Keri Hulme - The Bone People

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The Bone People: краткое содержание, описание и аннотация

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In a tower on the New Zealand sea lives Kerewin Holmes, part Maori, part European, an artist estranged from her art, a woman in exile from her family. One night her solitude is disrupted by a visitor — a speechless, mercurial boy named Simon, who tries to steal from her and then repays her with his most precious possession. As Kerewin succumbs to Simon's feral charm, she also falls under the spell of his Maori foster father Joe, who rescued the boy from a shipwreck and now treats him with an unsettling mixture of tenderness and brutality. Out of this unorthodox trinity Keri Hulme has created what is at once a mystery, a love story, and an ambitious exploration of the zone where Maori and European New Zealand meet, clash, and sometimes merge. Winner of both a Booker Prize and Pegasus Prize for Literature, The Bone People is a work of unfettered wordplay and mesmerizing emotional complexity.

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very strange, but whereas by blood, flesh and inheritance, I am but an eighth Maori, by heart, spirit, and inclination, I feel all Maori. Or," she looked down into the drink, "I used to. Now it feels like the best part of me has got lost in the way I live."

Joe was very still; so softly, that it was almost on a level with his breathing,

"That's the way I feel most of the time." More loudly, "My father's father was English so I'm not yer 100 % pure. But I'm Maori. And that's the way I feel too, the way you said, that the Maoritanga has got lost in the way I live."

He shook his head and sighed.

"God, that's funny. I never said that to anyone before, not to Piri or Marama or Wherahiko, or Ben. Not even to my wife."

"She was Maori too?"

"Tuhoe."

"Yeah."

He drank the rest of his cocoa at one swallow.

"Ho well." He slides his hands under Simon and gently lifts him, and stands in a graceful exact movement straight to his feet. The child doesn't stir.

"Kerewin…."

"Yes?"

"I don't know how to say thank you except this way." He says very formally, "Ka whakapai au kia koe mo tauatawhai."

Kerewin smiles. "Ka pai, e hoa."

Joe gives her a brilliant smile back. "We see you again?"

She considers, for all of a second,

"I'll give you a ring, eh?"

"Yes. Well," moving to the doorway, "anything you want or need, and think I can help, just give me a yell. You got friends," he smiles to her again, "one crazy kid and a mixed-up Maori. Should take you far-"

"How about this non-painting painter who's not sure whether she's

coming or going? You'll get a long way with me, too-" She's aware

that this is the first time she's said "Pax, friends," to anyone for a decade.

"Do you need a hand to carry that bag?"

He shakes his head. "Would you give us the parka out of it though? I'll bet it's still drizzling outside."

"It is."

Holding the sleeping boy with one arm, Joe adjusts the parka over his own head with the other, so the jacket forms a tent-like covering, sheltering the child as well as himself.

"You'll be OK on the bike?"

"We're used to it. I'll just park him in front and he'll probably go back to sleep before we're out of your road."

Kerewin chuckles.

"I'll believe it, unlikely and all as it sounds.'

Rich night. A promise of times to come… maybe. She sat a long time by the fire after the echo of the bike's engine had died. No sound now but winds and trees and the omnipresent sea.

Going! Going! The clock's just gone eleven.

She stretched and groaned and yawned herself awake.

"Gorecrows, gorecrows," moaning it for no good reason except it fitted the sound she wanted to make and her bloody turn of mind.

It was raining. Heavy grey clouds rimmed the horizon of the livingroom circle. A small patch of blue sky scarred with white said the day was trying to come fine.

There was a template of a drawing in her mind, spidery and shadowed, a remnant of dreams. She doodled with a fine-tip on a block of heavily textured paper, making tangles of lines, but the spider shadow was still obscure. She felt it to be worth digging out.

"You are there!" digging the tip hard into the paper, grooving it and spoiling the woven abstract patterns. "Ah to hell, come out."

Ripping the page off the block and hurling it against the wall didn't achieve anything. Hitting her closed fist on the table didn't do much either. She jammed her hands into jean pockets, breathing hard.

