Juan Vásquez - The Informers

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The Informers: краткое содержание, описание и аннотация

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A virtuosic novel about family, history, memory, and betrayal from the brightest new Latin American literary talent working today.
When Gabriel Santoro's biography is scathingly reviewed by his own father, a public intellectual and famous Bogotá rhetorician, Gabriel could not imagine what had pierced his icy exterior to provoke such a painful reaction. A volume that catalogues the life of Sara Guterman, a longtime family friend and Jewish immigrant, since her arrival in Colombia in the 1930s,
seemed a slim, innocent exercise in recording modern history. But as a devastated Gabriel delves, yet again, into Sara's story, searching for clues to his father's anger, he cannot yet see the sinister secret buried in his research that could destroy his father's exalted reputation and redefine his own.
After his father's mysterious death in a car accident a few years later, Gabriel sets out anew to navigate half a century of half-truths and hidden meanings. With the help of Sara Guterman and his father's young girlfriend, Angelina, layer after shocking layer of Gabriel's world falls away and a complex portrait of his father emerges from the ruins. From the streets of 1940s Bogotá to a stranger's doorstep in 1990s Medellín, he unravels the web of doubt, betrayal, and guilt at the core of his father's life and he wades into a dark, longsilenced period of Colombian history after World War II.
With a taut, riveting narrative and achingly beautiful prose, Juan Gabriel Vásquez delivers an expansive, powerful exploration of the sins of our fathers, of war's devastating psychological costs, and of the inescapability of the past. A novel that has earned Vásquez comparisons to Sebald, Borges, Roth, and Márquez,
heralds the arrival of a major literary talent.

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That's how things would have gone, I thought, and meanwhile, without noticing, I had passed Sara's building. When I got to the bullring on Fifth Avenue, instead of turning left I ended up, out of distraction and a few seconds of indecision, heading down that narrow, dark corridor that leads to Twenty-sixth Street, and I thought of taking Seventh northbound and coming back a few blocks to go up to Sara's again. But that didn't seem to make much sense anymore, or maybe I just couldn't see any in it, because if I kept going on Twenty-sixth I could get on to Caracas, and that was the route I'd taken from the center each time I went to visit my father during the first few days of his convalescence, the route Sara would have taken for the same purpose, and the route that at this hour of the night would take me most quickly to his apartment. It was, to put it one way, a conspiracy of coincidences; and in a few minutes of speed and total disrespect for traffic lights-at a red light in Bogota we take our foot off the accelerator, put the car into second, and make sure no one's coming, but fear keeps us from actually stopping-I found myself in front of his building. Since my father's death I'd never driven that way, and I was impressed by how easy it was at that hour of the night to get through those streets, which during the day are impossible. I thought the daytime traffic would remain associated with my father's recuperation, while the ease of the night, on the other hand, with this visit to the apartment of a dead man, more or less the way my father's death would always be associated with my old car, while this one, bought secondhand from a garage with the insurance money, would always remind me that my own life (my material and practical life, everyday life, the life where I eat and sleep and work) would go on even though it might sometimes weigh me down. There was just one window with lights on and a silhouette, or perhaps a shadow, crossed it once and then back again before the light went out. The doorman raised his head, recognized me, and relaxed again. Who would have said I'd end up coming here, alone and in the middle of the night? Nevertheless, that's what had happened. A brief distraction-not turning left but going straight on-a vague respect for the inertia of coincidences, and there I was, entering the last place inhabited by my last living relative, and doing so with a very clear idea in my head: to look for Angelina's phone number in the only place I might be able to find it. It wasn't like a flash of inspiration, but a sudden and dictatorial necessity; to doubt her, who'd given me so much information, was foolish and even ungrateful. Angelina. Look up her number, call her, confront her.

