On 7 September 1860 Garibaldi entered Naples.
Venù è Galubardo!
Venù è lu piu bel!
The Bourbon garrison of several thousand occupied the four castles which dominated the city. The king had fled. The castle cannons were trained upon the city. There was a rumour that Garibaldi would arrive — not with his troops and redshirts on horseback — but alone and by train. The streets were empty under the white glare of the sunlight and the muzzles of the cannons. Nobody knew whether to believe the rumour. Timidly everybody hid indoors. At 1.30 in the afternoon Garibaldi arrived at the station. Half a million people surged into the streets, on to the quays, climbing, pushing, running, shouting — regardless of the cannons and the consequences — to welcome him, to commemorate the moment at which they were living.
Garibaldi was not a military genius of the first order. Politically he was easily deceived. Yet he inspired a whole people. He inspired them, neither by authority nor by divine right, but by representing the simple and pure aspirations of their youth, and by persuading them, through his own example, that these aspirations could be realized in the national struggle for unity and independence. What the nation found sacred in him was its own innocence.
All his characteristics fitted him for such a role. His physical strength and courage. His virility. His long hair down to his shoulders, carefully combed after battle. The simplicity of his tastes and appetites. ‘When a patriot,’ he said, ‘has eaten his bowl of soup and when the affairs of the country are going well, what more can anyone want?’ The island to which he retired whenever there was no task for him to perform and on which he lived as a farmer with his sheep. His patriotism which confounded his theoretical principles. (A republican, he recognized the authority of Victor Emmanuel.) His amour propre. His sense of humour. The fact that he was eloquent by gesture rather than word. ‘I believe if he were not Garibaldi, he would be the greatest tragic actor known.’ (Because he did not talk, men of different or opposing opinions supported him and believed that he supported them.) His ignorance of motives in the world as it was. His impatience.
In what other kind of man could the nation of Italy find its better half in order to become united?
By way of what other kind of man — with his absolute personal integrity — could the majority of the nation be so successfully deceived?
The way in which Garibaldi inspired the nation led to moments of danger for the emergent ruling class. If Garibaldi was what every Italian wished to be, his wishes, so encouraged, might go further than the expulsion of the Austrians and the Bourbons. Garibaldi was a threat to order, not only because his methods were conspiratorial, but because he inspired.
The massing of the crowds in Naples under the mouths of the cannon became a saturnalia which lasted for three days.
Calabrian peasants believed that Garibaldi, like Christ, could perform miracles. When his redshirts were desperately short of water, he fired a cannon into a rock and water gushed from it.
Garibaldi honoured the memory of Carlo Pisacane, martyr of the Risorgimento, whose writings influenced the thinking of a generation of Italian socialist revolutionaries.
‘The propaganda of the idea is a chimera. Ideas result from deeds, not the latter from the former, and the people will not be free when they are educated, but will be educated when they are free. The only work a citizen can do for the good of the country is that of co-operating with the material revolution: therefore conspiracies, plots, assassinations, etc., are that series of deeds by which Italy proceeds towards her goal.’
Yet Garibaldi was effectively constrained by his alliance with the existing ruling classes. His gestures defied them: the political consequences of his victories confirmed them. The national genius was used to create the pre-conditions for a bourgeois state.
After Garibaldi’s death, there was scarcely an Italian city or town which did not have a street or piazza named after him. Throughout Italy his name was spoken or written thousands of times daily. Yet this name was as irrelevant to what now occurred in those streets and piazzas as the blue sky above.

In Paris Laura feeds the new-born child at her breast. It is as though the milk which flows from her is the quicksilver of an extraordinary mirror. In this mirror the child is part of her body, the number of all her parts is doubled: but equally, in this mirror she is part of the child, completing him as he desires. She can be object or image on either side of the mirror. She can do unto him or she can be done unto by herself. The two of them, so long as the nipple remains in the mouth, revert to being parts of an indispersible whole whose energy will lead to their being separate and distinct as soon as the child ceases to suck.
She asks: What need have I of anything more? The boy will grow, but by looking at him, I can again inhabit him.
Her nerves and sensibilities answer her own needs perfunctorily; they continuously strain across space and through his flesh to anticipate and answer his. Her feelings are distributed in his body like veins. When she touches him, she has the sensation of touching herself made innocent.
She wants to worship him because with her he seems to transcend the world as it is. She desires to be totally committed to him, so that this commitment amounts to a rejection of all other claims. She wants with her baby to start an alternative world, to propose from his new-born life a new way of living.
Laura did not achieve the new way of living with her baby which she had wished. She had not reckoned with the sheer force of routine in a rich nineteenth-century household. Had she decided to live by herself with her illegitimate child — and this would have meant becoming a bohemian — she might have succeeded. As it was, in her mother’s house in Paris, her plans were defeated by nurse-maids, chambermaids, the housekeeper, her mother’s doctor. It was not possible for her to be with the child for more than a couple of hours a day. It was not possible for her to occupy herself with all the daily chores connected with looking after him — washing linen, ironing, cleaning the nursery, preparing his food, etc.; there were servants to do such jobs. The most that she could achieve was bathing him in the late afternoon under the eyes of the nurse and the maid who brought up the hot water.
Nor could Laura explain what she wanted. If she had said that she wanted to be always within sight and touching distance of her son and that for the next few years in her life everything else should take second place, that she wanted to live with him as an equal, crawling when he crawled, walking when he walked, speaking his own language, never being more than a few steps ahead of him, if she had said this she would have been treated as hysterical. An infant, like everything else in the nineteenth century, had its own place — which was unshareable.
Umberto implored her to let him see his son. Laura refused to answer his letters and told her mother that the boy’s father had gone out of his mind. Two years passed. Laura’s mother remarried and returned to the United States. Laura went to London and there, through some acquaintances who quickly became close friends, was converted to the cause of Fabian Socialism. It was arranged that until she had found a house, the boy should stay for a few months with Laura’s first cousins on a farm. Laura was to come down by train to visit him every other week. The cousins were in debt. Laura was able to raise money on their behalf through her mother. In London she became more and more involved in her political interests. The secret of life, she considered, was no longer hidden in her own body but in the evolutionary process. Her visits to the country to see her son became rarer and rarer. The boy appeared to thrive in the country. The French nurse was sent back to Paris and an English governess installed. The cousins (a brother and sister called Jocelyn and Beatrice) agreed that the boy should continue to stay with them. On that farm the boy spent his childhood.
Читать дальше