Will Self - My Idea of Fun

Why elaborate? The stuff of adolescent sexuality is known to us all, a wondrousness that increases in memory bulkily to match the rusting hulk of subsequent disillusion. How much harder it is to admit that the disillusion was there all along.

More to the point I was tubby, pink and unappealing. My body was awash with glandular gunk and my face dusted over with pustules. No matter the burgeoning advice-column culture, no matter the democracy of pornography — I felt disenfranchised by my lust. Was it Oedipal? Having dispatched Daddy on the A22 to Southampton was I desperate to get home, answer the riddle that complemented the brewery advertising on the coaster, then cover Mummy where she lay, panting on her electric blanket? Nothing so simple. No it was eidesis. Up until puberty I had taken this for granted, seen it as little more than a clever skill, but now it began to preoccupy me. I started to see it as intrinsic to my nature.

Returning home from school, on the first day of that autumn term, I got off the bus as usual, at the stop midway between St Dunstan's and Roedean, and turned to look towards the Downs. The whole raised tier of the bank the blind home sat on was networked with concrete pathways. These were ruled into existence by guide rails, all painted white, as befitted the giant canes that they were. I thought of Mr Broadhurst and how he had once told me that the blind should never lead the blind. Their halting progress along these paths already struck me as laden with symbolism. Wasn't this the human predicament, fumbling along and then falling off? Waiting on the grass for the attendants to swoop down and reclaim you, reconnect you to the vivifying rail?

I wondered if Mr Broadhurst was among them — he was due back from his summer sojourn any day now — but I couldn't make out his pepper-pot shape amongst the attendants and the vision-crips, the spazzy sightless who fumbled their way beneath the cruel-joke edifice. (Can't you just imagine the architect pissing himself with laughter as he shaded in the hideous eaves, ruled the brutal perpendiculars and traced the shaved pubis of the concrete façade! Confident that here at last was a clientele that would be in no position to object to his conception of the modern.)

Maybe Mr Broadhurst was inside. As he was a voluntary worker he could be up to anything, from assisting in the complex foreplay of braille instruction, his hand hovering delicately over another's, to participating in the free-form, consensual ritual of tea time, imagining himself — as he had told me he often did — as blind as his charges, so that the urn became a dragon, capable of shooting out a boiling wet tongue to scald him.

I too became eyeless in Sussex, toiling along the tangled verge. How many steps could I take before I had to open my eyes? Or would I waver and have my shoulder clipped, sliced off by a whooping bus side? A commonplace enough child's game, but on this ordinary afternoon eidesis reared its ugly head.

I was looking into the red darkness of my own retinal after-image, the plush of my inner lids. I summoned up an eidetic facsimile of the road ahead, its diminishing perspective, the pimpling of the tarmac, the toothpaste extrusion of the white line dividing the carriageway. In this there was nothing remarkable. My head-borne pictures, as I have said before, were always exceptionally vivid. But on this occasion I became aware of a new Point of View. That's the only way I can describe it, as an awareness of being-able-to-see but with nothing lying behind it, no intricate basketry of muscle and coaxial nerve.

In that moment — there was no moment. Time was child's time again, the always-now, caught up and cradled like water by the surface tension of the present. I was inside my own representation and that representation had become the world.

If there's anyone way that I could express this sensation to you it would be this. Imagine yourself to be a free-floating Steadicam that can move wherever it wishes at will. For in the very instant that I packed myself into this new perspective, I became aware of flexible ocular prostheses like joysticks and rudders.

Effortlessly I shot high up into the air, pirouetted through a three-hundred-and-sixty-degree pan and then zoomed down again, to hover a foot above the Rottingdean bus as it batted along. I zipped by the pasty faces of my schoolmates, sitting still in transit, and their beady eyes stared straight through me. I was — I realised, powering up into another heady sky-scraping loop — free.

Immediately I started to consider, where should I go? What use should I make of my new and apparently astral body. The two great buildings set on the flanks of the Downs were an obvious objective. I didn't hesitate, I swooped down and entered the red-brick precincts of Roedean. Here, I roamed the dormitories pushing my invisible, yet inviolable, lens into the shower block, the changing rooms. I stopped off in the sanatorium, I doodled beneath the desks. And everywhere I went I immersed myself in the spectacle of many many hundreds of well-turned little misses, unaware and unsuspecting but all perfumed, deliciously scented, by affluence.

When I was a primary school pupil, my eidesis had been noted by the arts and crafts teacher. During her lessons, anything she gave me — an empty yoghurt pot, or a dying daffodil — I would replicate with near-photoreal accuracy, even on thick paper with a soft pencil. She took an interest in me and at parents’ evening approached my mother saying, ‘Mrs Wharton, your son really does have the most unusual ability.’ The higher-ups at the local education authority, prodded into action by Mrs Hodgkins, sent me to see a clinical psychologist.

Mr Bateson, who worked, handily enough, at St Dunstan's, was a little ball of a man with one of those heads, capped and cupped by hair, that would look just as probable upside down. He was a barefaced grinner who seemed impervious to embarrassment, a stranger to even the simplest concept of a gaffe.

‘Ho, ho!’ he chortled at me from behind his desk. ‘What have we here, an eidetiker. Funny that, here I am researching the concept of visualisation amongst the congenitally blind’ — he indicated with a tiny hand the three blind people who sat with us in his office — ‘and they send me you! Tee-hee, tee-hee-hee-huh!’

The blind swung their antennae heads in the general direction of this prodigy, training on me three pairs of clear-lensed glasses, behind which puffs of cotton wool were imprisoned, like some awful kind of oxidisation.

Despite the fact that Mr Bateson found me intriguing and even wrote a paper on my singular gift for a professional journal, neither I, nor — more to the point — my mother, had seen any benefit in his mind games. His experimental method, which I was to meet again later in life, entailed setting me tasks. I had either to draw objects that were presented to me for a split-second, or else draw pictures from the further recesses of my memory. He then went further, getting me mentally to image complex forms and rotate them in my mind, much in the manner that I requested of you earlier. About the time I left primary school for Varndean, the sessions petered out altogether.

I gave up on eidetiking, except as a party turn. At Varndean some boys could set light to their farts, others could stub cigarettes out on their tongues, I could take a glance at a page of text and then recite it from memory. Unfortunately this didn't in any way aid my comprehension. I was not a successful student.

Sex galvanised my eidesis, sending it straight to the top of my agenda. I can understand why. After all, sex is a language of sorts and insofar as eidesis goes hand-in-hand with autism, why, here was a form of communication I couldn't make use of. In the realm of the senses there was no real identity available to me, only a series of impostures bound in to the repetitive action, like jerking hands to jiving cocks.