Walker Percy - Lancelot

During the day I found myself looking forward to radio news on the hour. At night we watched TV and drank brandies. After the ten o’clock news I had usually grown sleepy enough to go to bed.

So what was my discovery? that for the last few years I had done nothing but fiddle at law, fiddle at history, keep up with the news (why?), watch Mary Tyler Moore, and drink myself into unconsciousness every night.

Now I remember almost everything, except — Every event in the past, the most trivial imaginable, comes back with crystal clarity. It’s that one night I blank out on — no, not blank out, but somehow can’t make the effort to remember. It seems to require a tremendous effort to focus on. What I remember is that miserable Janos Jacoby looking up at me, the firelight in the trees … The headlines come back.

SCION CRAZED BY GRIEF. RESTRAINED FROM ENTERING HOUSE. HANDS BURNED.

That night. I can’t get hold of it. Oh, I try to, but my mind slides back to the past or forward to the future.

I can remember perfectly what happened years ago, like the time we, you and I, were riding down the river on a fraternity-sorority party and were passing Jefferson Island, which lies between Mississippi and Louisiana, was claimed by both states, and in a sense belonged to neither, a kind of desert island in the middle of the U.S., so you, drinking and solitary as usual, said to no one in particular: “I think it would be nice to spend a few days in such a place,” pulled off your coat, and dove off the Tennessee Belle (that was an “act” too, wasn’t it?); I, of course, having to go after you as usual, taking just time enough to wrap some matches in a tobacco pouch, and even so it took me three hours to find you huddled shivering under a log, looking bluer than Nigger Jim and more emaciated than usual; you, ever the one to do the ultimate uncalled-for thing — I never really knew whether it was a real thing or a show-off thing. And do you know, I’ve often wondered whether your going off to the seminary out of a clear sky was not more of the same — the ultimate reckless lifetime thing. Hell, you were not Christian let alone Catholic as far as anyone could notice. So wasn’t it just like your diving off the Tennessee Belle to go from unbeliever to priest, leapfrogging on the way some eight hundred million ordinary Catholics? Was that too an act, the ultimate show-off thing or the ultimate splendid thing? You shrug and smile. And as if that weren’t enough, you weren’t content to be an ordinary priest. Father John from New Orleans; no, you had to take off for Uganda or was it Biafra? You had to go to medical school and outdo Albert Schweitzer, because of course that was outdoing even him, wasn’t it, because you had the True Faith and he didn’t, being only a Protestant.

And it didn’t turn out too well, did it? Else why are you here?

Something is wrong, isn’t it? Have you lost your faith? or is it a woman?

Is that all you can do, look at me with that same old hooded look? You smile and shrug. Christ, you don’t even know the answer yourself.

But you left, you see. And you might have stayed. Maybe you were needed here. Maybe I needed you worse than the Biafrans. If you’d been around all those years … Christ, why is it that I could never talk to anybody but you? Well, you’re here now and I can use you. I’ve discovered that I can talk to you and get closer to it, the secret I know yet don’t know. So I’ll start behind it and work up to it, or I’ll start ahead of it and work back.

My mind slides forward, to the future, to the person next door. I have an idea even crazier than one of yours. It is that somehow the future, my future, is tied up with her, that we, she and I, must start all over. Did I tell you that I saw her yesterday? Just a glimpse as I ventured out on one of my infrequent forays, this time for my monthly physical and mental examination. Her door was open. She was thin and black-haired but I couldn’t see her face; it was turned to the wall, that wall, her knees drawn up. Her calves were slim but well-developed and still surprisingly suntanned. Had she been a dancer? a tennis player? She reminded me of Lucy.

Here’s my crazy plan for the future. When I leave here, having served my time or been “cured,” I don’t want to go back to Belle Isle. I don’t want to go back to any place. The only thing I’m sure of is that the past is absolutely dead. The future must be absolutely new. This is true not only of me but of you and of everyone. A new beginning must be made. People must begin all over again, as tentatively as strangers meeting on Jefferson Island (didn’t you have something like that in mind when you spoke of the “peculiar possibilities” of Jefferson Island?). I want to go with her, a mute, psychotic, totally ravaged and defiled woman, take her to a little cottage over there — close to the river beyond Magazine Street — a little Negro shotgun cottage, and there take care of her. We could speak simply. “Are you hungry?” “Are you cold?” Perhaps we could take a walk on the levee. In the new world it will be possible to enjoy simple things once again.

But first I must communicate with her, I realize that. Have you tried talking with her? She won’t talk? She’s turned her face to the wall and that’s that.

A new life. I began a new life over a year ago when I walked out of that dark parlor after leaving the supper table. Or rather walked into that dark parlor. Now I believe there will be a third new life, just as there are three worlds, the old dead past world, the hopeless screwed-up now world, and the unknown world of the future.

So anyhow I began my new life then when I stepped out of my life routine worn bare and deep as a cowpath across a meadow, climbed out of my rut, stopped listening to the news and Mary Tyler Moore. And strangely, stopped drinking and smoking. The second I left my old life’s cowpath, I discovered I didn’t need a drink. It became possible to stand still in the dark under the oaks, hands at my sides, and watch and wait.

I forgot to tell you another thing that happened in the parlor, a small but perhaps significant thing. As I stepped into the parlor with its smell of lemon wax and damp horsehair, I stopped and shut my eyes a moment to get used to the darkness. Then as I crossed the room to the sliding doors, something moved in the corner of my eye. It was a man at the far end of the room. He was watching me. He did not look familiar. There was something wary and poised about the way he stood, shoulders angled, knees slightly bent as if he were prepared for anything. He was mostly silhouette but white on black like a reversed negative. His arms were long, one hanging lower and lemur-like from dropped shoulder. His head was cocked, turned enough so I could see the curve at the back. There was a sense about him of a vulnerability guarded against, an overcome gawkiness, a conquered frailty. Seeing such a man one thought first: Big-headed smart-boy type; then thought again: But he’s big too. If he hadn’t developed his body, worked out, he’d have a frail neck, two tendons, and a hollow between, balancing that big head. He looked like a long-distance runner who has conquered polio. He looked like a smart sissy rich boy who has devoted his life to getting over it.

Then I realized it was myself reflected in the dim pier mirror.

When I returned to the pigeonnier cold sober, I took a good look at myself in the mirror, something I hadn’t done for a long time. It was as if I had been avoiding my own eye for the past few years.

Looking at oneself in a mirror is a self-canceling phenomenon. Eyes looking into eyes make a hole which spreads out and renders one invisible. I had seen more of myself in that single glimpse of a ghostly image in the pier mirror, not knowing it was I.