she from within ,
he from without—
untangle the shock
around her body .
The chronicler and his wife
quietly help each other
remove their torn clothes ,
both excited ,
agitated ,
and suddenly
they look
so young .
Naked
we stand ,
taking our leave
with a gaze. Each of us
alone again .
Each bent over
his crater ,
each descending
to her grave .
Then ,
like a predator ,
fast and sharp ,
the night
lunges .
CENTAUR:
Now at last I understand:
The father does not move
his child. I breathe life
not into my son.
It is myself whom I adjure,
with words,
with visions,
with the scarecrow figures
glued with straw
and mud, and with
a poor man’s wisdom,
lest I cease and turn to stone.
Lest I cease and turn
to stone.
In the cold white space
between the words,
it is my spirit
that is felled.
I alone flutter like prey
caught in the jaws
of finality.
For myself,
for my own soul, I fight
against that which diminishes,
which decimates
and dulls.
My whole life
now,
my whole life
on the tip
of a pen.
WALKING MAN:
It was
silent.
I lay
yoked
by loneliness:
the dolor
of a man
in earth.
The quiet voices
of the night
rolled in from afar,
clouds blew toward me
heavy, low, hiding the sky
from my eyes. The walls
of the pit drew close, closed in.
The earth is learning—
I sensed — measuring,
gauging: how it might
ingest me.
TOWN CHRONICLER’S WIFE:
We will be punished. I shivered
from the cold and fear. I thought:
People must not do
this sort of thing. I thought
about my beloved jester,
so miserable as he lies near me
in this bed of earth. And all the while
I felt the blood, blood dripping from me,
flowing into soil, reaching
all the way to him, seeping through his veins,
then coming back to me and melding.
Now it is our blood, and it is her blood now,
and both of us
conceive her
once again
from blood and earth.
I became dizzy,
and drowsy, and suddenly
it seemed so light,
as if time had also
loosened its bite.
I breathed. I slowly,
slowly breathed. I hadn’t
breathed like that since then.
I haven’t ever breathed like this.
My insides were exhaled,
then drawn back to me
like a gentle dance—
WALKING MAN:
Then I awoke
from frenzied dreams
that I could not remember.
The sky turned
lucent, the wall
towered up to split it.
I could not hear
my earthen neighbors, did not know
if they were here or gone.
Though I was cold, my fingertips
smoldered and hummed:
I will not be — they pulsed. They murmured
in ten voices, a cheerful choir:
I will
not be.
One day,
I will not beeee!
And from within the will-not-be
there rose the flavor
of my being. I knew
how much
I had been,
while I was. I knew
down to my fingertips.
It was wonderful
to know, to remember:
how very much
I’d been,
and how
I would
not be.
TOWN CHRONICLER:
I hope I forget your name,
my girl, the music of your name
inside my mouth, the sweetness that would spread
throughout my body.
You were so small,
yet so much in you to forget,
and not to want a thing that was once
yours,
nor even you
yourself—
DUKE: Who is that? I think I recognized my jester’s voice.
TOWN CHRONICLER: Indeed, my lord. It is I, your servant.
DUKE: My soul mate.
TOWN CHRONICLER: It’s been a long time since those days.
DUKE: More than thirteen years since you imposed this terrible exile upon yourself. Now tell me about your daughter.
TOWN CHRONICLER: I cannot, Your Honor. The day disaster struck, you ordered me to forget her.
DUKE: My beloved friend, you know better than anyone that such an order could never have entered my mind. Tell me about her.
TOWN CHRONICLER: No, no, my lord, I cannot. Your order still stands!
DUKE: Then, jester, I order you: Forget her to my ears!
TOWN CHRONICLER:
I forget her fine short hair.
I forget her pink, translucent fingers.
I forget she was my delicate, delightful girl.
I forget the way she—
the way you would get angry if I forgot
to separate the omelet from the salad on your plate.
And when I bathed you,
you would cheer and slap the water with both hands,
and I would lift you out and wrap your body
in a soft towel and ask:
Who is this strange creature inside?
CENTAUR: My friend the chronicler talked and talked. A wellspring of forgotten gleanings erupted from him. From my window I looked out on the horizon. Between two hills I saw the vast, empty plain where the pits were dug. Fragmentary droplets shone in the starlight. The many branches of a single, giant tree swayed slowly in the wind, as if to welcome or to bid farewell.
Then a shadow suddenly moved upon the plain. It was a woman extracting herself from the earth. She took a few slow, heavy steps. She stood hugging herself. Her head was slightly lowered.
TOWN CHRONICLER’S WIFE:
Who will sustain her,
who will embrace,
if our two bodies
do not
envelop
her?
CENTAUR: She looked around, studied the wall at length, then disappeared down into the earth, into the neighboring trench. After a minute or two I saw a notebook hurled out of it. It flew through the air for a moment, its white pages swelling and glimmering in the darkness, then vanished.
WALKING MAN:
I thought about the earthly
beings next to me. I thought
about my son. The earth
grew warm under my body.
I spoke to him in my heart.
At least we parted without anger—
I told him—
and without resentment.
You loved us, and were loved,
and you knew that you were loved.
I asked if I could make one more request.
I’d like to learn to separate
memory from the pain. Or at least in part,
however much is possible, so that all the past
will not be drenched with so much pain.
You see, that way I can remember more of you:
I will not fear the scalding of memory.
I also said: I must separate
from you.
Do not misunderstand me
(I felt the stab of pain
pass through him
right in my own flesh) — separate
only enough to allow
my chest to broaden
into one whole breath.
I smiled, because I remembered
that was what the teacher asked for.
The ocean sky rustled,
and a smile seemed to open up
above me. Someone may have understood,
or felt me. I breathed in
the full night. The sky
no longer weighed on me,
nor did the earth,
nor me myself.
Nor you.
You—
where are
you?
TOWN CHRONICLER’S WIFE:
Perhaps I need no longer reach
the very end of ways,
the final destination?
Perhaps this walk itself is both
the answer and the question?
Perhaps there is no there ,
my girl, perhaps, too, no more
you?
But as I lie here, in the belly
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