Alice Walker - Barracoon - The Story of the Last Slave

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Abducted from Africa, sold in America.“A deeply affecting record of an extraordinary life”- Daily TelegraphA major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker.This account illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade.In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis, who was abducted from Africa on the last "Black Cargo" ship to arrive in the United States. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

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About the Author About the Author Booklist Title Page Copyright Foreword: Those Who Love Us Never Leave Us Alone with Our Grief: Reading Barracoon: The Story of the Last “Black Cargo” by Alice Walker Introduction Editor’s Note BARRACOON Dedication PREFACE INTRODUCTION I II: THE KING ARRIVES III IV V VI: BARRACOON VII: SLAVERY VIII: FREEDOM IX: MARRIAGE X: KOSSULA LEARNS ABOUT LAW XI XII: ALONE APPENDIX Takkoi or Attako—Children’s Game Stories Kossula Told Me The Monkey and the Camel Story of de Jonah Now Disa Abraham Fadda de Faitful The Lion Woman Afterword and Additional Materials Edited by Deborah G. Plant Afterword Acknowledgements Founders and Original Residents of Africatown Glossary Notes Bibliography About the Editor About the Publisher

ZORA NEALE HURSTONwas a novelist, folklorist, and anthropologist. An author of four novels ( Jonah’s Gourd Vine , 1934; Their Eyes Were Watching God , 1937; Moses, Man of the Mountain , 1939; and Seraph on the Suwanee , 1948); two books of folklore ( Mules and Men , 1935, and Tell My Horse , 1938); an autobiography ( Dust Tracks on a Road , 1942); and more than fifty short stories, essays, and plays. She attended Howard University, Barnard College, and Columbia University, and was a graduate of Barnard College in 1927. She was born on January 7, 1891, in Notasulga, Alabama, and grew up in Eatonville, Florida. She died in Fort Pierce, Florida, in 1960. In 1973, Alice Walker had a headstone placed at her grave site with this epitaph: ZORA NEALE HURSTON: “A GENIUS OF THE SOUTH.”

ALSO BY ZORA NEALE HURSTON Contents Cover About the Author Booklist Title Page Copyright Foreword: Those Who Love Us Never Leave Us Alone with Our Grief: Reading Barracoon: The Story of the Last “Black Cargo” by Alice Walker Introduction Editor’s Note BARRACOON Dedication PREFACE INTRODUCTION I II: THE KING ARRIVES III IV V VI: BARRACOON VII: SLAVERY VIII: FREEDOM IX: MARRIAGE X: KOSSULA LEARNS ABOUT LAW XI XII: ALONE APPENDIX Takkoi or Attako—Children’s Game Stories Kossula Told Me The Monkey and the Camel Story of de Jonah Now Disa Abraham Fadda de Faitful The Lion Woman Afterword and Additional Materials Edited by Deborah G. Plant Afterword Acknowledgements Founders and Original Residents of Africatown Glossary Notes Bibliography About the Editor About the Publisher

Jonah’s Gourd Vine

Their Eyes Were Watching God

Moses, Man of the Mountain

Seraph on the Suwanee

Mules and Men

Tell My Horse

Dust Tracks on a Road

Copyright Contents Cover About the Author Booklist Title Page Copyright - фото 1

Copyright Contents Cover About the Author Booklist Title Page Copyright Foreword: Those Who Love Us Never Leave Us Alone with Our Grief: Reading Barracoon: The Story of the Last “Black Cargo” by Alice Walker Introduction Editor’s Note BARRACOON Dedication PREFACE INTRODUCTION I II: THE KING ARRIVES III IV V VI: BARRACOON VII: SLAVERY VIII: FREEDOM IX: MARRIAGE X: KOSSULA LEARNS ABOUT LAW XI XII: ALONE APPENDIX Takkoi or Attako—Children’s Game Stories Kossula Told Me The Monkey and the Camel Story of de Jonah Now Disa Abraham Fadda de Faitful The Lion Woman Afterword and Additional Materials Edited by Deborah G. Plant Afterword Acknowledgements Founders and Original Residents of Africatown Glossary Notes Bibliography About the Editor About the Publisher

Barracoon The Story of the Last Slave - изображение 2

An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2018

Copyright © The Zora Neale Hurston Trust 2018

The Zora Neale Hurston Trust asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Ebook Edition © April 2018 ISBN: 9780008297671

But the inescapable fact that stuck in my craw, was: my people had sold me and the white people had bought me. . . . It impressed upon me the universal nature of greed and glory.

—Zora Neale Hurston, Dust Tracks on a Road

Barracoon: The Spanish word barracoon translates as “barracks” and is derived from barraca , which means “hut.” The term “barracoon” describes the structures used to detain Africans who would be sold and exported to Europe or the Americas. These structures, sometimes also referred to as factories, stockades, corrals, and holding pens, were built near the coast. They could be as insubstantial as a “slave shed” or as fortified as a “slave house” or “slave castle,” wherein Africans were forced into the cells of dungeons beneath the upper quarters of European administrators. Africans held in these structures had been kidnapped, captured in local wars and raids, or were trekked in from the hinterlands or interior regions across the continent. Many died in the barracoons as a consequence of their physical condition upon arrival at the coast or the length of time it took for the arrival of a ship. Some died while waiting for a ship to fill, which could take three to six months. This phase of the traffic was called the “coasting” period. During the years of suppression of the traffic, captives could be confined for several months.

Contents

Cover

About the Author About the Author About the Author Booklist Title Page Copyright Foreword: Those Who Love Us Never Leave Us Alone with Our Grief: Reading Barracoon: The Story of the Last “Black Cargo” by Alice Walker Introduction Editor’s Note BARRACOON Dedication PREFACE INTRODUCTION I II: THE KING ARRIVES III IV V VI: BARRACOON VII: SLAVERY VIII: FREEDOM IX: MARRIAGE X: KOSSULA LEARNS ABOUT LAW XI XII: ALONE APPENDIX Takkoi or Attako—Children’s Game Stories Kossula Told Me The Monkey and the Camel Story of de Jonah Now Disa Abraham Fadda de Faitful The Lion Woman Afterword and Additional Materials Edited by Deborah G. Plant Afterword Acknowledgements Founders and Original Residents of Africatown Glossary Notes Bibliography About the Editor About the Publisher ZORA NEALE HURSTON was a novelist, folklorist, and anthropologist. An author of four novels ( Jonah’s Gourd Vine , 1934; Their Eyes Were Watching God , 1937; Moses, Man of the Mountain , 1939; and Seraph on the Suwanee , 1948); two books of folklore ( Mules and Men , 1935, and Tell My Horse , 1938); an autobiography ( Dust Tracks on a Road , 1942); and more than fifty short stories, essays, and plays. She attended Howard University, Barnard College, and Columbia University, and was a graduate of Barnard College in 1927. She was born on January 7, 1891, in Notasulga, Alabama, and grew up in Eatonville, Florida. She died in Fort Pierce, Florida, in 1960. In 1973, Alice Walker had a headstone placed at her grave site with this epitaph: ZORA NEALE HURSTON: “A GENIUS OF THE SOUTH.”

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