Keri Hulme - The Bone People

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The Bone People: краткое содержание, описание и аннотация

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In a tower on the New Zealand sea lives Kerewin Holmes, part Maori, part European, an artist estranged from her art, a woman in exile from her family. One night her solitude is disrupted by a visitor — a speechless, mercurial boy named Simon, who tries to steal from her and then repays her with his most precious possession. As Kerewin succumbs to Simon's feral charm, she also falls under the spell of his Maori foster father Joe, who rescued the boy from a shipwreck and now treats him with an unsettling mixture of tenderness and brutality. Out of this unorthodox trinity Keri Hulme has created what is at once a mystery, a love story, and an ambitious exploration of the zone where Maori and European New Zealand meet, clash, and sometimes merge. Winner of both a Booker Prize and Pegasus Prize for Literature, The Bone People is a work of unfettered wordplay and mesmerizing emotional complexity.

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Hell, he's going to be murder to handle from now on. Though I have a suspicion, if he starts behaving badly with our stony lady here, he'll get the biggest comeuppance he's ever had. "Nothing's terrible about a haircut?" asks Kerewin, and the smiling stops. He raises one hand, eyes narrowing with concentration, and then his fingers curl together and his eyes close. He drops the hand,

defeated.

"The sound of scissors cutting through your hair?" she suggests. "Metal by your head? Somebody touching your head? What happens

to your hair afterward?"

Simon shakes his head to them all, eyes still closed.

She sits back on her haunches.

"How about a cuppa?" Joe asks quietly.

"Good idea, man… would you bring us your scissors over?" and Simon's eyes open immediately. "S'okay sunchild. I'm not going to I start cutting against your will."

She leans over and takes a handful of his hair, and he flinches.

"Look at it. Look at the ends."

The hair is thick, dead straight, wheat gold with a silver sheen. "See how that's split? And the tangle it's gotten into there? Guarantee you'd find it hard to brush through there."

"You mean I'd find it hard to brush," says Joe. "I wash and brush him still… that's the point, e tama. When you look after your hair, you can wear it how you like, and decide when you want it cut. But not now, right?" The boy pouts.

"Yik," Kerewin's voice is full of distaste. "I like that about as much as your thumb-sucking routine." She stands, groaning until her stretched ankle and thigh tendons recover. "Oath, I'm unfit… e thanks, Joe," as he sets a cup of tea by her. He lays the scissors unobtrusively beside the saucer. "Simon, you going to stay stuck on the wall like a fly, or do you

want a tea too?"

T says the boy, two fingers making one, and he sits beside Kerewin at the table. He spies the scissors a second later. He looks quickly at her, and reaches for them.

She doesn't try to stop him.

You fling them at me though chief, and I'll knock you off your seat,

but she doesn't let the thought show on her face.

To her surprise, the child takes hold of one of the long strands that are always falling in front of his eyes and gingerly cuts it through. He winces, as though it hurt him, and stops, eyes closed tightly again, scissors in one hand, hank of hair in the other.

Well I never: cliche number two, whatever next?

Nothing, it seems.

The boy stays in the same position. Joe comes with two cups of tea, glances at his son, glances at Kerewin, sits down and begins supping from his cup.

The gas heater hisses. The kitchen is warm, but the air is thick; smells of burnt fat, and underlying stink of coal gas. Yet, with people in it, the kitchen is a friendly and comfortable room, she decides, and remembers her first impression of it. Spartan it may be, but at the moment, the very bareness emphasises the companionship between her and the man, and the boy.

The budgie chirrups again, and cracks its seeds. Her swallow sounds loud in her ears. At last, Simon shifts.

He puts down the cut hair and the scissors, and opens his eyes, sighing.

"Your tea, tama?" and pushes a saucerless cup to him. The boy ignores it, holding his hand out to Joe, palm up.

It's a gesture she hasn't seen before, apparently one of apology, because Joe lays his hand on top of his son's, and says,

"That's okay. Don't throw things any more, eh?"

Simon nods. He looks very tired all of a sudden.

