Nadine Gordimer - The Lying Days

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Nadine Gordimer's first novel, published in 1953, tells the story of Helen Shaw, daughter of white middle-class parents in a small gold-mining town in South Africa. As Helen comes of age, so does her awareness grow of the African life around her. Her involvement, as a bohemian student, with young blacks leads her into complex relationships of emotion and action in a culture of dissension.

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“What?”

“Come here, I can’t shout.”

To humor him, I got off the bed in mild irritation and wandered into the kitchen, blinking as if from a sleep. He took a letter from out of the folded newspaper he had brought home. “Sent care of the Mine Secretary — it’s yours. …” I took the blue envelope from him and read my name in a handwriting I had never seen before but that I knew instantly. A wave of blood went through me, my hands shook. It was the simplest thing for me to leave the kitchen and walk back to my room, but all at once I did not know how to do it. I did not know how to walk out of the door, I did not know at whom or what to look. It was not necessary to say anything but suddenly I did not know what to say. “Well,” I said, “I’ll open it just now—” My father was taking beer bottles out of the refrigerator. “What are you doing that for?” my mother was complaining. “I thought I ordered two dozen? Where’re the other six?” “You’ll never get them in that way. I’ve just put them straight and now you’re upsetting everything—” I made my escape as if I had been a prisoner momentarily out of surveillance.

And in my room I tore open the envelope, took out the folded letter in that moment of perfect joy that comes just the second before realization; the mouth ready to be kissed, the possession lying ungrasped in the hand, the letter held unread.

Then I unfolded the sheets, saw that there were three, saw the beautiful handwriting, the words “thinking,” “knack”…

Barberton,

Saturday.

Dear Helen,

It’s difficult to find space or quiet to write in a great bedlam of a camp like this one. But it’s now close on midnight so I can be fairly certain not to be interrupted by anything worse than snores. I didn’t have a bad journey — but you’ll know that by the telegram I sent mother — except that it all seemed a bit unreal, the yap of the other men, etc., the usual army nonsense, after the last few days at home. I kept thinking about it, and as usual — only a bit more so this time, the two planes of existence just won’t dovetail. Not in me, anyway. Every time I come back to the army I am sickened all over again at the senselessness of the way we live here. Still, you’ve heard all this from me many times before, so enough.

Fortunately, there have been heavy rains and the dust isn’t so bad as it was. That chap Don Macloud I told you about is back in my tent again after all, and we have rigged up fairly comfortable beds for ourselves. As I told you, he’s really got a knack of making a home out of a fruit box and a bit of sacking, and is useful to have around. Also pleasant and inoffensive, and as unimpressed as I am by all this so-called army discipline. Also like me, has no wish to get a stripe or a pip up so that he can have a taste of inflicting it on others.

I’ve had two letters from mother, written since you’ve gone, and I can see she misses you. You can’t imagine what it meant to her to have you around; she really likes you, and you know exactly how to treat her. Particularly just after I’d left. I’m grateful, I can tell you, for the way you stayed on and kept her company. Of course I know you like her too, almost love her, really, and it was no penance to you, but just the same, a real thank you. She’s such an extraordinary person, so absolutely right to live with, but not everyone is capable of knowing her and finding that out.

Well, miss? And what about you? Have you settled down again? I hope you’ve decided what you’re going to do and that whatever it is you are happy in it. I don’t think we’ll be here much longer. All indications are that we shall be moving — soon. In a way, it’ll be a relief. I’m sick to death of the child’s game we’re playing here, even though I’ve little relish for the real thing. If I can manage a week end before we go, of course it’ll be spent in Atherton, if you and your people will have me? But there’s a rumor that all leave is to be canceled soon, so by the time my turn comes round, I doubt if there’ll be a chance.

Write when you feel like it. When I think of you, in this place, you don’t seem quite true, you know. Figment of the imagination! End of my candle, so I’d better turn in.

Ludi.

P.S. Lost the piece of paper with the house address on it, so am sending this to your dad’s office. My regards to him and to your mother. L.

