Nadine Gordimer - Occasion for Loving

White friends like the young advertising men at the flat, who were not much interested in politics except as a subject for argument, enjoyed a black man’s joke at their own expense, and in several places Shibalo had quite a success with the well-timed remark, confiding, marvelling, assuming a naïvety they knew to be assumed: “I knew a white woman once who kept a snake-bite outfit in her car.” Pause: “Never drove through town without it.” (Of course he knew quite well that Callie Stow kept the snake-bite outfit in the car because she used to go climbing in the Magaliesberg on Sundays, with a woman friend.) They would laugh, but he would keep looking at them straight-faced and questioning: “I mean, a snake-bite outfit? The needles? The stuff in the little bottle? The knife to make the cut?” He shrugged and looked impressed. And they laughed indulgently at the calculatedness of the white man’s way of living.

He emerged from the mat of people on one side of the street, darted across, was taken in at once in the line of the bus queue. He had spent two or three nights at the flat, and now was lost to his hosts, with their casual friendliness and the excess of equipment which even the most modest or hard-up white person seemed to find it impossible to do without. Ahead of him a woman sat on the kerb unravelling her baby from the wrappings it had worn on her back; it had a hot, wet, but not a bad, smell. People were eating single bananas, bought for a penny from an Indian with a push-cart. The intersection at the corner was one of the main exits from town and great processions of white men’s cars and buses pulled up face to face. As the lights changed and the press began to move on, a drunk brown boy walked almost into a bus. He had straightened hair in a crew cut, wore a loose jacket, and carried at the end of his long arm a transistor radio covered with imitation crocodile skin. He wove through the sluggish cars, swinging back from one to bump the nose of another, and shouting modestly all the time, “Ya fuckin’ bastard …”

The bus settled low on its wheels as it filled up and then pushed a way into the traffic. Gideon Shibalo’s body adjusted itself to the pressure and jar of other bodies like the automatic accommodation of muscles to a bed whose discomforts are so familiar that they have acquired a certain comfort of their own. He read a column of newspaper between the angle of someone’s jaw and a dusty shoulder. The shriek and chitter of penny whistle music came from a loud speaker down on the heads of those, like himself, who occupied standing room; he looked up from the print along the lightly bobbing heads, seeing the amber of stale afternoon sun show dusty on the wool of the bareheaded ones; he thought: like the pin-heads of mould. If you saw us from high enough we would populate the earth like the furry patch spreading on a bit of cheese. He was smiling as he turned back to the paper. The smells of cheap soap, dirty feet, oranges, chips, and the civet smell of the perfume on a girl spooky-faced with white women’s make-up, were soon overcome by the warm, strong sourness of kaffir beer, given out from the pores of the men and shining on their faces like a libation.

As he walked through the township he called out to people he knew, stopped to talk, and, as the home-comers dispersed along the streets, passed for whole stretches, before houses, boarded-up shops, a church with uneven windows, a dry-cleaner’s, a coffin-maker’s, a men’s hairdresser’s, the insurance agent and the herbalist, without seeing what he passed, though he avoided surely the sudden ditches that sagged down beside the streets, the zigzag of brats and dogs and the occasional mule. He did not see all this, but he could have sat down in a room anywhere on earth and drawn it. If it were to be pulled down, bulldozed and smoothed flat for other occupants, he would not see it any less clearly, or forget a single letter of the writing on the hairdresser’s sign that got smaller as space on the board ran out. For years, up until the time the passport was refused, he had hated all such places, but once the passport was refused, once he began to spend most of his time among whites, the strong feeling died away. The passport had slammed in his face; lethargy can produce an effect outwardly very like content. He was drinking a lot then, and the township, with what he had thought of as its muck-heap tolerance, its unbearable gregariousness, its sentimental brutality, sheltered him. You could die of self-pity in those places; no one would harry you into feeling ashamed, or flog you on to your feet with bull about what you owe yourself, the way whites do to each other.

His relationship with the Stow woman was one that laid great emphasis on self-respect, and yet for him the real fillip of self-respect came when he was finished with her; it seemed possible to live again quite simply, without making a lot of talk about it. He was back at his teaching job, his lousy job; the crowded faces of hungry children facing his own every day; the timidity, earnestness, self-importance and pomposity of the other teachers in the staff-room, with their consciousness of themselves as “educated”. They were very conscious, too, that he was an “artist”, and reminded friends that he was a colleague of theirs. Hadn’t he competed with white artists and won a scholarship to go to Italy? In the city, too, in the white houses and flats where he was welcome, he was always accepted as a painter—“the one who was supposed to go to Rome”. He did not paint any more but he realised that this did not matter. It would not matter if he never painted again; he could live for the rest of his life, in the townships on the fact that he had once painted something that competed favourably against white artists, in the city on the fact that he was both a painter who had achieved notice overseas and a black man. The idea coldly frightened and fascinated him. It seemed the real reason why he could not paint. He chuckled over it and at the same time the fact of his amusement was the confirmation, the finish — let him laugh; he would never paint anything again.

After he had turned away from Callie Stow, like a man who goes out for an evening stroll and never comes back, he had come to see his own old view of his home as as inaccurate as hers: she thought of the townships as places exalted by struggle; like treasure saved from the rest of the plundering world in a remote cave, she believed the Africans kept love alive. He went about the townships again now almost as he had worn the coating of streets there as a child, without any moral or spiritual conception of them. He went in from the white world like an explorer who, many times bitten and many times laid low with fever, can go back unthinkingly into territory whose hazards mean no more to him than crossing a city street.

His room was far down from the terminus. Shoes scuffed and twisted against the uneven ground so that by the time you got there you had taken on again the dust and shabbiness of the place, you were given protective colouring. The room itself was in a row added behind a house that was solidly built for a location, a brick house with a verandah. A piece of bald swept ground before it was fenced in with scrap — railway sleepers, bits of corrugated iron, chicken-netting — and a dog on a chain attached to a wire that ran the length of the fence raced barking from end to end of the scope of its existence. The owners of the house, the old woman and her husband, sat on the verandah behind this fierce frieze and added figures on bits of smoothed sugar bag. There were tins of fire in the yard and the small children called out, some even in English, “Hello”, while the bigger ones, who were no longer friendly and had not yet learned the substitute of politeness, took no notice of who came or went.