John Berger - G.

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G.: краткое содержание, описание и аннотация

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In this luminous novel — winner of Britain's prestigious Booker Prize — John Berger relates the story of "G.," a young man forging an energetic sexual career in Europe during the early years of this century. With profound compassion, Berger explores the hearts and minds of both men and women, and what happens during sex, to reveal the conditions of the Don Juan's success: his essential loneliness, the quiet cumulation in each of his sexual experiences of all of those that precede it, the tenderness that infuses even the briefest of his encounters, and the way women experience their own extraordinariness through their moments with him. All of this Berger sets against the turbulent backdrop of Garibaldi and the failed revolution of Milanese workers in 1898, the Boer War, and the first flight across the Alps, making G. a brilliant novel about the search for intimacy in history's private moments.

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You should have let him come. I should have liked to have seen him again.

Suddenly Weymann was angry. His thin face became red and his eyes protruded as he stared at the figure in the bed: Yes, I think we should have let him come. What are you doing? What are you playing at? Let me tell you something. This town is full of men. Tomorrow it will be fuller — men coming from all over the world to pay their homage to the magnificent contribution, the historic courage of Geo. Do you know there are peasants who have walked from the mountain villages into town today to line up and pay their last tributes to the man they loved. You should look at their faces. You might learn a little modesty. You might see what it means to be offered hope for your children after a lifetime of toil and sacrifice. You might understand what achievement is. And amongst these men, these men who fill the town like pilgrims and lend it their own dignity, there is a little — there is a little runt!

He banged the door and was gone.

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The crowd made the town look like a village. Figures in black pressed against the walls of the narrow streets. In an open doorway several children were barred and held back by women with straight rigid arms, lest they run out into the street as the procession passed and by this single act diminish the long-lasting gravity of the moment. From first-floor windows and from the balconies above hung improvised flags of black crêpe and tricolours with black upon them. It was sunny. The streets through which the cortège would not pass were deserted. All shops and offices were shut. The bells in the campanile tolled very slowly. The last note of each peal seeped almost completely away before the next refilled the silence. The sound was such that even in the arcade from where you could see neither sky nor mountains you were reminded of solitude. In the precincts of the Piazza Mercato there was an unusually strong smell of horses and leather, for carriages and carts had brought mourners from all over the countryside and many had been left there, unattended, while the mourners followed the coffin on foot.

The Stationmaster, wearing a gold-braided cap and a long coat, glanced once more at his own reflection in the glass doors of the waiting-room. It was not a question of vanity at this moment but of vocation; in the same spirit an actor may glance in a mirror before going on stage. Within the waiting-room journalists from all over Europe jostled to book their telephone lines to their capitals.

Assembled outside the hospital the town band began to play a funeral march. The cortège moved off, shuffling at first. In front of the four horses of the hearse, girls in white veils strewed tuberoses on the cobbles and dust. Boys darted back and forth between the main street-corners and the head of the procession to keep the girls supplied with baskets of flowers. The Mayor had announced that the cost of the funeral would be met by the municipality. When they were standing upright, one girl might timidly smile at another; but when they were strewing the flowers on the road, bending forward as if trying to cast a net in a fast-flowing stream, they did so with grave, concentrated expressions, one with her teeth biting her lower lip.

Close behind the hearse walked the hero’s grandmother, brother, fiancée and family friends. The fiancée held her head high with the air of a wife following a cart which is taking her husband, a heretic, to his execution; she defied the occasion; she defied the forces which had killed him. Geo’s brother, a rich young banker, walked with his head down, looking at the flowers on the road, many as yet untrampled. The grandmother walked with a stick, jabbing the ground. Sometimes her stick skewered a flower.

Behind the family came the diplomats, the senators, Chavez’ fellow pilots, the Mayor, the journalists, the representatives of aircraft-engine firms, the local rich. And after a discrete gap there was the straggling procession of thousands, most of whom had seen Chavez when he first appeared, triumphant, on their side of the mountain, when he was coming down to land in the field where Duray had pegged out the white cross in calico. At this sight of a victory being apparently so easily gained, in face of the impossible being so quickly transformed into the possible, they had felt elated. In the newspapers they had read, or had heard others read, sentences like: The great utopia of yesterday has become reality. And so some had asked themselves: Why should we too not achieve what we wish? Those who were in the habit of answering such speculative questions had given their usual answers. The rich must be overthrown. Private property must be destroyed. Others had maintained that Italy must be united, must be given Trieste, must have more colonies; only then would all Italians fulfil their destiny. To those who asked, all the answers seemed theoretical. But the question had remained.

Now with the unexpected death of Chavez, the question was closed. It was as they had always been taught. Achievements are never easy. There is a price to pay for daring. The true heroes are dead ones. When what is desired is immoderate, it lies beyond death. The choice is between accepting life as it is and dying a hero’s death.

Outside the Duomo the speeches began. The crowd listened in a mood of acknowledgement and acceptance. The young, faced with the familiar choice, chose once again in their imagination heroic death. Their elders looked back on their lives, gently, tenderly, as they might look at their own children, trying to find in them proof that a certain kind of cunning and a certain kind of modesty offer the best means for tricking and coaxing the best out of life: life which, when all is said and done, is better than being dead, although the naive courage of the dead hero touches them profoundly because they too were naive like him, and they know full well that the lessons which rid them of their naivety were not ideal, were not what they once wished. The young among the crowd celebrated the heroism of early death; their elders recalled the price of survival.

The Peruvian Ambassador: I am proud to be your compatriot, O Chavez, and I have come to place on your coffin your own country’s homage. We leave to your dear ones the sad duty of tears: strong nations must neither complain nor weep: they can only exalt and glorify their sons who, like you, Chavez, sacrifice their life for the bright light of an ideal …

There was a commotion in the front ranks of the crowd drawn up in a semi-circle round the hearse and the steps of the Duomo. A dozen men pushed their way forward and mounted the steps. They were dressed like Alpine guides and each pair of them carried an object like a stretcher. On these stretchers were arranged massed patterns of wild flowers — edelweiss, arnica, forget-me-nots and red rhododendrons. They placed the stretchers on either side of the church door. As they came down, one of the men shouted out: Above four thousand metres we’ll see you in the air! Then he slapped his own cheek several times.

The Peruvian Ambassador: From your earliest childhood you were a master of energy, and for us your death is a glorious lesson. You were strong, you were great; above the eternal snows, amid the sublime peaks, you flew upon your fragile machine, a token of the audacity and genius of man.

The Mayor announced that a piazza would be named after the dead aviator.

Inside the Duomo there was a short service for Chavez’ family and the distinguished foreign visitors. They remained standing, staring straight ahead of them into the half-light from which gold objects emerged without glitter. They felt the cold air rising from the stones. It is here, not in the streets strewn with flowers outside, that the devout try to relinquish the blind will to live.

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