I had not read it so much as flown through the lines, alighting on the word “you.” “Well, Miss? And what about you?”—What looked like an island, a beckoning palm top, was as uncertain as a piece of floating vegetation, rootless in the tide. I hovered, went on. And in the last paragraph, there it was. A small island, soon explored, but the place where my heart came down and beaked its feathers. I read it over, and again. “When I think.” He thinks about me. But “When” … that means it isn’t often. Yet it might be. “You don’t seem quite true.” Oh, the happiness of it! Now I am the woman and the princess and the dream. Now it is like a sign on my forehead. “You don’t seem quite true.” A dream. Something that’s over, then; can’t believe it happened. Just forgotten, an incident, like that?

I read the whole letter over again, searching through every word, through the commonplaces, the information of the way he was living, the time, the weather — pushing it all aside like so much rubble. Now I would pick up a word or a phrase, as one fingers a pebble. But no. The repetition of “as I told you” seemed an intimacy, perhaps? Yes. Yes, that I could keep. The bit about his mother. This puzzled me. Of course, it could mean a special kind of confidence in me; of course.

Some sentences I read over to myself a dozen times. Aloud, they sounded different; with another intonation, the meaning changed. Every word of the letter seemed ambiguous; happiness came and went like the color in the bird’s wing, showing and going out as it falls through the sun.

I sat on my bed with the three thin sheets and the envelope spread evidence about me. Well, I had a letter, anyway. I rested in that.

But strangely, the mood of exaltation, of closeness to Ludi, was gone. It was only when I was in bed that night, late and awake, thinking about him as I remembered him on the farm, as I had done when I lay dreaming before my father had called me, that it came back.

Chapter 10

It is amazing on how little reality one can live when one … is very young. It is only when one is beginning to approach maturity that achievement and possession have to be concrete in the hand to create each day; when you are young a whole livable present, elastic in its very tenuousness, impervious in its very independence of fact, springs up enveloping from a hint, a memory, an idea from a book. On this slender connection, like a tube of oxygen which feeds a man while he moves in an atmosphere not his own, it is possible to move and breathe as if your feet were on the ground. Through the autumn and into winter, this was the way I lived now. The quiet, steeped autumn days passed, as if the sun turned the earth lovingly as a glass of fine wine, bringing out the depth of glow, the fine gleam; the banks of wild cosmos opened like a wake, with the cream and pink and gilt of an early Florentine painting, on either side of the railway cutting from Atherton to Johannesburg and spattered, intoxicating bees with plenty in the bareness of flat veld and mine dumps, out of ditches and rubbish heaps; the last rains brought the scent of rot like a confession from leaves that had fallen and lain lightly as feathers; the cold wind of the highveld, edged with the cut of snow it had passed on the Drakensberg, blew round the house, blowing bare round the bare Mine, blowing the yellow cyanide sand into curling miasmas and mistrals over the road; the Mine boys walked with only their eyes showing over blankets. I did an afternoon’s duty at the soldier’s canteen in Atherton twice a week; I worked for three weeks in my father’s office again as a relief for someone away on leave. There it was chilly in the mornings; I noticed winter. Dressed in warm clothes, the distance of the summer came to me. I went nowhere, yet I took great care of my appearance, spending hours before my mirror in the poor light that always showed me shadowy. Sometimes while my parents were out at tennis (they were proud that they still made the second league) I would spend the whole Saturday afternoon arranging and rearranging my hair. In the evening I would not go out, but sat reading beneath an elaboration of shining whorls and curls, formal as a Gothic cornice. My dresses were chosen each day with hesitation and care, my hands were manicured. All these rites were performed alone in my bedroom, in silence, in a depth of dream that held me, deep, far away, as deafness holds someone still and serene in a room full of talk. Any faint temptation to enjoy the distractions of the Mine — a fete, a party, a concert — was paid for and nullified by the immediate feeling of estranging myself from Ludi, and what Ludi thought. The fact that he was in Italy, that the South Coast was months away, made no difference. Like God, to deny his tenets was to lose him.

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