Tariq Ali - The Stone Woman

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Each year, when the weather in Istanbul becomes unbearable, the family of Iskender Pasha, a re-tired Ottoman notable, retires to its summer palace overlooking the Sea of Marmara. It is 1899 and the last great Islamic empire is in serious trouble. A former tutor poses a question which the family has been refusing to confront for almost a century: 'Your Ottoman Empire is like a drunken prostitute, neither knowing nor caring who will take her next. Do I exaggerate, Memed?' The history of Iskender Pasha's family mirrors the growing degeneration of the Empire they have served for the last five hundred years. This passionate story of masters and servants, school-teachers and painters, is marked by jealousies, vendettas and, with the decay of the Empire, a new generation which is deeply hostile to the half-truths and myths of the 'golden days.'
is the third novel of Tariq Ali's 'Islam Quartet'. Like its predecessors—
and
—its power lies both in the story-telling and the challenge it poses to stereotyped images of life under Islam.

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The journey to the house could be delayed no longer. I went there one day straight from the beach and a fairy princess opened the door. She burst out laughing at the sight of me. I had sand on my clothes and hair, sandals on my feet and a tattered copy of Verlaine in my hand. “Have I come to the right house?” I stammered, unable to stop my eyes from travelling her entire body. “Does Hamid Bey live here?”

She nodded and invited me into the house. She had deep black hair, an olive complexion and small eyes, which made me wonder whether her mother was Japanese. She was wearing a European-style dress, which revealed the lower parts of her legs, but what had delighted me the most was her laugh and the fact that her feet were bare.

“You caught us by surprise,” she said. “My father is taking a bath at the moment. Are you Salman Pasha? We were expecting you one of these days. Can I offer you a drink? I hope you will join us for lunch. If you will excuse me, however, I must go and change my dress. Please feel at home.”

It was my turn to laugh. She disappeared without asking me to explain the cause of my amusement. Do you know why I laughed, Stone Woman? Their house could not have been more unlike home. In Istanbul we lived in the eighteenth century, and here, in Yusuf Pasha’s summer palace by the sea, time lost all meaning. The house in Alexandria was very much ahead of its time. I had never seen such elegant furniture in Istanbul, not even in the house of the Bragadinis. They, too, preferred to live in the past, but here was the latest furniture from Italy. In the hall there was a large Chinese chest. Everything was new. As I was admiring the decorations on the walls, Hamid Bey came down the stairs in a white silk suit and greeted me warmly. He must have been approaching sixty, but was extremely well preserved and surprisingly slender, unlike my father and uncles who were all on the portly side.

I thought it might be best to get our business over with before lunch. I showed him the gift from my uncle. He took it to his desk and inspected it under a microscope. “It is a very good stone. I assume you wish to use it to raise some money for whatever project you are preparing at the moment?” My only project was to enjoy life to the full and it was for that I needed the money, so I nodded and smiled. “I trust Kemal Pasha more than my own brother. You did not need to show me the stone. How much do you need to borrow?” Without thinking I named a figure. He told me to return the next day and collect the money.

When his daughter came down for lunch a transformation had taken place. She looked demure, was far less relaxed and more traditionally attired in a yellow tunic that touched the floor and leather sandals, which, to my great annoyance, hid her naked feet. Her face, if anything, appeared stern. I hoped it was only her father’s presence that was responsible for the change.

“This is my daughter, Mariam. She has managed the affairs of this house ever since her mother’s absence.”

Nothing more was said of the mother and it was not till many months later that Mariam told me the whole story. Our conversation during lunch was polite. My Arabic not being as fluent as that of Hamid Bey and Mariam and their Turkish being non-existent, I lapsed into French. The pleasure on her face was visible. She never had the opportunity to practise and perfect her knowledge of the language and was excited by the fact that I spoke it so well.

Stone Woman, I know that nothing surprises or shocks you. That is why so many have sat in your presence over centuries and spoken to their heart’s content.

On that very first day, while I was having lunch at her father’s table and as his honoured guest, I fell for this creature. Love can never be planned like a book of accounts. You cannot say to yourself: this person meets all the conditions I have laid down for falling in love. She has features that are attractive. She is well-spoken, but will not speak out of turn. She has a reasonable dowry. She will bear me healthy children. I will, therefore, proceed to fall in love with her.

I have known merchants who measure love as they do their trade; physicians who feel their own pulse to make sure they are in love; philosophers who constantly doubt their own love; gardeners who think love grows like a fruit and egotists who can never love anyone else. Don’t misunderstand me, Stone Woman. I am not saying that love does not grow, deepen and become stronger with each passing year. That is all true, but for that to happen it is important how it begins. In my book there is only one true beginning. All others are false. Love must strike one like lightning. That is what happened to me eight years ago on that pleasant summer afternoon as the sea breezes wafted through the house of the Copt merchant, Hamid Bey. Mariam had barely turned eighteen. I was approaching my thirty-second year.

I returned the next day to collect my money. An old woman with a cross hanging ominously from her wrinkled neck opened the door and informed me in a very formal voice that Hamid Bey had left for Cairo on business. He would be away for several days. He had left an envelope, which she would now hand to me, and would I please return in ten days’ time, when her master would be back in the city. The old crone must have seen the disappointment on my face, for it registered a degree of pleasure on her own. I stood there, paralysed and despondent.

Before I could think of saying anything, Mariam came running into the house from the terrace, slightly out of breath, but, Heaven be praised, bare-footed. My heart melted at the sight of her feet.

She shouted at the old woman, “I told you to send for me when Salman Pasha arrived.” The retainer shrugged her shoulders in disgust and left the room.

Mariam turned to me. “Ignore her, Salman Pasha. She is over-protective and impolite. She’s been in my father’s family for centuries and really enjoys being discourteous. She hated my mother. Should we go and sit on the terrace? Would you like a fresh lime drink? Have you brought any French books with you? Why are you laughing?”

I do not have the strength to live through the entire experience again, not even for you, Stone Woman. Some of the memories are so pure and sweet that they would make me weep. I would become weak and love her again and all would be lost. It would be like falling into the abyss, but never hitting the ground — the worst possible nightmare. I am determined, whatever the cost, to avoid such a calamity. For that reason and that alone I will quicken the pace of this narrative.

Hamid Bey’s stay in Cairo was extended beyond a week. Mariam and I would meet every day, but never after sunset. The crone with the cross had expressly forbidden that, and Mariam felt it foolish and unnecessary to defy the restriction. Wherever we were in that large house, I began to feel we were being watched, and Mariam began to feel the same. We were being suffocated. I told her of my secret cove. Her eyes grew large at the thought of an adventure. She would send for Maria, for that is what the crone had been christened, instruct her to make us some coffee and while she was in the kitchen, we would run away from the house like thieves with our French books firmly tucked under our arms. Mariam, too, fell in love with the little cove, where we were completely alone.

We declared our love for each other on that day. She, too, admitted that the sight of me with sand on my hair had touched her greatly though she was sure it must have been the sight of Verlaine that had created the lightning effect. We kissed and caressed each other. We discarded our clothes and swam in the sea. We dried ourselves and read aloud to each other. I delighted in each part of her body described in this verse from Verlaine’s love poem, “Spring”:

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