"My condolences, Don Gabriel," the doorman said; he didn't remember, or he remembered without its mattering, that he'd already given me his condolences two or three times since the day after the funeral. He also handed me the post that had kept on arriving even though a month had passed since the death of the addressee, even though that death had received more publicity than most; and I realized I didn't know what to do with the bills and the subscriptions, with the College of Lawyers circulars and notification from the bank. Reply to them one by one? Draft a standard letter, photocopy it, and send out a mass mailing? I regret to inform you that Dr. Gabriel Santoro died. . please be kind enough, therefore, to cancel his subscription. . Dr. Gabriel Santoro recently passed away. He, therefore, will be unable to attend. . The phrases were ludicrously painful, and writing them was just short of unthinkable. Sara would know how to do it; Sara would know the procedures. At her age the practical effects of death are routine and no longer intimidating. That's what I was thinking as I opened the door, and as I went in I realized that I would rather have felt something more intense or perhaps something more solemn, but what hit me first, as was to be expected given the circumstances, was my own nature. I've never been able to avoid it: I've always felt comfortable with solitude, but being alone in someone else's house is one of my fetishes, something like a perversion that I would never tell anyone about. I am the kind of person who opens doors in other people's bathrooms to see what perfumes, or what painkillers, or what kind of birth control they use; I open bedside-table drawers, I search, look, but I'm not after secrets: finding vibrators or letters from a lover interests me just as much as finding an old wallet or a blindfold. I like other people's lives; I like to make myself at home and examine them. I probably violate several principles of discretion, of trust, of good manners in doing so. It's quite probable.

A month and the place was already beginning to smell closed up. The orange juice glass I'd found on the day of my appointment with Angelina was still in the sink, and that's the first thing I did when I went in: wet the sponge and scrubbed the bottom of the glass hard to remove a bit of dried pulp. I had to turn the water supply back on, though I didn't remember having shut it off: that day, I thought, Angelina must have dealt with it. The curtains were still closed, too, and I had the feeling that if I opened them they'd release a cloud of dust, so I left them as they were. Everything was the same as the last time I'd been there, and what remained most painfully immutable was the absence of the owner; on the other hand, that owner had begun to turn into someone else since his death and would perhaps continue his transformation, because once secrets start coming out, the twenty-year-old infidelity, the white lies-yes, like a snowball-no one can stop them. Except for my own book, everything in this place seemed to suggest that my father hadn't had a childhood, and even my book only suggested it in a tacit, indirect, lateral way. But was it the same book? The first thing Peter Guterman did when he arrived in Duitama was to paint the house and build a second floor . First sentence. At that time foreigners were not allowed to practice, without previous authorization, occupations other than those

they'd declared upon entering the country . Another sentence. In the Guterman family's hotel things happened that destroyed families, disrupted lives, ruined futures . . The sentences were no longer the ones I'd written, and it wasn't because of the violent irony that had begun to fill them; their words had changed, too; foreigner didn't mean the same as it had before, nor did futures . The book, my book about Sara Guterman, was the closest thing to those years and the only thing able to suggest the (ill-fated) presence of my father; but it was also the proof a tricky prosecutor would have used to allege my father's nonexistence, the Cheshire cat.

I looked over the blue and brown spines of the oldest books, looked over the disorderly colors of the more recent ones, and didn't find a single title I didn't recognize, not a single jacket flap or flyleaf that could have contained, at this stage, the slightest surprise. My father's meticulousness, his idea that a messy environment is one of the causes of a messy thought process, had obliged him to arrange all his lecture notes, his twenty years of speaking on how to speak well, on the same shelf; I chose one of the folders at random and examined it, imagining I might find an incriminating document; I found nothing. Was there not in this place a single piece of paper that contained the dead man's youth, not a newspaper clipping about the blacklists or a book that might contain annotations, not some reference to Enrique Deresser or his family or Bogota in the 1940s? A man's private history irremediably obliterated: How could that be possible? In a manipulable world, a world susceptible to being reprogrammed by us, its demiurges, would there not have been an immediate need to remedy that? Thinking of that, I picked up my book and opened it to the Appendices, chose an example of a report from the ones I'd found during the course of my investigation-the different ones they used in the cases of real infiltrators or active propagandists, and that later came to light, were always partially censored by officials-and copied it by hand, adapting it to my uncertainties, on the blank pages that seem designed for such purposes between the printer's imprint and the flyleaf. I wrote: Military Intelligence Division, War Department General Staff, Military Attache Report . And then:

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