Walker Percy - Lancelot

Lucy’s smooth thin brown legs scissored and flashed under her white skirt. When she hit the ball, she got her body into it, shoulders, back, and even a final flex of pelvis. She must have played tennis all her life. Decorous as she stood talking, lounged at the net, laughed, spun her racket, eyes cast down, when she served, her body arched back, then in full reach stretched, then flexed and swung in mock-erotic abandon. Served to, she waited in an easy crouch, shifting her weight to and fro.

What I see even now when I think of her is the way she picked up the ball or rather did not pick it up but toed it onto her racket in a cunning little turning in of her white-shod foot. No, not thin was she but slim, because her joints, ankle, wrist, elbow did not show bone but were a simple articulation.

Her face a brown study under her parted straight brown hair done up in back, the irises so contracted in her smiling brown eyes that she seemed both blind and fond. There was a tiny straight scar on her upper lip, diamonded with sweat, which gave the effect of a slight pout. It was more of a quirk I discovered later, the lip forever atremble, trembling on the very point of joke, irony, anger, deprecation.

There was to be a dance that night out of doors under the stars and Japanese lanterns. How to ask her? Just ask her?

What did I want? Just to dance with her, to hold that quick brown body in my arms not even close but lightly and away so I could see into her face and catch those brown eyes with mine.

Then what to do? Go blundering into the four of them between sets and straight out ask her? Skulk behind a tree and waylay her on her way to her cottage? Without being introduced? What arcane Georgia-Carolina rule would that break?

As it turned out, of course, yes I should have asked her, asked her any way at all, and of course there were no rules. And as it turned out, she had noticed me too, as girls do: seeing without looking and wondering who that tall boy was looking at her, hands in pockets under his tree. Why doesn’t he come over and state his business? Why doesn’t he ask me to the dance? She was direct: later when I showed up in her parents’ cottage and stood about smiling and watching her, uncharacteristically shy (what were the cottage rules?), she would even say it: Well? State your business.

We were married, moved into Belle Isle, had two children. Then she died. I suppose her death was tragic. But to me it seemed simply curious. How curious that she should grow pale, thin, weak, and die in a few months! Her blood turned to milk — the white cells replaced the red cells. How curious to wake up one morning alone again in Belle Isle, just as I had been alone in my youth!

Jesus, come in and sit down. You look awful. You look like the patient this morning, not me. Why so pale and sad? After all, you’re supposed to have the good news, not me. Knowing you, I think I know what ails you. You believe all right, but you’re thinking, Christ, what’s the use? Has your God turned his back on you? It was easier in Biafra, wasn’t it, than in plain old Louisiana, U.S.A.?

Well, at least I have good news. The girl in the next room answered my knock! I knocked and she knocked back! She has not caught on that we might invent a new language. She just repeats the one knock, two knocks. That is a beginning, a communication of sorts, isn’t it? When I tried a sentence, not who are you but how are you (because h has only eight knocks against w’s twenty-three), she fell silent.

How to simplify the code? Or what do you think of a note passed out my window and into hers? See how I’ve straightened out this coat hanger, but it’s not enough. Two coat hangers, perhaps.

What? Why not just go around and see her?

But she will not speak to anyone. Hm. You see that is the point. To make conversation in the old tongue, the old worn-out language. It can’t be done.

On the other hand, I could go to her door and knock twice. She would know who it was and could knock or not knock.

Then do what? Talk? Talk about what? Some years ago I discovered that I had nothing to say to anybody nor anybody to me, that is, anything worth listening to. There is nothing left to say. So I stopped talking. Until you showed up. I don’t know why I want to talk to you or what I need to tell you or need to hear from you. There is something … about that night … I discovered something. It’s strange: I have to tell you in order to know what I already know. I talk, you don’t. Perhaps you know even better than I that too much has been said already. Perhaps I talk to you because of your silence. Your silence is the only conversation I can listen to.

Then what do I want of her, the woman next door?

In some strange way she is like Lucy. Lucy was a virgin! and I did not want her otherwise. What I wanted was to dance with her on a summer night, hold her lightly and look into her eyes. I wanted Margot’s sweet Texas ass and I wanted Lucy’s opaque Georgia eyes.

This girl in the next cell is not a virgin. She was raped by three men in one night and then forced to perform fellatio on them.

I’ve learned more about her. In fact, I managed to catch a glimpse of her chart while the nurses were off in the lounge drinking coffee. She is twenty-nine and comes, like Lucy, from Georgia. She dropped out of Agnes Scott, a fine young-ladies’ school, and went to live in an artists’ community in La Jolla. The standard boring story of our times. Then, thinking better of it, of California and the New Life (which of course is not a new life at all but the last spasm of the old, the logical and inevitable culmination, the very caricature of the old, the new life being nothing more or less than what their parents would do if they dared), she removed to the Ninth Ward of New Orleans, lived in Desire project, offered herself up in service to mankind. Whereupon mankind took her up on her offer, raped her for her pains, and left her for dead in the Quarter.

Then how is she like Lucy? How is she the Lucy of the new world? Is it because the violation she suffered has in some sense restored her virginity, much as a person recovering from the plague is immune to the plague? I don’t quite know why she is so much like Lucy except that I want the same thing of her I wanted from Lucy: to come close but keep a little distance between us, to ask the simplest questions in a new language— How are you —just to hear the sound of her voice, to touch the tips of her fingers, to hand her through an open door ahead of me, my hand pressed lightly against the small of her back. The night of the day I discovered Margot’s infidelity, I left my old life path, became sober for the first time in years, bathed, shaved, dressed in clean clothes, and spent the night wide awake and watchful in my plantation rocker placed at such an angle that, looking through a window and the one clear pane of glass in the stained-glass door Margot had sure enough found for me (the final camp touch which Margot said would make the pigeonnier a charming little place and it did), I could see Belle Isle and most of the private drive.

My supper companions had left for the Holiday Inn about eleven o’clock to view the week’s rushes. That took no more than an hour, but afterwards they often got carried away by discussion, “more like knock-down-drag-out-argument,” said Margot, which went on till one or two in the morning.

How long would the knock-down-drag-out argument last that night, I wondered and, instead of drinking myself to sleep, stayed up to see.

She did not come home at all.

Or rather her Country Squire wagon, she alone in it, turned into the driveway at 8:30 the next morning, rolling so slowly that it hardly made a crunch in the pea gravel. As punctually as Kant setting out for the university at exactly six o’clock so that shopkeepers along the way could set their watches by him, it had been my custom to arise at exactly nine o’clock, stagger to a cold shower, and, of late, take a drink. At exactly 9:37 (two minutes after the news) I would take my seat at the breakfast table at Belle Isle. At 10:15 I was at my office, helping Negroes in the sixties, handling old ladies’ estates in the seventies.