tower, a dialogue had sprung up between the two travelers after all. The passenger pointed to a medallion attached to the windshield and asked, “Who is the white figure in that image?”—She: “The white angel.” —The passenger: “Which white angel?”—She: “The white angel of Milesevo.”—The passenger: “Where is Milesevo?”—She: “Milesevo is a village in the Sierra de Gredos. And the white angel is all that is left of a medieval fresco there.”—He: “What is the angel pointing to?”—She: “The angel is pointing to an empty grave.”—He: “What confident pointing. Never have I seen a finger extended so energetically.”

They were not expecting him in Tordesillas on this particular evening. He had not reserved a hotel room. Since his first business failure he had given up making special preparations for the future. For his trips, including business trips, he planned only what was absolutely necessary. More than one appointment was out of the question. And this appointment he did not allow others to schedule. He was the one who decided on the time; and it was never to last more than an hour. For the time beforehand and afterward he remained in charge.

If he planned anything else for his travels, it was the uncertainties, and any number of them: missing this connection or that, failing to meet a possible business partner, or perhaps not recognizing him, or better still: not revealing himself to him, remaining unseen as he watched the other person scan the restaurant, the hotel lobby, the railroad platform, for the important stranger; and more than once he had let the person he was supposed to meet simply depart again, and not out of dislike or distaste but for some reason he could not explain to himself — held spellbound in his hiding place by a sort of magnetic effect, yet all the while filled with pleasure and a sense of adventure — and afterward he would spend an enjoyable day or evening alone.

And now the time had come to look for a place for the night. And besides, he was hungry. She, too? Yes. She knew the area and turned off the dark highway onto an even darker side road. Branches scraped the car windows. They had not seen the large city of Valladolid; almost nothing of little Simancas; and now there was nothing to see of medium-size or small Tordesillas but a glow on the underside of a single low-hanging cloud, or was that already another town, farther to the west, Toro or Zamora, or did it come from a wildfire?

But suddenly they had halted in the middle of the barren plateau in front of a castle-like structure, no, really and truly a castle; for wasn’t that the escutcheon of the former dynasty above the entrance portal? And the building and grounds were so vast that it could only be a royal castle, not merely an imitation or a dream of one.

No indication of a “hotel”: neither neon lights nor a sign; also no cars in the courtyard, not even one or two modest ones with local license plates that would show that although there were no guests, at least a few employees were there waiting for them. To be sure, although all the windows were dark, at the main gate a light was shining, in fact a pair of torches, one on either side, and as if they had been there a long time.

They got out of the car. A night breeze was blowing; “from the south-east, from the Sierra,” she said. A buzzing and rattling from the acacias that formed an avenue leading up to the entrance: the sound of the black, sickle-shaped seedpods, with which the bare trees were bursting (the rattling came from the dry seeds in the pods). On the ground of the avenue each of their footsteps caused a crackling in the fallen sickles. The chauffeuse stuck her index and middle finger in her mouth and blew; her whistle circled the entire castle. (In her Sorbian village such a whistle had been called for in the middle of the gentlest village song.) All the acacia branches, from the fork to the tip, had dagger-like, razor-sharp thorns, each thorn outlined against the star-bright Iberian winter sky, once the car’s headlights were turned off. Did that mighty rushing come from below, from the río Duero, here not so far from where it flowed into the Atlantic, and was the castle located on a bluff high above a broad valley? “No,” she said, as if he had asked: “No river, just a little brook down in a ravine.”

An answer like this was consistent with her viewing the imposing structure as a roadside hostel placed there to accommodate them. When her whistle drew no response, she clapped her hands as she stood there on the graveled circular drive, bordered by box shrubs, in front of the entrance. And to do so, she put down the suitcase. Which suitcase? Which would it be but the one belonging to her passenger, which she had lifted out of the car herself and carried this far.

Still no answer, so she bent down to pick up a pebble, just one, and aimed it at a certain window among the twenty-four on the second floor, dark like all the others. She hit it squarely in the middle: a sound not of glass, or at least not of modern glass, but of very old glass; less of glass than of soft stone or very hard wood.

As our newly minted enthusiast told it, the lord of the manor now opened the window. Lord of the manor? The epitome of one. And he was alone, as a lord of the manor must be nowadays. But she is said to have shouted up to him as if he were the bellhop and supposed to hop to it: “Two rooms!” And in no time: the lord of the manor was coming downstairs from his second floor to meet them, who by now were standing in the flickering light of the hall, having scrambled over the threshold, almost knee high. Before he was even close to them, he held out two keys, keys with bows as shiny as if they were made of crystal. And he smiled briefly, as if in greeting, as if he had been expecting the two, or at least her, the woman; but he spoke not a word, either then or in the hours that followed, as the traveling entrepreneur likewise kept silent from this moment on, as if he had nothing more to add to the long speech he had made during the nocturnal drive.

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