Tariq Ali - The Stone Woman

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Each year, when the weather in Istanbul becomes unbearable, the family of Iskender Pasha, a re-tired Ottoman notable, retires to its summer palace overlooking the Sea of Marmara. It is 1899 and the last great Islamic empire is in serious trouble. A former tutor poses a question which the family has been refusing to confront for almost a century: 'Your Ottoman Empire is like a drunken prostitute, neither knowing nor caring who will take her next. Do I exaggerate, Memed?' The history of Iskender Pasha's family mirrors the growing degeneration of the Empire they have served for the last five hundred years. This passionate story of masters and servants, school-teachers and painters, is marked by jealousies, vendettas and, with the decay of the Empire, a new generation which is deeply hostile to the half-truths and myths of the 'golden days.'
is the third novel of Tariq Ali's 'Islam Quartet'. Like its predecessors—
and
—its power lies both in the story-telling and the challenge it poses to stereotyped images of life under Islam.

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Silently, I followed the Baron and Uncle Memed to the moon-drenched terrace. We sat down at a table beautifully laid with silver bowls filled with almonds of three different varieties, walnuts and fruits. Petrossian uncorked another bottle and served the two men. Memed told him they would help themselves and instructed him to retire for the night.

I looked at the stars in the sky and wondered whether I would ever find true happiness and be content with my life. I often felt that my mother had sacrificed too much for the sake of a comfortable existence. She had allowed her own personality to be dwarfed by the family of Iskander Pasha. If she had married someone else her biography would have taken a different course. She had spoken once to me, in a slightly embarrassed way, of another man. She had liked him a great deal, but he was poor and when her father had rejected the suit he had emigrated to New York, where he became a very successful painter. She often wished she knew what it was that he painted. I mused over whether her true and intimate feeling for my father was one of disgust, but my thoughts were interrupted.

The two men resumed their conversation. Strange, I thought, that my presence never seems to bother them. They trust me. Perhaps they imagine that like them I, too, am unconventional. Whatever their reasons, I am flattered by their confidence.

“I sometimes get the impression, Memed, that despite our knowledge of each other, you doubt my intelligence.”

“Intimacy can breed doubt and contempt in equal portions, Baron.”

“So, in other words, you had no doubts regarding my intellectual superiority when I was your tutor in Istanbul.”

“None whatsoever, but surely you could not have forgotten that it was also the period of our courtship, which was very intense. You taught me a great deal. Your language, German poetry and philosophy and a love of books. I can still remember the words of the first poem by Heine that you recited and your pleasure when I told you I had understood every word. We talked often of god and religion and the elasticity of so many dogmas. You showed me Berlin and Paris. You compared the growth of learned societies in German towns with the lack of any intellectual movement in provincial France. It was only after I had fully penetrated that world that I could permit you to penetrate me.”

Both men burst out laughing.

SEVEN

Nilofer tells the Stone Woman that Selim has stroked her breasts in the moonlight and she is falling in love with him; she is shocked to discover that her mother has been eavesdropping

‘I DON’T KNOW WHERE to begin, Stone Woman. It happened suddenly, without warning, and now I may be in worse trouble than ever before. It happened yesterday in the light of the moon. I wanted to go and count the stars on the beach and I wanted to be completely alone. So I took the tiny path that leads from the cliffs to the entrance of the cave overlooking the sea. When we were children we used to believe that it was our little secret and we were convinced that no adult knew of the path. Even if they did they would find it difficult to follow us because the track was truly little.

As I heard the gentle noise of the water caressing the sand I felt at peace with myself. When I look at the sea glistening in the moonlight and then gaze upwards to catch the stars it somehow puts everything in a different perspective. My own problems shrink into nothingness. Compared to nature, we are but tiny specks in the sand. I was in deep meditation when a familiar voice came from the dark.

“Forgive me, hanim effendi , but I thought I should make my presence known just in case you were overcome by a burning desire to bathe in the silken waters of this sea.”

It was Selim, the grandson of Hasan Baba. I had spoken to him on a number of occasions since the circumcision. He had come to inspect Orhan’s wound and make sure it was healing properly. Orhan had grown to like this young man and I, too, had to admit I found his company pleasing. I liked the fact that he never averted his eyes when I addressed him. His eyes were melancholy for so young a person, but when he laughed they shone like diamonds. I was pleased by his presence.

I know what you’re thinking, Stone Woman. You have seen so much over the centuries and you think I had willed him to be present, but I swear by everything I hold dear that I had not thought of him at all. The social chasm between us was so vast that he never entered my mind except as a kind barber from Istanbul who had travelled a whole day to circumcise my son. He was, undoubtedly, an intelligent man and I must confess I was surprised when he declared his passion for the operas of Donizetti Pasha. The music was alien to me, but the way he talked about it made me yearn for the opera. Of course, none of this can explain what happened yesterday, Stone Woman.

“What are you doing here, Selim?”

“I came to watch the sky.”

“And think?”

“Yes, hanim effendi , and think. In my world solitude is a precious commodity. I live in a house with six other people. I can’t even hear myself think. This place is like paradise. You must have missed it very much when you were in Konya.”

“I did, and please stop calling me hanim effendi. When we are alone you may call me Nilofer.”

“You are beautiful, Nilofer.”

“I did not give you permission to talk in this fashion. Control your tongue, you insolent boy.”

He fell silent.

“I heard you making Orhan laugh yesterday. Tell me a story, Selim. Make me laugh.”

He stood up and began to throw pebbles in the sea. Then he came and sat in front of me.

“I will obey you, princess. Listen, then, to my story. Once long ago in the reign of a Sultan, whose name I cannot recall, there lived a young and beautiful princess. She was a younger sister of the Sultan and he was very fond of her, largely because she kept a storehouse full of jokes. She had been blessed with prodigious powers of recollection. Her memory was the envy of the Court. She never forgot a face, its name or a conversation. She made the Sultan laugh and he rewarded her by never compelling her to get married. She would veil herself and, accompanied by six armed eunuchs, she would visit taverns and places of ill-repute and all this to collect the latest lewd jokes.

“She had refused many offers of marriage, from some of the richest families in Istanbul. She told her friends that she could never be satisfied with one man. She could not commit herself to live the life of a housebound wife. The choice was celibacy or freedom to choose her men. If she saw a man she wanted, she would summon him and lift her veil. Since she was extremely attractive, most men succumbed to her charms. They were conducted by the eunuchs to her private chamber in the palace. Here she lay on a divan awaiting them, only the most flimsy of shawls covering her naked body.

“The lover she had chosen for that particular night was dazzled by the sight of her. When she removed the shawl all was laid bare and as the fortunate man fell on his knees before her she would speak the same words that she had to many of his predecessors: ‘You may gorge yourself on this feast till you are sated. Enjoy it well, for you will never see or taste another. From paradise you will proceed straight to hell.’

“The excited lover was by this time too agitated and overcome by desire to reflect on her warning. It was only after she had been pleasured that he began to show signs of nervousness, but by then it was too late. The eunuchs entered the chamber and escorted the unfortunate lover to a boat moored nearby. One of the eunuchs sang a lament for lost lovers, while the others gently circled the condemned man’s neck with a cord and strangled him to death. The delicate morsel of last night’s banquet was thrown into the Bosporus so that the fish could feed on him. The royal flesh of unmarried females was forbidden to a commoner. He who had enjoyed must be destroyed. He could not be allowed to live and tell the tale. The princess had made one exception to the rule.

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