Ranko Marinkovic - Cyclops

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Cyclops: краткое содержание, описание и аннотация

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In his semiautobiographical novel,
, Croatian writer Ranko Marinkovic recounts the adventures of young theater critic Melkior Tresic, an archetypal antihero who decides to starve himself to avoid fighting in the front lines of World War II. As he wanders the streets of Zagreb in a near-hallucinatory state of paranoia and malnourishment, Melkior encounters a colorful circus of characters — fortune-tellers, shamans, actors, prostitutes, bohemians, and café intellectuals — all living in a fragile dream of a society about to be changed forever.
A seminal work of postwar Eastern European literature,
reveals a little-known perspective on World War II from within the former Yugoslavia, one that has never before been available to an English-speaking audience. Vlada Stojiljkovic's able translation, improved by Ellen Elias-Bursac's insightful editing, preserves the striking brilliance of this riotously funny and densely allusive text. Along Melkior’s journey
satirizes both the delusions of the righteous military officials who feed the national bloodlust as well as the wayward intellectuals who believe themselves to be above the unpleasant realities of international conflict. Through Stojiljkovic's clear-eyed translation, Melkior’s peregrinations reveal how history happens and how the individual consciousness is swept up in the tide of political events, and this is accomplished in a mode that will resonate with readers of Charles Simic, Aleksandr Hemon, and Kundera.

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“You are now about to witness the tactics of losing potential pursuers. He’s going to the Main Post Office, you’ll see. The crowd is worst there at this time of day. He is a circumspect man, is my Prostate Pa. Pro-state-Pa, Pro-state-Pa, the three-quarter-time two-timer. Whereas I’m having to pawn an old hat — mine! — to buy cigarettes!”

Melkior understood none of this.

“Where’s he going?” he asked, all but running after Ugo.

“I told you — the Main Post Office.”

“Well, what of it? Leave him alone.”

“Leave him alone? Do you know what he’s like, a man who tells you you’re an artist and a libertine? A man who sucks a spoonful of my blood a day telling me I lavish my money on loose women? Don’t infuriate me. There, I’ve lost him!”

Indeed, Mr. Kalisto had disappeared into a crowd that suddenly spilled from a side street. Ugo stood on tiptoe and craned his neck trying to isolate that dignified head of his progenitor’s, but he eventually reported from up there: “It’s no go! All’s lost.”

“I really don’t see why you’re following him!”

“I’m following my star! My paragon! In the footsteps of my ancestor!” Ugo spat out with despairing pungency. “What am I to do now? I’ve lost a unique chance! Who knows when I’ll be able to nab him again?”

They walked idly, in silence. Ugo stole glances at passing women: he was angry and mournful and thought it improper to watch women when he was in mourning.

“To think that he solemnly signed the convention, tête-à-tête! Don’t laugh. You’ve met my mother, haven’t you? Well, he assured that deaf mistress of his that his wife was on her deathbed — expected to die within the week. And Deaf Daisy came by to see for herself. Mother received her with an open heart, in complete good faith, you know what she’s like. Deaf Daisy started grunting like a damned bear when she saw Mother alive and well. You should’ve heard the conversation in the anteroom: Deaf Daisy cooing in disappointment, in desperation, seeing her hopes blighted, Mother understanding nothing, offering her coffee, tea, cold compresses for her head, aspirin. … I’m howling with laughter in my room. Mother’s afraid for me, rushes in, Deaf Daisy hot on her heels, grunting away, wanting to see everything for herself. Mother introduces me, politely, hoping it would help. ‘This is my son,’ says she. She’s totally in the dark.

” ‘Dat’s de son?’ grunts Deaf Daisy, even more desperately. ‘But he said he’d no chidden!’ and down she falls on my bed in a dead faint. I enjoyed slapping her face to bring her to. Mother grabs my hands, won’t let me slap her, goes off to fetch water, vinegar, but by the time she’s back Deaf Daisy’s on her feet again, ready to fight. I had the devil’s own job pushing her out. Mother never mentioned it to him on account of my making a shocking exhibition of myself, and she refused to speak to me for a month for being so cruel to the poor bitch. To this day she believes Daisy was just a nut who wandered into the wrong house.

