John Coetzee - Scenes from Provincial Life

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Here, for the first time in one volume, is J. M. Coetzee's majestic trilogy of fictionalised memoir,
and
.
Scenes from Provincial Life As a student of mathematics in Cape Town he readies himself to escape his homeland, travel to Europe and turn himself into an artist. Once in London, however, the reality is dispiriting: he toils as a computer programmer, inhabits a series of damp, dreary flats and is haunted by loneliness and boredom. He is a constitutional outsider. He fails to write.
Decades later, an English biographer researches a book about the late John Coetzee, particularly the period following his return to South Africa from America. Interviewees describe an awkward man still living with his father, a man who insists on performing dull manual labour. His family regard him with suspicion and he is dogged by rumours: that he crossed the authorities in America, that he writes poetry.
Scenes from Provincial Life

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From Mr Whelan they hear news of Russia, from Brother Otto about the persecution of the faithful in China. Brother Otto is not like Mr Whelan: he is quiet, blushes easily, has to be coaxed into telling stories. But his stories have more authority because he has actually been in China. ‘Yes, I have seen it with my own eyes,’ he says in his stumbling English: ‘people in a tiny cell, locked up, so many that they could not breathe any more, and died. I have seen it.’

Ching-Chong-Chinaman, the boys call Brother Otto behind his back. To them, what Brother Otto has to say about China or Mr Whelan about Russia is no more real than Jan van Riebeeck or the Great Trek. In fact, since Jan van Riebeeck and the Trek are on the Standard Six syllabus while Communism is not, what goes on in China and Russia may as well be ignored. China and Russia are just excuses to get Brother Otto or Mr Whelan talking.

As for him, he is confused. He knows that his teachers’ stories must be lies — Communists are good, why would they behave so cruelly? — but he has no means of proving it. He is incensed at having to sit captive listening to them, but prudent enough not to protest or even demur. He has read the Cape Times himself, he knows what happens to Communist sympathizers. He has no wish to be denounced as a fellow-traveller and ostracized.

Though Mr Whelan is less than enthusiastic about teaching Scripture to the non-Catholics, he cannot entirely neglect the Gospels. ‘Unto him that smiteth thee on the one cheek, offer also the other,’ he reads from Luke. ‘What does Jesus mean? Does he mean that we should refuse to stand up for ourselves? Does he mean that we should be namby-pambies? Of course not. But if a bully comes up to you spoiling for a fight, Jesus says: Don’t be provoked. There are better ways of settling differences than by fisticuffs.

‘Unto every one that hath shall be given; and from him that hath not, even that which he hath shall be taken away. What does Jesus mean? Does he mean that the only way to attain salvation is to give away all we have? No. If Jesus had meant us to walk around in rags, he would have said so. Jesus speaks in parables. He tells us that those of us who truly believe will be rewarded with heaven, while those who have no belief will suffer eternal punishment in hell.’

He wonders whether Mr Whelan checks with the Brothers — particularly with Brother Odilo, who is the bursar and collects the school fees — before preaching these doctrines to the non-Catholics. Mr Whelan, the lay teacher, clearly believes that non-Catholics are heathens, damned; whereas the Brothers themselves seem to be quite tolerant.

His resistance to Mr Whelan’s Scripture lessons runs deep. He is sure that Mr Whelan has no idea of what Jesus’ parables really mean. Though he himself is an atheist and has always been one, he feels he understands Jesus better than Mr Whelan does. He does not particularly like Jesus — Jesus flies into rages too easily — but he is prepared to put up with him. At least Jesus did not pretend to be God, and died before he could become a father. That is Jesus’ strength; that is how Jesus keeps his power.

But there is one part in Luke’s gospel that he does not like to hear read. When they come to it, he grows rigid, blocks his ears. The women arrive at the sepulchre to anoint the body of Jesus. Jesus is not there. Instead, they find two angels. ‘Why seek ye the living among the dead?’ say the angels: ‘He is not here but is risen.’ If he were to unblock his ears and let the words come through to him, he knows, he would have to stand on his seat, and shout and dance in triumph. He would have to make a fool of himself for ever.

He does not feel that Mr Whelan wishes him ill. Nevertheless, the highest mark he ever gets in English examinations is 70. With 70 he cannot come first in English: more favoured boys beat him comfortably. Nor does he do well in history or geography, which bore him more than ever. It is only the high marks he scores in mathematics and Latin that bring him tenuously to the head of the list, ahead of Oliver Matter, the Swiss boy who was cleverest in the class until he arrived.

Now that, in Oliver, he has come up against a worthy opponent, his old vow always to take home a first-place report becomes a matter of grim private honour. Though he says nothing about it to his mother, he is preparing for the day he cannot face, the day when he will have to tell her he has come second.

Oliver Matter is a gentle, smiling, moon-faced boy who does not seem to mind coming second. Every day he and Oliver vie with each other in the quick-answer contest that Brother Gabriel runs, lining the boys up, going up and down the line asking questions that have to be answered within five seconds, sending whoever misses an answer to the bottom of the line. By the end of the round it is always either he or Oliver who is at the top.

Then Oliver stops coming to school. After a month without explanation, Brother Gabriel makes an announcement. Oliver is in hospital, he has leukemia, everyone must pray for him. With bowed heads the boys pray. Since he does not believe in God, he does not pray, just moves his lips. He thinks: Everyone will think I want Oliver to die so that I can be first.

Oliver never comes back to school. He dies in hospital. The Catholic boys attend a special mass for the repose of his soul.

The threat has receded. He breathes more easily; but the old pleasure in coming first is spoiled.

Seventeen

Life in Cape Town is less varied than life in Worcester used to be. During weekends, in particular, there is nothing to do but read the Reader’s Digest or listen to the radio or knock a cricket ball around. He no longer rides his bicycle: there is nowhere interesting to go in Plumstead, which is just miles of houses in every direction, and anyhow he has outgrown the Smiths, which is beginning to look like a child’s bicycle.

Riding a bicycle around the streets has in fact begun to seem silly. Other things that used once to absorb him have lost their charm too: building Meccano models, collecting stamps. He can no longer understand why he wasted his time on them. He spends hours in the bathroom, examining himself in the mirror, not liking what he sees. He stops smiling, practises a scowl.

The only passion that has not abated is his passion for cricket. He knows no one who is as consumed by cricket as he is. He plays cricket at school, but that is never enough. The house in Plumstead has a slate-floored front stoep. Here he plays by himself, holding the bat in his left hand, throwing the ball against the wall with his right, striking it on the rebound, pretending he is on a cricket field. Hour after hour he drives the ball against the wall. The neighbours complain to his mother about the noise, but he pays no heed.

He has pored over coaching books, knows the various shots by heart, can execute them with the correct footwork. But the truth is, he has begun to prefer the solitary game on the stoep to real cricket. The prospect of batting on a real pitch thrills him but fills him with fear too. He is particularly afraid of fast bowlers: afraid of being struck, afraid of the pain. On the occasions when he plays real cricket he has to concentrate all his energies on not flinching, not showing he is a coward.

He hardly ever scores runs. If he is not bowled out at once he can sometimes bat for half an hour without scoring, irritating everyone, including his teammates. He seems to go into a trance of passivity in which it is enough, quite enough, to merely parry the ball. Looking back on these failures, he consoles himself with stories of test matches played on sticky wickets during which a solitary figure, usually a Yorkshireman, dogged, stoic, tight-lipped, bats through the innings, keeping his end up while all around him wickets are tumbling.

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