Alice Walker - Barracoon - The Story of the Last Slave

Booklist ALSO BY ZORA NEALE HURSTON Contents Cover About the Author Booklist Title Page Copyright Foreword: Those Who Love Us Never Leave Us Alone with Our Grief: Reading Barracoon: The Story of the Last “Black Cargo” by Alice Walker Introduction Editor’s Note BARRACOON Dedication PREFACE INTRODUCTION I II: THE KING ARRIVES III IV V VI: BARRACOON VII: SLAVERY VIII: FREEDOM IX: MARRIAGE X: KOSSULA LEARNS ABOUT LAW XI XII: ALONE APPENDIX Takkoi or Attako—Children’s Game Stories Kossula Told Me The Monkey and the Camel Story of de Jonah Now Disa Abraham Fadda de Faitful The Lion Woman Afterword and Additional Materials Edited by Deborah G. Plant Afterword Acknowledgements Founders and Original Residents of Africatown Glossary Notes Bibliography About the Editor About the Publisher Jonah’s Gourd Vine Their Eyes Were Watching God Moses, Man of the Mountain Seraph on the Suwanee Mules and Men Tell My Horse Dust Tracks on a Road

Title Page

Copyright

Foreword:

Those Who Love Us Never Leave Us Alone with Our Grief: Reading Barracoon: The Story of the Last “Black Cargo” by Alice Walker

Introduction

Editor’s Note

BARRACOON

Dedication

PREFACE

INTRODUCTION

I

II: THE KING ARRIVES

III

IV

V

VI: BARRACOON

VII: SLAVERY

VIII: FREEDOM

IX: MARRIAGE

X: KOSSULA LEARNS ABOUT LAW

XI

XII: ALONE

APPENDIX

Takkoi or Attako—Children’s Game

Stories Kossula Told Me

The Monkey and the Camel

Story of de Jonah

Now Disa Abraham Fadda de Faitful

The Lion Woman

Afterword and Additional Materials Edited by Deborah G. Plant

Afterword

Acknowledgements

Founders and Original Residents of Africatown

Glossary

Notes

Bibliography

About the Editor

About the Publisher

Foreword

THOSE WHO LOVE US NEVER LEAVE US ALONE WITH OUR GRIEF

Reading Barracoon: The Story of the Last “Black Cargo”

Those who love us never leave us alone with our grief. At the moment they show us our wound, they reveal they have the medicine. Barracoon: The Story of the Last “Black Cargo” is a perfect example of this.

I’m not sure there was ever a harder read than this, for those of us duty bound to carry the ancestors, to work for them, as we engage in daily life in different parts of the world where they were brought in chains. And where they, as slaves to cruel, or curious, or indifferent, white persons (with few exceptions) existed in precarious suspension disconnected from their real life, and where we also have had to struggle to protect our humanity, to experience joy of life, in spite of everything evil we have witnessed or to which we have been subjected.

Reading Barracoon , one understands immediately the problem many black people, years ago, especially black intellectuals and political leaders, had with it. It resolutely records the atrocities African peoples inflicted on each other, long before shackled Africans, traumatized, ill, disoriented, starved, arrived on ships as “black cargo” in the hellish West. Who could face this vision of the violently cruel behavior of the “brethren” and the “sistren” who first captured our ancestors? Who would want to know, via a blow-by-blow account, how African chiefs deliberately set out to capture Africans from neighboring tribes, to provoke wars of conquest in order to capture for the slave trade people—men, women, children—who belonged to Africa? And to do this in so hideous a fashion that reading about it two hundred years later brings waves of horror and distress. This is, make no mistake, a harrowing read.

We are being shown the wound.

However, Zora Hurston’s genius has once again produced a Maestrapiece. What is a Maestrapiece? It is the feminine perspective or part of the structure, whether in stone or fancy, without which the entire edifice is a lie. And we have suffered so much from this one: that Africans were only victims of the slave trade, not participants. Poor Zora. An anthropologist, no less! A daughter of Eatonville, Florida, where truth, what was real, what actually happened to somebody, mattered. And so, she sits with Cudjo Lewis. She shares peaches and watermelon. (Imagine how many generations of black people would never admit to eating watermelon!) She gets the grisly story from one of the last people able to tell it. How black people came to America, how we were treated by black and white. How black Americans, enslaved themselves, ridiculed the Africans; making their lives so much harder. How the whites simply treated their “slaves” like pieces of machinery. But machinery that could be whipped if it didn’t produce enough. Fast enough. Machinery that could be mutilated, raped, killed, if the desire arose. Machinery that could be cheated, cheerfully, without a trace of guilt.

And then, the story of Cudjo Lewis’s life after Emancipation. His happiness with “freedom,” helping to create a community, a church, building his own house. His tender love for his wife, Seely, and their children. The horrible deaths that follow. We see a man so lonely for Africa, so lonely for his family, we are struck with the realization that he is naming something we ourselves work hard to avoid: how lonely we are too in this still foreign land: lonely for our true culture, our people, our singular connection to a specific understanding of the Universe. And that what we long for, as in Cudjo Lewis’s case, is gone forever. But we see something else: the nobility of a soul that has suffered to the point almost of erasure, and still it struggles to be whole, present, giving. Growing in love, deepening in understanding. Cudjo’s wisdom becomes so apparent, toward the end of his life, that neighbors ask him to speak to them in parables. Which he does. Offering peace.

Here is the medicine:

That though the heart is breaking, happiness can exist in a moment, also. And because the moment in which we live is all the time there really is, we can keep going. It may be true, and often is, that every person we hold dear is taken from us. Still. From moment to moment, we watch our beans and our watermelons grow. We plant. We hoe. We harvest. We share with neighbors. If a young anthropologist appears with two hams and gives us one, we look forward to enjoying it.

Life, inexhaustible, goes on. And we do too. Carrying our wounds and our medicines as we go.

Ours is an amazing, a spectacular, journey in the Americas. It is so remarkable one can only be thankful for it, bizarre as that may sound. Perhaps our planet is for learning to appreciate the extraordinary wonder of life that surrounds even our suffering, and to say Yes, if through the thickest of tears.

Alice Walker

March 2018

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