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Grossman David: Her Body Knows

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Grossman David Her Body Knows

Her Body Knows: краткое содержание, описание и аннотация

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A Editors' Choice A fevered storyteller and a captive audience revisit the past in both of David Grossman's novellas, trying to make sense of a betrayal that neither one can put to rest. In a reserved and respectable man draws his sister-in-law into a paranoid conviction-that his wife is having an affair. In the title novella, a successful but embittered novelist delivers a merciless account of her dying mother's love affair with a much younger teenage boy. "Suffused with delirious tension and characters more substantial than in most novels twice its size" ( ), is a disquieting journey into the nature of infidelity and desire.

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He sighs, and they both curl into themselves, carrying together for a moment the burden of the impossible complication of her life. The duplicity which divides her. The never-ending noise inside her head. A hive of secrets and lies. Sometimes she can't understand how she's even capable of feeling anything toward either one of them.

He smiles. Maybe you'll meet someone there, you never know.

She prods his shoulder with her nose. Now you're starting too?

The man wrinkles his forehead. Is he already losing his temper?

He's going out of his mind, she says. Every year I think, Enough, this time he'll take it easy, get used to it, it's only four days, I don't.

He presses her to the side of his body, mending with his big hand what Shaul breaks. He sighs deeply.

She struggles not to tell him everything. Tries to maintain Shaul's dignity. Inside her burns the internal wire she stretches out anew every minute, the borderline between her two men. The man listens with his eyes shut. Every so often he nods his head sorrowfully.

This morning when I started packing, she finally bursts out, he came up close to me like this-she hesitates, then touches her lips to his big ear and whispers. Shaul cannot hear her, though he knows only too well what happened that morning and what he threw into her open suitcase, and yet his soul stands on its tiptoes, straining to hear what exactly is being whispered about him there, how and with which words he is described, between her mouth and his ear.

Silence. The man's quiet eyes fill with violent darkness. Elisheva places a calming hand on his chest.

They had already left the Tel Aviv road and were heading south, and Shaul hesitated to tell her where she was taking him; there was never a right time, and when he thought about what he'd say and how he'd explain it all, it seemed groundless, an utter delusion. Finally he leaned his head against the window and closed his eyes with the surrender of a trapped animal, but every time he opened them he saw her profile in front of him, and the memory came back to him with a piercing sense as if for the first time. Their silence now held an explicit, almost rude declaration of animosity as they tried, unconsciously, to pretend they were two distinct species, with no affinity of genus or of prey between them, and after a half hour of driving they were exhausted.

Her jaw ached from her increasing exasperation at him and at Micah, at the way Micah fawned over Shaul, which was the reason for her being here. But if once in a blue moon he asks me for something. Micah had mumbled, rendered almost mute by the fact that Shaul had even made contact with him, that he even knew their number. Esti, hanging laundry up on the porch, heard only Micah's side of the conversation, his exclamations of sorrow and shock at something terrible that had happened to Shaul the day before (but you always hear only one side, she thought). Micah kept asking questions, in his characteristic way-he always interrupted any story he was told with a series of questions meant to prove to the narrator his level of interest and sympathy and, above all, his boundless loyalty. But Shaul never allowed himself to be interrupted, and with a few short words he had stemmed the flood of emotion even as it rushed at him; she saw Micah stymied, shrinking, tongue-tied, and she already felt insulted on his behalf and furious at Shaul, though despite herself she was somewhat excited by his ability to be so aggressive. Two minutes after Micah put the phone down, the call came from Environmental Control.

She sucked in dense air through her pursed lips. How would she have the energy to drive after such a long day? Who knew how long this would take? And then she'd probably have to take him back from wherever-they-were-going to Jerusalem, then back home to Kfar-Saba. Why was she even playing along with this idiotic mystery? She wondered hazily whether they might go through Beer-sheba, her hometown, and Shaul breathed heavily, absorbing the blow of a new wave of pain. He hoped something would happen to him soon, that he'd faint or lose consciousness before they reached the end of the road, but he didn't even dare to sleep in her presence, in the shadow of her Indian profile, its heavy chin and ample black hair. She had once brought them a painting, when Tom was born- he couldn't say whether she'd painted it or cooked it or baked it; it was made with paprika and cumin and curry powder on rough recycled paper and depicted a mother and child who resembled her far more than Elisheva and Tom. He also recalled that for years her scent wafted out from the painting every time he got near it, because sometimes, though not tonight, she had a clear, strong body odor that she did not bother to mask. Shaul wondered how his brother could be undisturbed by it, and remembered what his mother had said about it when Micah announced he was marrying her-she'd even spoken of her scent, that's how far she had gone! Now he grew even angrier at Esti because of this nonsense flitting around in his mind and breaking his concentration, and Esti hummed to herself quietly, briskly. Shira's uniform was waiting for her on the ironing board, she had to sew ranks onto three shirts, the twins' knight costumes had to be ready for kindergarten tomorrow; she still had not grasped that in front of her lay a long, open road, that she did not even know their destination. She had not yet sensed the pea beneath the pile of mattresses, the pea that belonged to the little brown-skinned girl who used to make up stories to keep her soul pinned down inside her or, at times, to let it fly-stories whose most exciting element was the word "suddenly" at the beginning of every sentence and before each description: Suddenly, suddenly, her heart would leap when she whispered to herself, suddenly.

And where was Elisheva? she thought. Why wouldn't he say where she was? Maybe he'd done something to her. She glanced in the mirror, dimly saw the red bruise beneath his right eye, and as always when their eyes met in the mirror, they drew back from each other as if at the touch of a stranger's fingernail. He really looks as if he's murdered someone, she thought. The idea had crossed her mind when she'd been in their house, grounds for her invasion of the rooms. Because if not-she raised an eyebrow-why y as he being so secretive? She stretched out and clicked her tongue. She gave him a long look. Just the day before yesterday she had seen him on television, giving an interview about the budget cuts for science education. He was sharp and witty, utterly persuasive in the venomous dryness with which he tore the Treasury people to shreds. The subject matter itself was of no interest to her, but as always when she caught him on screen, she followed his expressions closely, on the lookout for what he was so wonderful at concealing in public. Calm down, she thought, and rubbed her tense neck, he didn't murder her. He can't move an inch without her. And he's too much of a coward. Her pupils lengthened like cat eyes in the greenish light coming from the instrument panel. She liked to imagine spousal murders, it was a little trick she employed to spark some curiosity and even affection toward couples she was otherwise unable to warm to: she would imagine them creeping up on each other silently, lying in wait and prowling through the thickets of their domestic savannas. Sometimes during boring evenings at friends' houses, she'd sit with the contemplative determination of a worm in a juicy apple and slowly examine possible murder weapons: a heavy Murano glass fruit bowl, a cheese knife with a Delft china handle, nutcrackers, bottle openers. Shaul saw her strange, scheming smile. His scattered look lingered on it for a moment, and they experienced a brief, clear encounter, of which they were unaware. As if he had wasted precious time, he shut his eyes and removed himself from everything, focusing inward, on one murky shaft of light, and in the dark, damp window in front of him his face was reflected, revealing a shimmering image of Elisheva.

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