Ranko Marinkovic - Cyclops

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Cyclops: краткое содержание, описание и аннотация

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In his semiautobiographical novel,
, Croatian writer Ranko Marinkovic recounts the adventures of young theater critic Melkior Tresic, an archetypal antihero who decides to starve himself to avoid fighting in the front lines of World War II. As he wanders the streets of Zagreb in a near-hallucinatory state of paranoia and malnourishment, Melkior encounters a colorful circus of characters — fortune-tellers, shamans, actors, prostitutes, bohemians, and café intellectuals — all living in a fragile dream of a society about to be changed forever.
A seminal work of postwar Eastern European literature,
reveals a little-known perspective on World War II from within the former Yugoslavia, one that has never before been available to an English-speaking audience. Vlada Stojiljkovic's able translation, improved by Ellen Elias-Bursac's insightful editing, preserves the striking brilliance of this riotously funny and densely allusive text. Along Melkior’s journey
satirizes both the delusions of the righteous military officials who feed the national bloodlust as well as the wayward intellectuals who believe themselves to be above the unpleasant realities of international conflict. Through Stojiljkovic's clear-eyed translation, Melkior’s peregrinations reveal how history happens and how the individual consciousness is swept up in the tide of political events, and this is accomplished in a mode that will resonate with readers of Charles Simic, Aleksandr Hemon, and Kundera.

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“She likes you, too, you know. Thing is, you think too much in the late Plato’s terms. Which is not her cup of tea. Frankly, she doesn’t understand that sort of pragmatics. The problem of the transition to the horizontal was invented by male insecurity. We have built poetry upon it. They like being brought down. Their worn-out ‘no’ is a form of the verb ‘keep going.’ You don’t have to be Caesar to cross that dried-up Rubicon — if indeed anything had ever run there except crocodile tears. There, I’ve expounded things at your intellectual level. You’ve got to admit. I’ve even used oratorical metaphors. Applause.”

“Nevertheless you weren’t at her place last night,” said Melkior with mulish obstinacy. “That I won’t believe.”

He really did not believe it. He could not bring himself to believe it. She’s no Enka …

“You don’t? Well, have a gander at this, Eustachius,” he took out a small latchkey from his pocket, “I can usher you immediately into that heaven, ecco la chiave del paradiso. ‘L’Amor che muove il sole e l’altre stelle,’” he declaimed, his face gazing skyward, with a gesture of high pathos. “Do you believe me now, my poor Eustachius? I really can’t see why you persist in being so hard on yourself in so determined a way, sipping from the palm of your hand, as it were, all the while surrounded by goblets and chalices brimful with pleasures. Oh you Dio-genius, you ascetic-onanist, you slimy omnia mea mecum porto oyster, you quaint plaster saint above the portal of History’s brothel, you martyr to martyromania, you self-elected weeper over the fate of Mankind … which, incidentally, includes my worthless self! Spit on me and everything else (for you do seem about to spit), make a one-hundred-and-eighty-degree turn around your vertical axis and give those mischievous hormones free rein. Life is no dream. Life is the unity of all the piggish ways known as Man. I don’t believe you still agree with the tramp Satin that man has a proud ring to it. Don’t tell me your soul admires the self-denial of the carrier pigeon or the loyalty of the dog. You are proud your-self — what do you care for loyalty and self-denial? Liberate your pigs, let them root through the pleasures, let them grunt with delight. There you have it. Call me an idiot if you like.”

“No. You’re a Superpig … in the Nietzschean sense,” smiled Melkior in bitter disgust. He started to turn around and walk away, but Ugo rushed out in front of him and made a mocking bow.

“Oh Master, teach me to achieve life eternal!” He then puffed out his chest boastfully: “At least I am a Superpig! That is something, after all! What matters is being above average. I hate the average, even the porcine average. But where were you dashing off to, Eustachius the Purest? Wait, there’s something I have to tell you! It’s important. It is about her.”

In vain. Melkior had taken off at a brisk trot and hopped aboard a tram that was just pulling away from the stop.