"Get your fishing gear, Holmes."

Funny how words echoed now, where before they sounded right, her voice for her ears.

"Calm down, o soul. Be reasonable, a serene and rational being."

Her heart belies the words, therdunk, therdunk, beating harder and harder.

I am exceedingly angry for no good reason.

"Ah shit and apricots, why'd it have to be this way?" calling loudly, anguish in her voice. "I have everything I need, but I have lost the main part."

"Damn. Damned. Damned." Thumping the handrail so it quivers, all the way downstairs. At the bottom, the flukes are shaking.

She soothes them with a finger, and then leans her head upon them.

"If the weather stays fine, I'll take a trip out past the heads. Set a pot or two, and then be with dolphins for hours. I'll use the berloody boat for a change instead of having it barnacle up at the mooring."

She pulls the door open: the blue piece of sky is shrinking. The

lowering bulbous rim has edged forward.

"Ahh, bugger it all," but she has lost her anger. She's filled with a soft woolly despair. "It'd figure," resigned, "go upstairs and sit in your big chair and twirl merrily round. Contemplate your easels. Pretend you're an artist again. Pah!" spitting.

The spit landed on a dandelion.

It was an even bet it would have. For, regardless of winter frosts, dandelions grow here all year round. They know where they're welcome. She cultivates them, doping the ground with things dandelions like, and helpfully spreading seed by blowing the clocks.

Wine. Ersatz coffee. Salad greens. A diuretic, if I need such a thing. Pickles from the roots. Dry the leaves for a green stock for soup. And tea can be made from the leaves as well… not to mention the superb aureoles glowing, a feast for the most miserly eyes. What more could you ask from a simple plant?

She apologises to the spat flower, and turns to go inside.

When round the edge of the wall, something. Steps light and limping on the grass.

"God in hell, it can't be."

God in hell, it is.

There stands the guttersnipe on top of her flowers, a grin wide and welcoming on his face.

"Haunted," she says to him, without a hello. "Trailed by ghosts."

The grin becomes a ghost of itself.

"What on earth are you doing here? It's Tuesday and a schoolday."

It's exorcised entirely.

He holds a note out to her, and stands frowning, rubbing a groove in the damp grass with the toe of his sandal.

"O boy, here was I wondering what to do now I can't go and play with my especial snouted friends, and guess what turns up?"

She stuffs the note into a back pocket, and holds out her hand.

"C'mon urchin, you're just in time for lunch," and laughs at the double meaning.

He takes the hand but doesn't move, looking up at this lady of the fire, outlined by the retreating sun and full of a strange gaiety that seems close to despair. He holds her hand more tightly, sweeps his eyes from her wild flurry of hair down to her bare feet, what is wrong? Where is it wrong? Can I help? up to the odd pendant that hangs, like his label, in the middle of her chest. Only her pendant is made of a blue stone, carved like a complex opened knot.

"That," she says, after tracing his gaze, "is a sort of Sufic symbol. Worked quite cunningly in turquoise. The circle is silver."

She takes her hand away to hold it closer for him to see, poised between her forefingers.

She doesn't like holding hands.

He is amused.

"Okay," mistaking the small shark grin, "so I gloat too much on things I like. Inside, Gillayley, before I change my mind and send you away.

"Not really," she says, inside the hall. "I suppose it's a compliment that you want to stay, eh. But only God knows why," and she sighs.

She stands at the bottom of the spiral and chants,

"There is both amber and lodestone.

Whether thou art iron or straw,

thou wilt come to the hook."

She stops, frowning at the silent crucifix.

"Why should that come to mind?" Over her shoulder to the silent child, "From the Masnawi by a poet called Rumi."

Jalal-uddin the Sufi.

Ah hah, back to the Sufic knot. Not to mention fishing. Quid est.

In the living room, he looks round and sighs. Then he turns to her and hunches his shoulders. He stands there, staring.

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