Cormac McCarthy - The Orchard Keeper

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An American classic, The Orchard Keeper is the first novel by one of America's finest, most celebrated novelists. Set is a small, remote community in rural Tennessee in the years between the two world wars, it tells of John Wesley Rattner, a young boy, and Marion Sylder, an outlaw and bootlegger who, unbeknownst to either of them, has killed the boy's father. Together with Rattner's Uncle Ather, who belongs to a former age in his communion with nature and his stoic independence, they enact a drama that seems born of the land itself. All three are heroes of an intense and compelling celebration of values lost to time and industrialization.

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Years back on summer nights he used to walk with neighbor boys two miles to the store to buy candy and cigars. They would come back over the warm and deserted roads talking and smoking the cigars. One night taking a shortcut they passed a house and saw through one window a woman undressing for bed. The others had gone back for a second look but he would not go and they laughed at him. The old man remembered it now with dim regret, and remembered such nights when the air was warm as a breath and the moon no dead thing. He started down the road to the orchard path and to the pit for this second look.

The moon was higher now as he came past the stand of bullbriers into the orchard, the blackened limbs of the trees falling flatly as paper across the path and the red puddle of moon moving as he moved, sliding sodden and glob-like from limb to limb, fatly surreptitious, watching as he watched. His feet moved ahead of him, disembodied and unfamiliar, floating through the banded shadows, and the limecolored grass swished and folded, breaking to light-shivered undersides like glass splintering softly, catching the pale light and then rushing to darkness. Excepting the counterpoint of crickets there was no other sound.

Where the road curved to bring into view the clearing, the dim outline of the pit, the old man paused. The glade seemed invested with an aura of antiquity, overhung with a silence both spectral and reverent. He could feel something cold rising up in him and was almost of a mind to turn back. Taking a little tighter grip upon his cane he stood so for a while, then stepped into the clearing and came to the edge of the pit, ushering his own presence forward like a child to the pale gray lip of concrete stretched in the grass like a fallen monument, stepped up on it and looked into the black square of the pit incised geometrically into the earth.

The old man had visited here in the years past but never by night. Each winter he came and cut a cedar to serve for wreath and covering, the waxed and ciliate sprigs holding their green well into the spring before the heat blasted them and even then they held their shape, like reproductions in dull copper. It took a year’s weather to fret them into the aromatic humus which steeped in what rainwater the pit held and so rendered in turn a tannic liquor dark as pitchblende by which the old man fancied had long been stained the wormscored bones that lay here. These things he observed, for he was a watcher of the seasons and their work. By the coming Christmas he would have cut the seventh cedar and with this he felt might come an end to his long deadwatch.

So he stood, looking down, and now he thought it less eerie than he had supposed, the half-darkness about him almost sheltering. Seeing that the range of his visibility extended at least partially into the pit he even sat down on the concrete edge and dangled his feet. He tugged a pipe from the folds of his overalls, filled it from a small sack of tobacco and lit it, puffing deeply, watched the smoke pale against the night by the matchflare. Then he held the match out over the pit and peered down, but he could not see even the rustcolored tips of the cedars and the match burned down to his thumb and he dropped it.

There was nothing. The dead had risen and gone; no revenant mourned here the unburied remains. Slanting down the near wall was a half square of light and he could see the blotches of moss and fungus on the pale concrete like land-shapes from some ancient atlas. But that was all. Then in the silence there came from the pit a single momentary water-sound, softly, a small, almost tentative slosh.

He got to his feet and stepped back, then turned and trotted back up the path with his queer shambling gait, neither a run nor a walk, waving his cane about curiously.

Back in the road he slowed his steps; his breath was rasping and his chest tight.

He wandered up the road a way and came to a cleared place where he could see down through the thin trees faced with light the slope of the ground pouring over like a waterfall to break somewhere below, and the small yellow pinholes, lights from shacks and houses, warmth and life, burning steadfast among the fitful lightning bugs. A dog barked. He squatted on one heel in the road, tilted his cane against his shoulder, laved a handful of the warm dust through his fingers. A light breeze was coming up from the valley.

To his right, off beyond the last black swatch of trees in silhouette cresting the nob, he could hear a long cry of tires on the curves; in a little while the sound of a motor racking the night. The car came through the cut of the mountain, howling brokenly in the windgap. Fine pencils of light appeared far below him, swinging an arc, shadows racing on the lit trees and then lining down the road and the car hurtling into sight, small and black, pushing the lights ahead of it. It rocketed down the grade and in a thin and slowly fading wail of rubber slid to darkness again where the road curved at the foot of the mountain.

The old man’s legs began to cramp under him and he rose and stood about trying to work the stiffness out of them. He balanced on one leg and bent himself up and down by the strength of his knee. Then he stooped all the way down and tried to raise himself, an old man, exercising at midnight on a mountain top — too old to get up that way, and that was the good leg too. He hadn’t been able to do it with the other leg for years and it creaked like dry harness. It still had birdshot in it, above the knee and higher, almost (he could remember yet the doctor pointing to the last little blue hole) to where a man surely oughtn’t to be hit. Years later the leg had begun to weaken. The head too, the old man told himself, and got up, looked out over the valley once more before starting up the road.

Toward Red Branch a dog barked again. Another answered, and another, their calls and yaps spreading across the valley until the last sound was thin and distant as an echo. No dogs howled in the Hopper or down along Forked Creek where the old man lived. He thought of Scout bedded under the house, old and lame with his tattered hide half naked of hair, the bald patches crusted and scaly-skinned as a lizard. Scout with his hand-stitched belly and ribboned ears, split their length in places, whose brows so folded over his eyes that he could see at all only by holding up his head — which gave him an inquisitive air as he walked, as if he followed forever some wonderful odor strung out before him. Big even for a redbone, a strong dog in his day, but he was seventeen years old. The old man had traded a broken shotgun for him when he was a pup.

He walked and ruminated and furrowed the dust absently with his cane until he came to the circle at the end of the road and the knoll beyond where the trees had been plucked from the ground and not even a weed grew. A barren spot, bright in the moonwash, mercurial and luminescent as a sea, the pits from which the trees had been wrenched dark on the naked bulb of the mountain as moon craters. And on the very promontory of this lunar scene the tank like a great silver ikon, fat and bald and sinister. When he got to the fence he stopped and leaned his cane and hooked his fingers through the mesh of the wire. Within the enclosure there was no movement. The great dome stood complacent, huge, seeming older than the very dirt, the rocks, as if it had spawned them of itself and stood surveying the work, clean and coldly gleaming and capable of infinite contempt.

He clung there wrapped in the fence for some time, perhaps the better part of an hour. He did not move except that from time to time he licked the cold metal of the diamonded wire with his tongue.

When the old man reached home again the moon was down. He did not remember coming back down the mountain. But there was the house looming, taking shape as he approached, and he felt that he had come a great distance, a sleepwalker who might have spanned vast and dangerous terrains unwittingly and unharmed.

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