Peter Handke - My Year in No Man's Bay

Equally multiple intertwinings, each day more motionless, with perhaps only about a dozen puffed-up skin pouches, producing a soft, piercing fluting, could be seen on land, at my feet on the mossy bank, and when the bodies toddled apart, there turned out to be more and more of them, as with that very small automobile from which, on the basis of a bet, one after the other an entire cohort of students used to scramble. (Where the same thing happened underwater, it was reminiscent on the contrary of the head-over-heels tumbling of a group of astronauts in zero-gravity space.)

And then one day the waters were toadless again, also cleaner than ever before, and instead other unevennesses on its surface, gelatinous masses, black-dotted, with the dots over the course of several weeks growing into the circles and lines of tadpoles, round heads with tails, which soon began to jerk. And since then in all the months I have not seen another toad in my special place.

And the muskrats, too — or is it a new, unfamiliar type of animal, something between a rat and a beaver and a dormouse? — have not been there since fall, while all summer long they scurried every day back and forth between the pond and the land, at home in the hollows of the root mound formed when a swamp birch fell, right at my feet, at the tips of my toes.

It was always liveliest there at the beginning of the week, when the whole tribe of beaver rats, giants and dwarfs and infants, was on the move, around the entire branching water source, gathering food, especially pieces of bread left behind by Sunday hikers on the other, open shore, and almost every minute another animal head would pop out of one of the holes in the root mound, sniffing like a rabbit, the hairs of its beard bristling, translucent roundish cat ears.

As I watched them, I continued writing, and I often used the sight of them, of their reddish, deeply soft coat, of their paws, which looked to me more like delicate white fingers, of their dark, point-glowing eyes, to ponder a word, a connection; their faces, likewise their stocky necks, suddenly of snakelike length when they reached for a morsel, helped me achieve a particular tremulous presence of mind; and with the passing months they no longer jerked back into their hiding places at my writing movements, with which intermittently, at the beginning of a new line, I also sketched their squirrel cheeks, or the apple peels they held between their teeth like a knife — the presence of those muskrats restrained my hand, not always with success, from becoming abrupt.

I also tried simply sitting still with them — but no, only with my writing did they come out of their holes, and similarly only when I was writing did the big turtle sit on the trunk that had fallen into the water and stretch its head toward the sun.

And in the course of the year, of the summer, of the fall, it seemed that when I sat still that way, but yet was busy, events occurred in my field of vision that would never have come about through observation or pure contemplation, even an entire day’s worth; yes, it was as if only my constant writing provoked the appearance of living things previously invisible in the landscape, perhaps not even existent.

Was a certain way of glancing away from the space or the field of vision, of looking elsewhere, all that was needed for a form of flora or fauna unheard of even in this area, including those thought to have died off long ago, to reveal itself, as if it had always been there? A leaf, quietly drifting on the water, suddenly turned, stood straight up, and revealed itself as a primeval animal.

How often in childhood I had crouched in the deepest underbrush, by the overgrown ditches, waiting for an event. Nothing had stirred. But now, surreptitiously, as I sat engrossed in the story of my distant friends, so much was happening, things I could never even have dreamed of in those days, in a more original period, in a still hardly disturbed countryside.

On one of my first summer writing days, quiet, warm, with a high blue sky, on the way to the woods I had had the phrase “eagle-circle day” in my head, and sure enough, at midday, when far and wide nothing more was moving, the embodiment of that notion, an eagle, the eagle, after prolonged circling at the zenith, landed, even if only for an instant, in the highest fork of the sturdiest, most cliff-gray of the dead trees in the pond, with a profile such as has never been seen on any coat of arms, and for whose return I have now been waiting for months; the entire trunk rocked when it flew away, and part of the fork broke off into the water.

And for several days, later in high summer, little fishes leaped up out of the puddle, as if prodded by the blustery wind, leaped in a wide arc, making the water spray all over, each time one swarm of fins after the other, lengthwise over the body of water, with a whiplike crack, which in turn scared into the deciduous forest the bunch of wild doves, which, sitting on the leafless branches above the pond, were more apt to be mistaken for vultures than elsewhere.

And likewise in this succession the water snakes returned, last seen by me a decade ago, in the summer when I moved there, and since then never again; glided from a grassy bay into the pond and made it twice as large by plowing through it, changing direction again and again, one here, one there, thin, so fragile, on their raised heads white blurry spots. Only after the Sundays when the opposite bank became bright (not black) with people and dogs, I often had to wait for the middle of the week until, during my writing, on the otherwise perhaps smooth pond surface in one spot the odd teeny-weeny waves would turn up and then for hours move back and forth on a very curvy cruise.

Each of these animals had its more or less brief heyday during the summer, so that I have a clear impression, for instance, of the week of the water strider, of the day of the hornets, of the dusk of that giant hedgehog, tapping its way, mammoth-sized, through last year’s leaf layers, the hour of the seagull that fluttered into the bayou by mistake, the long, long moment of the giant dragonfly, hovering in the air directly before my eyes, face to face with me, its four-wing rotor transparent, nothing of the insect clearly outlined except the seemingly eyeless face, of an uncanny yellow, or the entire face a single universe-sized yellow eye, in whose omnipresence, after a moment’s pause, I continued my sentence.

That was already in early fall, and then the dragonflies continued to come, even on warm November days, though also never again so close.

The only creatures besides the little birds in the bush that kept me company the entire time were the ordinary pond ducks and the coots. The latter, light in weight, could skim across the leaves that had fallen into the water, or, when they swam, they glided along in a straight line, their tail feathers sticking straight up in the air, beyond the densest thicket of the nameless lake, like Indian canoes, from which sometimes a warning cry sounded.

And the ducks here on the Nameless Pond had the peculiarity that they did not look all that ordinary as they rolled and pitched in the confusion of water, greenery, and decomposing wood, but rather as rare and remarkable as all the rest of the animal life; each, in its appointed time, was a mythical beast (including the few squirrels).

With the people who appeared at intervals on the opposite bank, such correspondences manifested themselves less frequently, and hardly ever on holidays, when, enhanced by the surface of the water, at times something like a human loudspeaker wall was going full blast over there. (But here it helped to remember that the place where I was, unlike a house, did not give me any particular rights.)