Patrick White - Voss

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Voss: краткое содержание, описание и аннотация

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Set in nineteenth century Australia,
is the story of the passion between an explorer and a naive young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.
From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White’s novel is a work of extraordinary power and virtuosity.

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While the thin young clergyman was strewing words, great clouds the colour of bruises were being rolled across the sky from the direction of the ocean. There was such a swirling and whirling that the earth itself pulled loose, all was moving, and the mourners lowered their heads, and braced their feeble legs to prevent themselves from being sent spinning.

Only Laura Trevelyan appeared to stand motionless upon a little hummock.

Laura is so cold, Aunt Emmy lamented. She shivered inside her hot dress, and tried desperately to cling to some comfort of the parson’s words.

But Laura was calm rather than cold, as, all around her, the mourners surrendered up their faces to the fear of anonymity, and above, the clouds were loading lead to aim at men. After the first shock of discovery, it had been exhilarating to know that terrestrial safety is not assured, and that solid earth does eventually swirl beneath the feet. Then, when the wind had cut the last shred of flesh from the girl’s bones, and was whistling in the little cage that remained, she began even to experience a shrill happiness, to sing the wounds her flesh would never suffer. Yet, such was their weakness, her bones continued to crave earthly love, to hold his skull against the hollow where her heart had been. It appeared that pure happiness must await the final crumbling, when love would enter into love, becoming an endlessness, blowing at last, indivisible, indistinguishable, over the brown earth.

‘We can do no more for Rose,’ Mr Bonner was saying; otherwise everyone might have continued to stand.

When she had resumed her body, and noticed the little mound that they had made for her friend, the clods of earth accused Laura’s exaltation, and she went away quickly after the others, holding her clumsy skirt.

As soon as they reached the vehicles, the ladies and the servants climbed inside. They were congratulating one another with elaborate relief that the threatening storm had not burst. But they looked nowhere in particular, certainly not at one another, for the skin of their cheeks had dried, and was feeling too tight. As Jim Prentice and the man from the livery stable were gathering up the reins, Mr Bonner led the parson behind the carriage to pay his fee. Hungry Mr Plumpton, whose name did not fit his form, had been standing there for some other purpose, he would have liked it to appear, but did also have to eat. Mr Bonner rewarded him substantially, for he was only too relieved to escape. And the young parson became gay. The shadow of death was lifted, and all were smelling the sea breeze and the good chaff which the horses had beslavered in their nosebags.

Life resumes possession thus simply. Mr Bonner was again stalking in the midst of his smoothly ordered women, in his impregnable stone house. Laura Trevelyan’s baby grew. She washed it, and powdered it, and wrapped it up tight, but with that humility which lately she had learnt, or rediscovered, for humility is short-lived, and must be born again in anguish.

Similar phases mark the cycle of love. Could I forget my own husband? Laura asked, as she nursed the baby that was playing with her chin. Yet, she did forget, frequently for whole days, and then was conscience-stricken. As one takes one’s own face for granted, so it was, at least she hoped, staring at her reflection in the glass. He is never farther removed, she said, looking at her own, woman’s face. Moreover, there was the baby, that visible token of the love with which she was filled. So a mother will persuade herself.

One evening after she had put her baby in its cot, and deceived it into sleeping, she had gone down and found her uncle talking to a stranger in the hall.

Mr Bonner was saying:

‘Then, if you call on Thursday, I will have the letter written.’

Noticing his niece, he mentioned:

‘This is Mr Bagot, Laura. He leaves on Friday for Moreton Bay, and will find a means of sending a letter through to Jildra. I shall, of course, take this opportunity of communicating with the expedition. One never knows but that Voss may see his way to get in touch with Mr Boyle.’

Soon afterwards, the otherwise unimportant stranger left the house.

‘It would only be civil,’ Laura ventured, ‘if I, too, were to send a line.’

‘Nothing is lost by civility,’ her uncle agreed, absently. ‘But is it necessary in this case?’

‘My dear Uncle, a great deal that is unnecessary is also nice. You are not nourished by your glass of rum and water, but I am glad to think you can enjoy it.’

‘Eh?’ said Mr Bonner. ‘That is beside the point. But write, Laura, by all means, if it will give you pleasure.’

He was preoccupied.

‘Thank you, Uncle dear.’ Laura laughed, and kissed him. ‘To give pleasure to Mr Voss was my intention.’

She went away then, refreshed by her inspired deception.

In the few days that remained till Thursday, Laura Trevelyan composed several tender, humorous, clever, even perfect letters, as she went about, or sat and watched the hem of her skirt. Soon, she said, I shall write it down, and then the last evening was upon her, and all the clumsiness of words.

She sat at her little desk, which had, in fact, been built for a child, in bird’s-eye maple, an uncle’s present for a fifteenth birthday. She took her pen from out of the conglomeration of writing tools, most of which she never used. She dropped the ink eraser. Seated before her exercise, she was both stiff and childish, sullen almost. She felt that she would bungle this, but did begin in that Italian hand, which was, mercifully, her automatic writing:

Potts Point,

— March, 1846

Dear Johann Ulrich Voss,

If I address you by so many names, it is because I do not dare confess to my favourite, for my choice might indicate some weakness that you have not already suspected. You will find, I fear, that I am all weaknesses , when I would like you to admire me for my strength!

Now her blood began to flow. Her shoulders were the wings of birds. Her mind was a bower-bird, greedy for the shells and coloured glass that would transform the drab and ordinary.

How I wish my sentiments were worthy of communication, and, not content with one gift, I would ask for the genius to express them. Then I would dazzle you with the glitter of diamonds, although I am inclined to believe I would adopt something less precious, but more mysterious; moonstone, I think, would be my stone.…

Was she being affected? She thought perhaps she was, but enjoyed the opportunity. She loved the shape of words, and taste, even of the acid drops.

I imagine how you must frown at the frivolousness of this letter, but now that I have begun, I cannot deny myself the luxury of writing as it comes, almost with recklessness, to one who knows me scarcely at all, yet (and this is what is awful) who has complete possession of the most secret part of me. You have taken the important, essential core of the apple, including (one must not forget) the nasty pips, and scales (I do not know what you call those little things) which must be spat out.

There it is! I hope you will continue to think kindly of me, dearest Ulrich (I have now confessed that, too!), and cherish the blemishes on my character.

I will tell you more truths. I have thought about you, and thought about you, until recently I found, to my honest disgust, that you were no longer uppermost in my mind. This disconcerting discovery was turned to advantage, however, on my realizing that you had become a necessary part of me. I do truthfully believe that you are always lurking somewhere on the fringes of my dreams, though I seldom see your face, and cannot even distinguish your form. I only know it is you, I know , just as I have sat beside you beneath certain trees, although I could not describe their shape, nor recite their Latin names. I have touched their bark, however.

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