But when the tea has been drunk, and Joe asks, "Will you mind if I cut your hair now?" he doesn't make any demur. He hunches his shoulders and sits rigidly still, until Kerewin offers to hold him.

Why should he be so palpably afraid?

He relaxes, once on her knees. Joe keeps up a cheerful running commentary as he cuts six inches or so off, trimming it to shoulder length. He collects the hair as he goes, piling it on the table.

"You haven't got a plait yet for that pendant of yours, Tahoro Ruku?"

"No."

"Would you like one? It could be for any pendant."

"You mean, made of Sim's hair?"

"Why not?" He grins. "Same colour as flax… be all right with you, Himi?"

The boy says Yes with a fingerfall: he is still tense.

"Why not indeed?"

"Okay Kere, I'll make you one… hold still, tama, just this end bit of your fringe now."

Joe is deft, and when he asks, "How's it look?" she can say "Berloody neat," and mean it. "You ever a professional?"

"No. I had a friend who was though, and he showed me a few tricks of the trade." He holds a mirror up for the child. "Like it, Haimona?"

The boy scans his reflection, grimacing, but the grimace turns to a reluctant and shamefaced grin.

"Lotta fuss over nothing," says Joe, and he ruffles the neatness into disarray fondly.

The fire in the livingroom circle is out. After the warmth and company of the Gillayleys, the Tower seems as cold and ascetical as a tombstone. Me silent dank grave. And mere months ago, they were the ones who lived in a chilly institutional hutch… what's happened? she asks herself, grieving. Even my home is turning against me-

"Mind you," Joe had said to Kerewin, "that's the first time he's ever sat still long enough for me to do a decent job. Piri tried to hold him once, and got bitten for his trouble. The other times after Hana died," he sighed, "sheesh, all those other times… there's only been me here eh, which means I've had to give him a belting so he'll do as he's told… you ever try shearing sheep? Unwilling sheep?"

"I've worked as rousie, never shearer, but I've seen them carry on."

"Well, he's a handful like that, only worse. So thank you very much from both of us for making this time easy and good. Maybe he'll be okay from now on?"

"Maybe. Let's hope so."

She left soon after.

The night is still young, but she can't be bothered relighting the fire.

Shall I drink this depression off? Nah, I'll try sleeping it out, first.

She doesn't bother with a lamp, plodding up the spiral in the gloomy dark.

She does light the great candle that stands by her bed.

Three foot high, inches wide, intended to provide the easterlight in a church. It is rooted in a massive pottery base she made three years ago: the base is decorated with spirals that wind and flow together, like eddies of smoke, eddies of water.

Spirals make more sense than crosses, joys more than sorrows-

She sits down on the bed edge, watching the flickering candle flame.

A writhing fire, dancing on this candle… twisting to an inward wind, then spiring up orange and smoking…

There are moths in the room. Willowisp silver of their wings, out in the shadow bounds, a shimmering irregular beat, sought seen caught out of the corner of the eye-

I wonder if Sim sees auras like that? A twist of wayward light, or thick clouding smoke. Lights, he said, but… I wonder if he's dreaming now? Joe says he does, hence the trichloral and put him to bed soon after we finished trimming his hair… though it wouldn't have needed dope to make him sleep. He was exhausted… and what is there about cutting hair that should bring home his nightmares to him? And damn it, soul… Joe and his care and love of the brat — and then the casual admission that the only way he can control Sim is to whack him into submission. What about korero, Joe? What about our tribe's famous talk-it-out with all concerned? It worked tonight. Give the urchin reasons, and time to think things out, and he responds, even more than you'd expect. You can bring him round with a little talk, a bit of humour and sympathy, round to wherever you want. E man, you can't be so short on understanding, even given your past, that the only way you can handle Simon P is to knock him about. And if he's such a burden, you've said yourself that the Tainuis would take him tomorrow. So, given that you love him, why not take that extra time and trouble with him? Instead of yelling like tonight… and I wonder what would've happened if I hadn't come along just then? To hell, Holmes, what's the point of thinking about this? You know damn well you'll never say it to Gillayley.

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