“Following this, the sinful parent was delighted to accept my conditions for keeping the secret. But he’s recently taken to complaining quietly, indeed with tears in his eyes: even the worst criminals, says he, know the length of their sentence while he doesn’t know whether it’s only for life or what. Also, the cost of living keeps going up, and seeing that he, too, is a smoker, that he, too, likes a cup of coffee now and then but is reduced to drinking espresso at a stand-up bar. … He pleaded for mercy and I pardoned him. Then he became aggressive again, the dear old moralist, the advising Polonius. Now he’s off to see Deaf Daisy again.”

“How can you tell?”

“Aah, he’s one dirty old man, is Mr. Kalisto! I’m ashamed even to tell you how I know. Can you imagine what it must be, to make me ashamed?” Melkior was laughing. He was amused by the naughtiness of Mr. Kalisto-the-moralisto.

“Do you know what he does down there?” Ugo was clearly troubled by his father’s sexual roguery. “He listens for sounds from the Ladies! The walls are thin, you can pick up an auditory signal or two from a female organism. Pathetic. But that’s what he goes down there for: an aphrodisiac for a spot of how’s your father with Deaf Daisy. That’s how I know he’s off to meet her. Ptui!” and Ugo spat in genuine disgust.

Melkior remembered Maestro: the whole business was nothing more than old men urinating. Tepid waters gurgling, false signals sent.

“Are you sure you didn’t make any of this up?”

“Make it up? He told me himself, in a state of cruel bliss, how you could hear it aaall through that waaall …” Ugo imitated him with disgusted hatred.

“Now then, this hat … What can I expect from Kikinis for it? Not even ten bucks. And not a single hole in it, as you’ll see.”

He unwrapped the hat from the newspaper and turned it to the sun.

Both their gazes dipped under the brim encountering the sight of a dark night sky thickly strewn with first, second, and third-magnitude stars.

“You can clearly see the Big Dipper, Andromeda, and Betelgeuse Alpha. Happy viewing!” Ugo was watching the constellations with an astronomer’s concern, in dead earnest. “Moth-made galaxies, soup-strainer constellations. A miniature astronomy overhead. Oh well. At least we discovered the starry sky above us and the moral law within us, like old Immanuel of Königsberg. Let us therefore follow our Polar Star like the Argonauts, let us harken to the voice of the categorical imperative within us!”

So speaking, in a kind of rapture, he entered the spacious hall of the Main Post Office, with Melkior hurrying along at his heels.

“What are we doing here?” he tried to pull him back. There were a lot of people about, businesslike, patient, as well as short-tempered, addressers. He feared Ugo’s excesses.

“I’m looking for a dome to present with the sky,” said Ugo, burning with the urge to do a good deed. “Not to worry, it’s all according to Kant: Act only on that maxim whereby thou canst at the same time will … how does it go on? Give me a clue — you’re a Kantian, aren’t you? Categorically, imperatively! Caution, the Earth is about to quake, consider lines of retreat.”

He selected an exemplary yellowish bald pate of a hurried-looking addresser and placed his old riddled hat on it with a quick, imperceptible motion. He then casually spoke to Melkior as if asking for a point of information.

“Alea jacta est!” he whispered hurriedly. “The Earth is already quaking with injured pride. This means war. Flee to Switzerland, quick!” Melkior did not hesitate: he almost ran for the exit. This is sheer madness, those people in there are going to kill him …

He just had the time to hear a “Who put this thing on my head?” coming from behind him and then it was, Run for it, run, run! The fear down his back. Knifed in the back, just like that, on account of such a rascal. Death At Main Post Office. Innocent Victim Of Misunderstanding. All over, before the war even broke out. A farewell to arms.

Yes, somebody could really take me for a … seeing that I’m … er, running away … He only calmed down outside, on the opposite pavement.

Ugo’s acte gratuit. Been reading Gide recently, imitating Lafcadio. He always imitates people. Characters in novels. The ape. He’s going to tell about it tonight (to Her). The thought hurts. Still, must admit it takes guts. Takes brass nerve to cut such silly capers. Daring. For example:

An old man, dignified, rugged, a rock, features showing the greatest greatness — a Goethe, in a word — coughs in the street (such things do happen) and spits into his handkerchief, forcefully, quite in keeping with his station, and peers — with scientific interest, as it were — into his all-important gob of phlegm.

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