Will Self - My Idea of Fun

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Will Self has established himself as one of the most brilliant, daring, and inventive writers of his generation.
is Will Self’s highly acclaimed first novel. The story of a devilishly clever international financier/marketing wizard and his young apprentice,
is both a frighteningly dark subterranean exploration of capitalism run rampant and a wickedly sharp, technically acute display of linguistic pyrotechnics that glows with pure white-hot brilliance. Ian Wharton is a very ordinary young man until he is taken under the wing of a gentleman known variously as Mr. Broadhurst, Samuel Northcliff, and finally and simply the Fat Controller. Loudmouthed, impeccably tailored, and a fount of bombastic erudition, the Fat Controller initiates Ian into the dark secrets of his arts — of marketing, money, and the human psyche — and takes Ian, and the reader, on a wild voyage around the edges of reality. As we careen into the twenty-first century, Self perfectly captures the zeitgeist of our times: money is the only common language; consumerism, violence, and psychosis (drug-induced and otherwise) prevail; and the human soul has become the ultimate product.

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And if I willed it, really believed it, then the knowledge of the little outrages vanished from my memory, wiped out as surely as a computer file. Ah, but then the septic tank hit the jet turbine, I became craven, culpable and driven. More than worried for my own sanity. Perhaps I was the borderline personality Dr Gyggle had said I was, all those years ago at Sussex?

My eidesis, I now realised, had been upgraded. The next generation made my mind a cheap bit of virtual reality, allowing me only two basic game modes. I could play mad or I could play bad, and although the two simulations might parallel one another all the way to infinity, they would never touch. Moreover, unless I remained vigilant I would sneakily flit like a cheating kid between the two: mad/bad, bad/mad, mad/bad. It could be quite bewildering.

So you see, I thought by marrying Jane I would have the incentive to sort out once and for all what the truth was. Even if my love for her alone wasn't sufficient, I was certain that the prospect of children, of willing my peculiar characteristics on to a new individual, would force me to confront myself.

But really I didn't care anyway. The outrages had been good fun, a gas, providing plenty of stimulating footage for me to mull over eidetically in my leisure time. There's so little genuine abandon in modern society — why need I feel ashamed of my peccadilloes when wanton suffering is foisted on the world all the time, by people without even the wherewithal to enjoy it? Don't you agree?

I could style myself the very Demiurge of Dissociation, if I so chose, because of my delightfully separate centres of self; and when they commingled fully there was a sweet melancholia engendered alongside the terror of the dark and the arrogance of the justified sinner.

It only took two months for Jane to get pregnant. I cannot claim that this was because I was either particularly priapic, or especially fertile. No, the reason it only took two circuits of the pedals on her menstrual cycle was because Jane was determined and armed with a handy home kit that could detect when her progesterone levels started to surge up, prior to ovulation. She would call me at work, where I would be in the office, going over a proposal or talking to a colleague. The phone would ring: ‘It's Vanda in reception, Mr Wharton, your wife is on the line.’

‘Put her through then, it's OK, I'm not in conference.’

‘Ian, is that you?’

‘Yes, love.’

‘I'm surging, you'd better get home.’ Once she was surging we had only twenty-four to thirty-six hours to touch down a sperm capsule on her satellite egg. The sex was perfunctory — as soon as I could get it up again after the last moonshot, she would grab me, guide me back in.

When Jane was well and truly knocked up she relaxed, acquiring the self-satisfied countenance of pregnant women the world over. I watched her swell and one of my internal voices laughed while the other whimpered in terror at what might be about to emerge.

I've been an attentive father-to-be, going to ante-natal classes with Jane, helping her to learn her breathing exercises and making sure she doesn't get overtired. It's been a hoot, hanging out with all the other prospective parents, swapping tips on where to buy the best kit and comparing the relative merits of the maternity hospitals, while all the time thinking: If only they knew, if only.

