Walker Percy - The Moviegoer

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The Moviegoer: краткое содержание, описание и аннотация

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This elegantly written account of a young man's search for signs of purpose in the universe is one of the great existential texts of the postwar era and is really funny besides. Binx Bolling, inveterate cinemaphile, contemplative rake and man of the periphery, tries hedonism and tries doing the right thing, but ultimately finds redemption (or at least the prospect of it) by taking a leap of faith and quite literally embracing what only seems irrational.

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Toward her I keep a Gregory Peckish sort of distance. I am a tall black-headed fellow and I know as well as he how to keep to myself, make my eyes fine and my cheeks spare, tuck my lip and say a word or two with a nod or two.

It is just as well I keep my distance. Today it is louder than ever, this mistral whistling in my ears. I am nearly sick with it. Desire for her is like a sorrow in my heart. Ten minutes ago she rolled backwards in her little chair to hand me a letter and did not even touch me, but there singing about me was Rosenkavalier and here was the yellow-cotton smell of her and of the summer to come. Once she did touch my hand with the warm ventral flesh of her forearm: sparks flew past the corner of my eye and I actually became dizzy.

Today I read Arabia Deserta enclosed in a Standard & Poor binder. She conceals Peyton Place; I conceal Arabia Deserta.

Pleasant, as the fiery heat of the daylight is done, is our homely evening fire. The sun goes down upon a highland steppe of Arabia, whose common altitude is above three thousand feet, the thin dry air is presently refreshed, the sand is soon cold; wherein yet at three fingers’ depth is left the sunny warmth of the past day’s heat until the new sunrise. After a half hour it is the blue night, and a clear hoary starlight in which there shines the girdle of the milky way, with a marvellous clarity. As the sun is setting, the nomad housewife brings in a truss of sticks and dry bushes, which she has pulled or hoed with a mattock (a tool they have seldom) in the wilderness; she casts down this provision by our hearthside, for the sweet-smelling evening fire.

There was a time when this was the last book on earth I’d have chosen to read. Until recent years, I read only “fundamental” books, that is, key books on key subjects, such as War and Peace, the novel of novels; A Study of History , the solution of the problem of time; Schroedinger’s What is Life? , Einstein’s The Universe as I See It , and such. During those years I stood outside the universe and sought to understand it. I lived in my room as an Anyone living Anywhere and read fundamental books and only for diversion took walks around the neighborhood and saw an occasional movie. Certainly it did not matter to me where I was when I read such a book as The Expanding Universe. The greatest success of this enterprise, which I call my vertical search, came one night when I sat in a hotel room in Birmingham and read a book called The Chemistry of Life. When I finished it, it seemed to me that the main goals of my search were reached or were in principle reachable, whereupon I went out and saw a movie called It Happened One Night which was itself very good. A memorable night. The only difficulty was that though the universe had been disposed of, I myself was left over. There I lay in my hotel room with my search over yet still obliged to draw one breath and then the next. But now I have undertaken a different kind of search, a horizontal search. As a consequence, what takes place in my room is less important. What is important is what I shall find when I leave my room and wander in the neighborhood. Before, I wandered as a diversion. Now I wander seriously and sit and read as a diversion.

Sharon turns not one hair as I talk with my aunt about Kate in our old Feliciana style of talking and as I talk to Kate in our analytic style of talking. Yet she recognizes each voice and passes the phone back with a “Miz Cutrer” or a “Miss Cutrer.” Now, as she answers the phone again, it crosses my mind that she may not be entirely unselfconscious: she tilts her head and puts her pencil to her cheek like the secretary in the Prell commercial. She presses the mouthpiece against her chest.

“Mr Sartalamaccia called earlier. I forgot.”

“Is that he?”

She nods. Her agate eyes watch me. I think it over Gregory-Peckishly and hold out a hand with no time for her.

