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Walker Percy: The Moviegoer

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Walker Percy The Moviegoer

The Moviegoer: краткое содержание, описание и аннотация

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This elegantly written account of a young man's search for signs of purpose in the universe is one of the great existential texts of the postwar era and is really funny besides. Binx Bolling, inveterate cinemaphile, contemplative rake and man of the periphery, tries hedonism and tries doing the right thing, but ultimately finds redemption (or at least the prospect of it) by taking a leap of faith and quite literally embracing what only seems irrational.

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Then it is that the idea of the search occurs to me. I become absorbed and for a minute or so forget about the girl.

What is the nature of the search? you ask.

Really it is very simple, at least for a fellow like me; so simple that it is easily overlooked.

The search is what anyone would undertake if he were not sunk in the everydayness of his own life. This morning, for example, I felt as if I had come to myself on a strange island. And what does such a castaway do? Why, he pokes around the neighborhood and he doesn’t miss a trick.

To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair.

The movies are onto the search, but they screw it up. The search always ends in despair. They like to show a fellow coming to himself in a strange place — but what does he do? He takes up with the local librarian, sets about proving to the local children what a nice fellow he is, and settles down with a vengeance. In two weeks’ time he is so sunk in everydayness that he might just as well be dead.

What do you seek — God? you ask with a smile.

I hesitate to answer, since all other Americans have settled the matter for themselves and to give such an answer would amount to setting myself a goal which everyone else has reached — and therefore raising a question in which no one has the slightest interest. Who wants to be dead last among one hundred and eighty million Americans? For, as everyone knows, the polls report that 98 % of Americans believe in God and the remaining 2 % are atheists and agnostics — which leaves not a single percentage point for a seeker. For myself, I enjoy answering polls as much as anyone and take pleasure in giving intelligent replies to all questions.

Truthfully, it is the fear of exposing my own ignorance which constrains me from mentioning the object of my search. For, to begin with, I cannot even answer this, the simplest and most basic of all questions: Am I, in my search, a hundred miles ahead of my fellow Americans or a hundred miles behind them? That is to say: Have 98 % of Americans already found what I seek or are they so sunk in everydayness that not even the possibility of a search has occurred to them?

On my honor, I do not know the answer.

As the bus ascends the overpass, a concrete hill which affords a fine view of New Orleans, I discover that I am frowning and gazing at a noble young calf clad in gun-metal nylon. Now beyond question she is aware of me: she gives her raincoat a sharp tug and gives me a look of annoyance — or do I imagine this? I must make sure, so I lift my hat and smile at her as much as to say that we might still become friends. But it is no use. I have lost her forever. She flounces out of the bus in a loud rustle of cellophane.

I alight at Esplanade in a smell of roasting coffee and creosote and walk up Royal Street. The lower Quarter is the best part. The ironwork on the balconies sags like rotten lace. Little French cottages hide behind high walls. Through deep sweating carriageways one catches glimpses of courtyards gone to jungle.

Today I am in luck. Who should come out of Pirate’s Alley half a block ahead of me but William Holden!

Holden crosses Royal and turns toward Canal. As yet he is unnoticed. The tourists are either browsing along antique shops or snapping pictures of balconies. No doubt he is on his way to Galatoire’s for lunch. He is an attractive fellow with his ordinary good looks, very suntanned, walking along hands in pockets, raincoat slung over one shoulder. Presently he passes a young couple, who are now between me and him. Now we go along, the four of us, not twenty feet apart. It takes two seconds to size up the couple. They are twenty, twenty-one, and on their honeymoon. Not Southern. Probably Northeast. He wears a jacket with leather elbow patches, pipestem pants, dirty white shoes, and affects the kind of rolling seafaring gait you see in Northern college boys. Both are plain. He has thick lips, cropped reddish hair and skin to match. She is mousy. They are not really happy. He is afraid their honeymoon is too conventional, that they are just another honeymoon couple. No doubt he figured it would be fun to drive down the Shenandoah Valley to New Orleans and escape the honeymooners at Niagara Falls and Saratoga. Now fifteen hundred miles from home they find themselves surrounded by couples from Memphis and Chicago. He is anxious; he is threatened from every side. Each stranger he passes is a reproach to him, every doorway a threat. What is wrong? he wonders. She is unhappy but for a different reason, because he is unhappy and she knows it but doesn’t know why.

Now they spot Holden. The girl nudges her companion. The boy perks up for a second, but seeing Holden doesn’t really help him. On the contrary. He can only contrast Holden’s resplendent reality with his own shadowy and precarious existence. Obviously he is more miserable than ever. What a deal, he must be thinking, trailing along behind a movie star — we might just as well be rubbernecking in Hollywood.

Holden slaps his pockets for a match. He has stopped behind some ladies looking at iron furniture on the sidewalk. They look like housewives from Hattiesburg come down for a day of shopping. He asks for a match; they shake their heads and then recognize him. There follows much blushing and confusion. But nobody can find a match for Holden. By now the couple have caught up with him. The boy holds out a light, nods briefly to Holden’s thanks, then passes on without a flicker of recognition. Holden walks along between them for a second; he and the boy talk briefly, look up at the sky, shake their heads. Holden gives them a pat on the shoulder and moves on ahead.

The boy has done it! He has won title to his own existence, as plenary an existence now as Holden’s, by refusing to be stampeded like the ladies from Hattiesburg. He is a citizen like Holden; two men of the world they are. All at once the world is open to him. Nobody threatens from patio and alley. His girl is open to him too. He puts his arm around her neck, noodles her head. She feels the difference too. She had not known what was wrong nor how it was righted but she knows now that all is well.

Holden has turned down Toulouse shedding light as he goes. An aura of heightened reality moves with him and all who fall within it feel it. Now everyone is aware of him. He creates a regular eddy among the tourists and barkeeps and B-girls who come running to the doors of the joints.

I am attracted to movie stars but not for the usual reasons. I have no desire to speak to Holden or get his autograph. It is their peculiar reality which astounds me. The Yankee boy is well aware of it, even though he pretends to ignore Holden. Clearly he would like nothing better than to take Holden over to his fraternity house in the most casual way. “Bill, I want you to meet Phil. Phil, Bill Holden,” he would say and go sauntering off in the best seafaring style.

It is lunch hour on Canal Street. A parade is passing, but no one pays much attention. It is still a week before Mardi Gras and this is a new parade, a women’s krewe from Gentilly. A krewe is a group of people who get together at carnival time and put on a parade and a ball. Anyone can form a krewe. Of course there are the famous old krewes like Comus and Rex and Twelfth Night, but there are also dozens of others. The other day a group of Syrians from Algiers formed a krewe named Isis. This krewe today, this must be Linda’s krewe. I promised to come to see her. Red tractors pulled the floats along; scaffoldings creak, paper and canvas tremble. Linda, I think, is one of half a dozen shepherdesses dressed in short pleated skirts and mercury sandals with thongs crisscrossed up bare calves. But they are masked and I can’t be sure. If she is, her legs are not so fine after all. All twelve legs are shivery and goosepimpled. A few businessmen stop to watch the girls and catch trinkets.

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