Patrick White - Voss

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Voss: краткое содержание, описание и аннотация

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Set in nineteenth century Australia,
is the story of the passion between an explorer and a naive young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.
From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White’s novel is a work of extraordinary power and virtuosity.

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At times the German was quite fatherly, too. This was a part strange enough for him to fancy. Authenticity was added by the first grey hairs which were appearing in his beard; those lines round the eyes were, of course, the signs of kindliness; while the eyes themselves encouraged confidences, of a sort that most men would think twice about giving into the keeping of anyone else.

During the stay at Rhine Towers, some of them did tell the German. For instance, Harry Robarts confessed how his father had hung him by the ankles, with chains, above a fire of sea-coals, to watch the sweat run out of him. Turner was next. The sun slowed his voice dangerously the day he told of the house in Kentish Town, in which, it was suggested, he had lodged, in which some man had died, in which people were looking at himself, and looking at him, on landings and stairs, until he had run away rather than endure their eyes, and had come of his own free will to this country, where others were expiating their sins by force. After he had told, Turner looked at Voss, sideways, but the sun was too hot for him to regret possible rashness just then.

Voss received these confidences, and locked them up quickly, both because they were valuable and because it repelled him to share the sins of human vermin on their infected wall. Yet that same disgust drove him to invite further confidences.

There was one, though, who would not tell. There was Frank Le Mesurier.

The German realized he had seen little of the young man since their arrival at Rhine Towers, and on one occasion went so far as to say so.

‘How you employ your time, Frank, is something of a mystery,’ he said, and smiled.

The young man was embarrassed.

‘What can I say?’ he answered. ‘Whatever I do, I have nothing to hide.’

Because, he had, of course, something.

‘I was joking,’ said the German, kindly. ‘This is a period of rest. You do right to use it.’

But he looked at the young man, who went outside soon after.

Already the evening of his arrival, upon scenes of splendour such as he had known to exist but never met, Frank Le Mesurier had begun to change. The sun’s sinking had dissolved all hardnesses. Darkness, however, had not fallen; it seemed, rather, to well forth, like the beating and throbbing of heart and pulse in the young man’s body, to possess the expectant hills. Only the admirable house resisted. Later that night he had gone outside to watch the light from the lamps and candles, with which every window appeared to be filled. Isolation made that rather humble light both moving and desirable. So the days began to explain. Grasses were melting and murmuring. A child laid its cheek against him. The sun, magnificently imperious, was yet a simple circle that allowed him to enter, with the result that he was both blinded and illuminated.

Finally, on one occasion, he had run into the cool, still room that he was occupying during their visit, and rummaged inside his pack for an old journal which an insignificance of facts had caused him to abandon, and had sat there for a moment with the book held in his daring fingers. So he began.

All that this man had not lived began to be written down. His failures took shape, but in flowers, and mountains, and in words of love, which he had never before expressed, and which, for that reason, had the truth of innocence. When his poem was written, it was burning on the paper. At last, he had done this. But although he was the stronger for it, he put his poem away, afraid that someone might accuse him of a weakness. Often he took it out, and if some of it had died, for then, there opened out of it other avenues of light. It was always changing, as that world of appearances which had given him his poem. Yet, its structure was unchanged.

So, he was truly strong.

Sometimes he longed to reveal his strength to some other man, but was held back from doing so.

Frank is hiding something, Voss saw.

Two days before they were to leave for the North-west, the German was compelled to take a horse and go in the direction in which they said Judd’s selection lay. For some of the distance a faint road led across bare flats. Silly sheep on wooden legs stood and stamped at the horseman from amongst the patches of rusty sorrel. A shepherd was watching from the doorway of his wattle hut. Then the grey road petered out into a bush track, which could have been a shallow watercourse carved between the boulders and the trees. On the night he had returned from Sanderson’s homestead, Judd must have trusted to providence and the instincts of his horse, though the track exhilarated Voss by day. He no longer rode consciously, but was carried onward by sensation. He was touching the bark of those trees that were closest to him (they were, in fact, very close; he could see the gummy scabs on healed wounds, and ants faring through the fibre forests). He was singing, too, in his own language, some shining song, of sunlight and of waterfalls. As the words of the song were few, or those with which he was familiar, they would recur, which stressed their shape, and emphasized their mystical errand in the silence of the grey bush.

Presently the path, which had reached a razorback, bristling with burnt stumps, wound suddenly, violently, through a crop of shiny, black rocks, and plunged down. The saddle shot forward over the horse’s withers. The sober gelding propped on his four legs, before himself starting down. All was, indeed, headed downward. The world was slanted that way, a herd of goats clinging to it. The hoofs of these animals clicked, their horns slashed, their pellets spattered, as they slit the scrub open, or nibbled at the blades of grey grass. Yellow eyes looked only once at the rider. Then the goats were dashing down, down, down, deeper than all else. Soon their bobbing tails were lost.

The horse had faith that paths do lead somewhere, and did follow, but the country itself was legendary. Birds plunged songless through the leaves in heavy flight. Dark birds, mostly. It was strange that such soft things could explode the silence, but they did, most vehemently, by their mere passage through it.

Voss was jubilant as brass. Cymbals clapped drunkenly. Now he had forgotten words, but sang his jubilation in a cracked bass, that would not have disgraced temples, because dedicated to God.

Yes. GOTT. He had remembered. He had sung it. It rang out, shatteringly, like a trumpet blast.

Even the depths lead upward to that throne, meandered his inspired thoughts. He straightened his shoulders, lying back along the croup of the crazily descending horse. It had become quite clear from the man’s face that he accepted his own divinity. If it was less clear, he was equally convinced that all others must accept. After he had submitted himself to further trial, and, if necessary, immolation.

I shall worship you, suddenly said the voice of the cold girl.

It was she who had wrestled with him in the garden, trying to throw him by some Christian guile, or prayers offered.

I shall pray for you, she said then.

Jesus ,’ murmured the man, making it sweet, soft, pitiful. Because ineffectual.

Then he laughed, and spat it out.

Almost at once, Voss realized that he was righting himself upon the saddle because it was no longer necessary to lean back. They had come to the bottom, and there was a woman looking at him.

The old gelding stood on the flat bottom of a rock enclosure, directly at the foot of the mountain. Almost wholly enfolded by rocky cliffs, this considerable pocket opened out farther on, gently, cautiously, it could be seen, into a blue and noble plain.

But, for the present, it was the foreground that prevailed. In it the woman stood watching, after the manner of animals, like the horse which had come down from the mountain, and the herd of brown goats, which was now gathering gravely on its own ground.

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