John Banville - The Infinities

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The Infinities: краткое содержание, описание и аннотация

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On a languid midsummer’s day in the countryside, old Adam Godley, a renowned theoretical mathematician, is dying. His family gathers at his bedside: his son, young Adam, struggling to maintain his marriage to a radiantly beautiful actress; his nineteen-year-old daughter, Petra, filled with voices and visions as she waits for the inevitable; their mother, Ursula, whose relations with the Godley children are strained at best; and Petra’s “young man”—very likely more interested in the father than the daughter — who has arrived for a superbly ill-timed visit.
But the Godley family is not alone in their vigil. Around them hovers a family of mischievous immortals — among them, Zeus, who has his eye on young Adam’s wife; Pan, who has taken the doughy, perspiring form of an old unwelcome acquaintance; and Hermes, who is the genial and omniscient narrator: “We too are petty and vindictive,” he tells us, “just like you, when we are put to it.” As old Adam’s days on earth run down, these unearthly beings start to stir up trouble, to sometimes wildly unintended effect. .
Blissfully inventive and playful, rich in psychological insight and sensual detail,
is at once a gloriously earthy romp and a wise look at the terrible, wonderful plight of being human — a dazzling novel from one of the most widely admired and acclaimed writers at work today.

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“—an infinity of infinities,” Benny is saying, “all crossing and breaking into each other, all here and invisible, a complex of worlds beyond what anyone before him had imagined ever was there — well, you can imagine the effect.” At last it seems they have remembered the man in the bed, but once again it is Benny alone who approaches in his creaky shoes and leans over me, and I hear him breathing down his crushed little nose, and feel another waft of his warm and sweetish breath against my face. “Well,” he says again, so softly, almost a whisper, that it must be me once more he is addressing, “well, you can imagine,” and again softly laughs.

Inge the gauge-theorist. Why did I think of her when thinking of him? Oh, yes, because I was with her that first time I met him — I believe it was the first time, that time — but also because poor shivering Inge was so much the opposite of the egregious Benny. Picture me there at that long white table, gazing out at the white birches, my nostrils flared in boredom and disdain, a fist set down before me on the tablecloth like a clenched crab, while Benny sought to woo me. Bereft and melancholy though I was, I was a handsome fellow in those days, no doubt of that. Whom did I resemble? Oppenheimer, say, J. Robert, who failed to build the bomb he boasted so much of, or Hilbert the geometer, who had a nice beard like mine — one of those cold and lofty doctors, anyway, whom the world takes as the very model of a bloodless man of science. Benny beside me is leaning forward in a conspiratorial crouch, murmuring blandishments and breathing into my water glass. He says we should get out of here and go to a place he knows down on the waterfront, a venerable tavern where Tycho Brahe is said to have stopped for a night on his way to Prague to take up the post of assistant to Johannes Kepler, the Emperor Rudolf’s Imperial Mathematician, long ago, and where there are bear paws on the menu. We can sit on the terrace there and look across the water to the palely twinkling lights of distant Heligoland — or Hveen, is it? — and drink the speciality of the house, an aquavit with specks of gold dust, real gold dust, swirling in its depths. He has things to tell me, propositions to put. I do not deign to respond to these hot urgings of his. Aquavit, indeed — bear paws!

Nevertheless, it was the early hours though still not dark when I got back from town, panting, in wild disorder, with a split lip and a sleeve torn half-way out of my jacket. Where now was Benny, my bad companion, my cicerone into occasions of sin? Somewhere among the harbour dives he had abandoned me, or I had given him the slip. I did not want to go back to the hotel room where Inge would be under the bedclothes sobbing into her fist. In a state of fuddled euphoria and still breathing hard I wandered down to the lake — there was a lake — and watched a huge sun roll slowly along its shallow arc and tip the horizon in a splash of gold and promptly begin to ascend again. Behind me, in the lead-blue twilight, a flock of white birds dived and wheeled among the birches. Next day, if one may speak of separate nights and days up there at that time of year, I managed to get two places on a seaplane going south, and together Inge and I made our escape from Ultima Thule, seeing far below us two tiny armies all in white swarming towards each other over the tundra.