He could not resist looking back. Ugo was not watching the tram move away. He was walking purposefully toward the corner, entering the street where Melkior had left Viviana. He was going to run into her there. He did not need the mercy of Chance; he was guided by the smiles of angels. Black envy darkened Melkior’s thoughts. He fumbled, like a blind man, through the previous night’s uncertainties — but his tentacles found nothing. Nothing that the imagination could offer as a visual document of Ugo’s sortie. The studio flat. A projection of his ex-girlfriend Mina’s studio: the shortwave radio always on — the nocturnal green eye of the basilisk lulling the beauty to sleep on the chest of the weary hero, the display panel with its tiny illuminated windows KALUNDBORG — HILVERSUM — MOTALA — NWDR — GLW — SWF — GLW — HöRBY… oops, this was the wrong film. Melkior was booing, I’ve been swindled, I want my money back! Show aborted. House lights up. Imagination threading in another reel … Now presenting GENTLE BREATH, b/w, love story/pornographic exploit, starring BLACK FILLINGS and VIVIANA PUTTANA — directed by MELKIOR — produced by TRESFILM — stunts by UGO — masks: DON FERNANDO … and that’s it. The film proper never begins. The same opening credits keep running again and again: starring … directed by … produced by …

“Tickets please?”

But the show hasn’t even started! protested Melkior in the darkened auditorium. The voice had golden wings on its hat, with the heraldic arms of the city between. A dignitary of the tram line in visitation. Each of the faithful receives a blessing and absolution upon presentation of a ticket. Melkior, too, presented his credentials with due contrition and received blessing and absolution. And he felt pure and worthier of continuing his ride on the City Transport system. The sheer satisfaction of it! A clean-shaven ticket inspector in a dark blue uniform, with gold on his hat, a strong, tall man moving from one passenger to the next, distributing indulgences: May I see your ticket? Thank you. May I see your ticket? Thank you. … Te absolvo in nomine tramcar, amen. Te absolvo in nomine tramcar. Amen … Hallelujah, hallelujah, respond the passengers while wheels under their feet sound Bach fugues. And the sun shines on the honorable tram windows … Melkior felt a traveler’s piety in his weary heart and said contritely to himself: what a joy it is to be alive once you’ve settled your accounts with the electric tram.

But what about the iron mammoth , what about the big oaf? It’s a sly challenge to the big benefactor who would never — and this deserves repeating— never entertain the idea of running someone over. Never trust the scoundrel-automobile. But the Tram …

Rolling on, rolling on … one tram , one way, tram-trambus-bus trambus , the lyre on the roof thrumming way , the wheels drumming tram-tram … But the rhythms shaking his body went for nothing; his thoughts kept stealing back to Viviana. Now that’s love. What on earth am I to do? He knew that tonight and tomorrow and the day after and all the days of his brief civilian life until the day Pechárek howled dwaftees! he was going to be searching for her … Roaming street after street, just hoping we’ll meet, and when at last we do I’ll give my heart to you … his thought itself gave forlorn and dejected voice to the banal tune, and a welling of pain rose in his throat. He fought back sobs. He leaned his forehead on the window pane and sought to disperse his thoughts by paying attention to the world around him.

A drunk was speaking loudly:

“I’m taking no orders and that’s final!” he gave a formidable hiccup and reared to his full height, driven by the spasm in his stomach, making it all look like the position of attention, clicking his heels and raising his arm in salute:

“Humbly report, I’m taking no orders from anyone! That’s first — and most important. Secondly … if you want to put me in the cavalry, the answer’s yes. Then I’d be a cavalier, right? Make me see the horse’s ass. So what. Like the Sergeant used to say — horse’s ass. To me. And there I was serving King and country at the fortress in Petrovaradin. And the Sergeant had Mitzi a singer across the river in Novi Sad. Fine, but old Mitzi needed to be kept in her liqueurs … So … who was chosen to do the honors? Yours truly, of course. With the blue Danube out in front of me. But they never asked Can you handle it, soldier? oh no, it was Forward, march! (that’s what must comes from — march or bust, get it?) But who should I get killed for, eh, a horse’s ass? Ever seen the Danube?” this to Melkior, his sole listener. “No? Well, it doesn’t matter if you haven’t. It’s water plain and simple. Common or gar-(hic)-den variety water. Flowing all the way from Germany. And I pissed in it at Petrovaradin. Heh heh. But that was before Hitler’s time, just to be perfectly … I’m not the kind to muddy a Führer’s waters. No, it’s just I wanted to send something of mine to the Black Sea, get it? If only the Danube ran upstream, eh? Wouldn’t that be something, eh? Got your call-up papers yet?” he suddenly asked Melkior, dropping his voice confidentially. “No? I have. So will you. Anyone with two arms and two legs will be served. I’m in a Camouflage Company, camouflage kit to cover your shit. That’s the long and the short of it. Reporting tomorrow. Oh what a brave fighting man I am …” he sang in a magpie voice, twisting his neck derisively this way and that, as if defying someone in the tram.

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