We haven't seen a great deal of Samuel Northcliffe since the wedding. From time to time he drops round, usually unannounced but always bearing a gift for Jane, a bunch of flowers or a bottle of wine. Jane likes Samuel Northcliffe, she finds his quaint way of speaking amusing and thinks that he isn't nearly as ruthless a businessman as people like to say. She cites the ‘Yum-Yum’ affair as an example of how charmingly quixotic and dottily eccentric he really is.

With ‘Yum-Yum’ all but withdrawn from the market I didn't expect to come across him any more in my work; and with my soul, as it were, sorted, I felt certain that his interventions in my more personal life were over as well, over at a mundane level, that is. But this morning I had a call from him in the office: ‘You can call me the Tiresias of Transmigration,’ his oracular voice didgeridooed down the phone line, ‘for I understand the riddles of death's destructive art.’

‘Is it anything important?’ I said. ‘I'm rather busy.’

‘I thought you might like to come by the Lurie Hospital at lunchtime,’ he boomed. ‘Gyggle and I have orchestrated a little ceremony which you might care to witness. It's most instructive, a very efficacious ritual. We have drilled the jetsam for weeks and, now we are certain that they'll be able to handle it, we wish to proceed.’

‘With what exactly?’

‘Why’ — he sounded almost coy — ‘with the North London Book of the Dead, of course.’

Against my better nature I was intrigued. At noon I left off the marketing proposal I was writing for a new chain of restaurants to be called ‘Just Lettuce’ and took a cab over to Euston.

I found them both in Gyggle's office. The beard was looking rather greasy and bedraggled, he couldn't have been taking care of it. Gyggle was looking tired as well, so possibly it was the other way round, the beard hadn't been taking care of him. More shocking still was the appearance of my mage — he had reverted entirely to how I remembered him in the early-seventies, the period when he had first come to live at Cliff Top. He even had on the same snappy check suit, the one he was wearing on the day I first became his apprentice.

‘Ah, there you are!’ he bellowed. He was puffing on a cheap panatella and obviously not liking it too well. ‘Come in, come in, don't hover like that, boy, what's the matter with you? You look as if you've seen a ghost.’

‘Um, err, I don't quite know how to put it — ’

‘Is it my appearance that you're goggling at? Come on, lad, spit it out, vomit it forth, squeeze those lexical pips, in a word: tell me.’

‘Yes, yes it is.’

‘And you're wondering what it betokens, aren't you?’

‘Yes, I am.’

‘Well, all in good time but we're not here for that, we're here to watch Gyggle's junkies go through their paces — well, Hieronymus?’

‘Certainly, Samuel, they're all assembled,’ sibilated the hirsute soul doctor. ‘Shall we go through?’

He led us through the series of corridors, with their furrowed linoleum floors, and ushered us into a small, cubicle-like room, devoid of furniture save for a wonky table and a couple of institutional chairs moulded from heavy plastic. There was a speaker of some kind attached to the wall and next to it the door of a cupboard which was set in to the wall. Before departing Gyggle opened this door; behind it was an odd window, with longitudinal stripes running down it. ‘What's that?’ I asked.

‘A one-way window,’ he replied as the beard led him from the room.

Left alone, The Fat Controller and I sat down. He searched out a packet of cheap cellophane-wrapped panatellas and took one without even looking. He lit it, using a non-safety match which he struck on the sole of his shoe, and after slobbering on its end for a while said, ‘Filthy habit, I think I'll give it up soon.’

‘I'm sorry?’ I couldn't imagine what he was talking about.

‘Smoking, you booby, what the hell do you think I mean?’ But before I could digest this latest strangeness, there was a crackle from the speaker. We turned to the window and I saw that a group of Gyggle's junkies were assembled in the next room.

The voice that had triggered the crackle was Gyggle's — he was calling his group therapy session to order. Several junkies were sitting in a rough circle on tatty upholstered chairs. Their feet were propped up on the metal boxes that served for ashtrays at the DDU and they were all smoking, using three steepled fingers to bring the tortured filters to their bruised lips. Even I, who know little about drugs, could tell that they were all high on heroin. Several of them could barely keep their eyes open and one, a rather stupid-looking black guy, whom I vaguely recognised, was completely crashed out.

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