It is a matter of no importance. Mr Sartalamaccia wants to buy some land, my patrimony in fact, a worthless parcel of swamp in St Bernard Parish. He offers eight thousand dollars. It is enough to say yes here and now, but a Gregorish Peckerish idea pops into my head. I propose to Mr Sartalamaccia that he meet me on the site at ten thirty tomorrow morning. He sounds disappointed.

“Miss Kincaid, I’ll want you to come down with me to St Bernard Parish tomorrow and copy a title in the courthouse.” In truth it would be interesting to see how much my father paid for it. Any doings of my father, even his signature, is in the nature of a clue in my search.

“St Bernard Parish?” To my Sharon, fresh from Eufala, I might just as well have said Mont Saint Michel.

“We’ll be back here by one.”

“Just as long as I get back uptown by seven thirty tomorrow night.”

Now I am Gregory-grim and no fooling this time. What the devil. Three weeks in New Orleans and she’s already having dates?

2

CUSTOMERS COME IN after hours and it is late evening when I leave the office. Unlike the big downtown brokers, most of our clients are storekeepers and employed people. It is a source of satisfaction to me to make money. Not even Sharon or Arabia Deserta interferes with this. Another idea occurred to me yesterday as I read about Khalil in the high plateau country of the Negd. What gives it merit is that it should not only make money; it should also bring me closer to Sharon. I shall discuss it with her tomorrow. My first idea was the building itself. It looks like a miniature bank with its Corinthian pilasters, portico and iron scrolls over name, Cutrer, Klostermann & Lejier is lettered in Gothic and below in smaller letters, the names of the Boston mutual funds we represent. It looks far more conservative than the modern banks in Gentilly. It announces to the world: modern methods are no doubt excellent but here is good old-fashioned stability, but stability with imagination. A little bit of old New England with a Creole flavor. The Parthenon façade cost twelve thousand dollars but commissions have doubled. The young man you see inside is clearly the soul of integrity; he asks no more than to be allowed to plan your future. This is true. This is all I ask.

The sun has set but the sky is luminous and clear and apple green in the east. Nothing is left of the smog but a thumb-smudge over Chef Menteur. Bullbats hawk the insects in the warm air next to the pavement. They dive and utter their thrumming skonk-skonk and go sculling up into the bright upper air. I stop at the corner of Elysian Fields to buy a paper from Ned Daigle. Ned is a former jockey and he looks quite a bit like Leo Carroll but older and more dried-up. “What seh, Jackie,” he calls in his hoarse bass, as hoarse as the bullbats, and goes humping for the cars, snapping the papers into folds as he goes. He catches the boulevard traffic at the stoplight and often sells half a dozen papers before the light changes. Ned knows everybody at the Fairgrounds including all the local hoods and racketeers. During racing season he often brings them around to my office. For some reason or other he thinks my brokerage business is a virtuous and deserving institution, something like a church. The gangsters too; quite a few of them buy growth funds for their children. Uncle Jules would be astonished if he knew some of his customers who own Massachusetts Investors Trust.

“Is it going to be clear for Carnival, Jackie?”

We stand on the concrete island between the double streams of traffic. The light changes and off Ned goes again.

Evening is the best time in Gentilly. There are not so many trees and the buildings are low and the world is all sky. The sky is a deep bright ocean full of light and life. A mare’s tail of cirrus cloud stands in high from the Gulf. High above the Lake a broken vee of ibises points for the marshes; they go suddenly white as they fly into the tilting salient of sunlight. Swifts find a windy middle reach of sky and come twittering down so fast I think at first gnats have crossed my eyelids. In the last sector of apple green a Lockheed Connie lowers from Mobile, her running lights blinking in the dusk. Station wagons and Greyhounds and diesel rigs rumble toward the Gulf Coast, their fabulous tail-lights glowing like rubies in the darkening east. Most of the commercial buildings are empty except the filling stations where attendants hose down the concrete under the glowing discs and shells and stars.

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