So is Benny my bad self, or one that I shed and should not have? Before him I had spent my life in hiding, head well down and the little eyes peering out. He tracked me to my lair then, too. It is not too much to say that everything I have done since that northern midsummer day when he flushed me out has been imbued with the dark wash of his presence. He — I say he when I think I mean I. I did great things, I scaled high peaks — such silken ropes, such gleaming grapnels! — and always he was there, scrambling behind me. That was then. I made a world — worlds! — and afterwards what was there left to do but wile away the day of rest, the interminable, idle Sunday that the remainder of my life has been. So why has he come?

III

9

What? Um . Must have dropped off for a minute there. I am getting as dopily drowsy as my old Dad. Let me see, what has been happening in my absence? There is a sense in the house of people poking their heads warily above the parapets after an explosion that did not happen. That is the effect of Benny Grace’s disruptive arrival. Yet why so much unease? See him now, quite content and peaceable, sunning himself in the sunken garden behind the conservatory. He is sitting on a stone step between two ornamental low stone pillars, with his jacket off and his shirt sleeves rolled. He has taken off his shoes and socks, too, to give his feet an airing, and at last we get a look at those goatish hoofs of his. In fact, disappointingly, they are more like a pig’s trotters, blunt and pink with the toes all bunched together and the nails thick and tough as horn. His braces are bright blue. He is enjoying the heat of the sun on his bare pate. Through a gap between the straining buttons of his shirt he palps with idle fingers the folds of his belly, eyeing lazily, like the happy faun he is at heart, the sweltering bank of stirless trees that edges the garden. A hamadryad is a wood-nymph, also a poisonous snake in India, and an Abyssinian baboon. It takes a god to know a thing like that.

Preparations are under way for a late lunch, late because of Benny’s coming, which has upset and delayed everything. Faintly behind him he hears the sound of plates and silverware being laid out, and now and then in the glass of the conservatory Ivy Blount’s stark features materialise from the shadows as she makes another round of the table in there, for each time that she passes she comes forward and bends a hostile eye on Benny’s fat, sloped back. As to this conservatory, it is really just another room of the house, the front wall of which was knocked out at some forgotten time in Arden’s history and replaced by a large ugly extrusion of iron-framed glass. There must be hundreds of small panes in this structure, some of them original and bearing whorls and stipples from the oil on which the sheets of float-glass were poured out — oh, yes, my knowledge is not confined to flora and fauna, for among my many crafty attributes I am a maker and inventor and know the secrets of every trade and skill; I am, you might say, I might say, a Faust and Mephisto rolled into one. The metal frames fit ill and in the windy seasons let in vents of bitter cold, while at the start of summer the room swelters and only begins to be bearable in these last weeks of June when the sun is in the zenith and its rays do not strike directly through the glazing. The chicken is being cooked, and now and then Benny catches the smell of it; the savour of roasting flesh sets his saliva glands spurting. He has travelled far, he is hungry.

In the kitchen Ursula in her shapeless cardigan stands motionless. She has to lean forward and squint at an angle through the window above the sink to see Benny where he is sitting outside on the step. She knows who he must be. She recalls the first time Adam told her about him. Deep winter on Haggard Head and the two of them standing side by side in his study. They were not fighting, exactly. The sea far below the window was a bowl of steel shavings and the sky was steely too and there was no horizon visible. He was holding her wrist in the circle of a finger and thumb and squeezing so hard the small bones creaked and tears came into her eyes — how strong his hands were; they always reminded her of the metal claws in those fairground machines that children pay a penny to scrabble in for plastic toys or balls of bubble gum. It was his way to grab at her, distractedly, at the boy, too, young Adam, and give a pinch, a pull, a shove. She can see herself, a quarter of a century ago, standing there, and him holding on to her, and her biting her lip to keep from crying out. He did not mean to hurt, she did not think he did. Outside, the rain had begun to congeal into flakes of wet haphazard snow that spattered against the window-panes and dribbled down the glass like spit. No, he did not mean to hurt. How long had he known Benny Grace before he told her about him, him, and the woman? Oh, years, he said; years.

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